Everybody Wants to Rule the (Top of the) World

To the victors go the spoils of war. Often unheralded of course is the spoil of drawing the new map. But, in and among the Himalayas, the territory of Jammu and Kashmir is yet to be won decisively by any side. Look at 1947, 1965, and 1999, we still have the territory contested and different parts controlled by different countries.

The current boundaries in Kashmir
The current boundaries in Kashmir

The Economist, noting the potential flashpoint, created an interactive map to highlight the region and the situation, wherein one can view the different claims and how they overlap. Nothing particularly fancy, but it need not be to clearly communicate the fact that Jammu and Kashmir is mess of the most sovereign order.

However, the interesting bit of the story is how in India the government, which claims the entirety of the territory, censored the print-edition of the Economist wherein the conflicting claims and current lines-of-control were drawn with a sticker because the map was incorrect, to use the BBC’s word, as it showed the region divided between India, Pakistan, and China.

Note here the Pakistani claim versus the Indian claim—I shall leave you, the reader, to investigate the differences between the Chinese claim.

The Pakistani claim
The Pakistani claim
The Indian claim
The Indian claim

Author: Brendan Barry

I am a graphic designer who focuses on information design. My day job? I am the data visualisation manager for the Federal Reserve Bank of Philadelphia. (This blog is my something I do on my own time and does not represent the views of the Fed, blah blah blah legal stuff.) And with my main interest in information design—be it in the shape of clear charts, maps, diagrams, or wayfinding systems—I am fortunate that my day job focuses on data visualisation. Outside of work, I try to stay busy with personal design work. Away from the world of design, I enjoy cooking and reading and am interested in various subjects from history and geography to politics to science to the arts. And I allow all of them to influence my work.

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