I am a graphic designer who focuses on information design. My day job? I am the data visualisation manager for the Federal Reserve Bank of Philadelphia. (This blog is my something I do on my own time and does not represent the views of the Fed, blah blah blah legal stuff.) And with my main interest in information design—be it in the shape of clear charts, maps, diagrams, or wayfinding systems—I am fortunate that my day job focuses on data visualisation. Outside of work, I try to stay busy with personal design work. Away from the world of design, I enjoy cooking and reading and am interested in various subjects from history and geography to politics to science to the arts. And I allow all of them to influence my work.
The United States was founded on the East Coast as English (and the odd Scottish) colonies with the old cities of Philadelphia, Boston, and New York. These first colonies became the original 13 states. Ever since the 18th century, we have expanded westward into the Ohio Territory, the Northwest Territory, French colonies, Spanish colonies turned Mexico, and then again the British in the Pacific Northwest. (Overly simplified history of the United States’ growth, but it shall do.)
Every ten years, the United States is constitutionally obligated to hold a census. You cannot elect representatives to make political decisions for you if you do not know how many of you there are and where you live. But what these decennial censuses show are how the demographics of the United States have changed, with the population shifting from the East Coast, once almost 100% of the population, to the lands south and west. It’s only natural when you consider how unpopulated that part of the continent is.
But, because we rely on these censuses to redraw political districts and boundaries, every ten years politicians make much ado about…well, something. This article by the New York Times looks at how these changes are set to affect the Midwest in particular and this graphic, while simple, charts the congressional power of the Midwest through the total number of seats held in Congress over the years.
This piece comes from my coworker, Ben, who found the graphic in Scientific American. Broadly speaking the piece is looking at the obese and the overweight in the United States, comparing the numbers of both children and adults in 1980 to 2008. These numbers are supplemented by the risk of death posed to both men and women from a few different causes. (I know at least diabetes is linked to weight, but as to whether the others are linked I am unaware.)
I have a few quibbles with the piece; for in general I think educating the public about the health risks of obesity a worthy endeavour. From a more scientific-ish point of view, as I recall, BMI (body mass index) is not a particularly useful tool in determining obesity because it fails to differentiate people who are heavy with fat from those who are heavy with muscles. A strong and regular weight-lifter is not necessarily overweight, but simply has a lot of muscles. Does that make the weight-lifter less healthy than those with lots of body fat? Methinks not.
From the data side, I am curious to know why only the two years? It may very well be that they are the only two years for which relevant data exists. But I doubt that. 1980 compared to 2008 is interesting, but perhaps already well-known. What would perhaps be more interesting is whether over the past few years, the increasing attention paid to weight and other health issues has begun to affect the growth of the obesity problem—poor pun very much intended.
The accompanying text makes a point about the number of adult Americans being obese. Certainly the dots as a percentage of the population achieve that goal of showing percents—though I hasten to add that their arrangement around the body in the centre does very little to aid in comparing the adults of 1980 to 2000 let alone the children. And as to the children, the article points out that they are growing fastest. At this, however, I can only take the authors at their word for the graphic does nothing to visualise this statement. Perhaps they outgrew the adults—but then the adults were themselves at one point children, but that is another matter—but their growth could now be slowing as a recent turn of events. But since we only have two years, we cannot know for certain.
The risk of death by [type of death] is interesting. But running bar charts as more of a radial chart could become a bit confusing. Is there any reason the bars grow in width as they extend further out? Or was that part of an all-too-obvious play on the problem. After all, the growth in area could be significant; a simple line of constant stroke to a point along the radial distance markers would have sufficed. And then I would be particularly curious to know whether any of these types of death are related to obesity. Neither the article nor the graphic provide any clues besides whatever knowledge the viewer brings to the table. (Okay, I think I am done with the puns.) And if one happens across the article with almost no knowledge of what diseases or medical conditions are caused by obesity, how does the graphic tie into the cost of healthcare costs brought upon the country by obesity.
Overall, I think the graphic is well-intentioned. The public is becoming more accustomed to seeing data visualised. However, we need to make certain that we are communicating clearly by making datapoints easier to compare. (Looking at things across half of a circle is a bit tricky.) And then we need to make certain that the data we are visualising supports our statements. (Are children really the fastest growing? Over what span of time?) And then take the time to explain to the audience those things that may not be common knowledge. Does that mean dumb a piece down to the lowest common denominator of someone who has absolutely no knowledge? No. Design needs to elevate and educate its audience. Perhaps some of the finer details remain unexplained because of sheer complexity, but when amidst a host of details well-understood, that confounding bit may push an unsure viewer to do some additional research and educate him- or herself about the subject matter. And that, surely, is not a bad thing.
It’s Monday. The day of the week we hate the most when we realise that we really do have to wake up. Myself, I on occasion throw in some choice words as I swat my alarm clock. This graphic, from xkcd, is apropos as—well, you get the idea.
This comes via the blog The Map Room. Designer Yanko Tsvetkov created a series of maps that most wholly, completely, and accurately represent the cultures, peoples, and attitudes of various European countries towards, well, other European countries. Some of the usual suspects are in there, the Brits, the French, and the Germans. However, I find the Bulgarian perspective, my screenshot choice, of interest because one does not typically find Bulgaria in the list of usual suspects. (Though one perhaps should as it is a member of the European Union unlike the Norways, Switzerlands, and Icelands of Europe.)
Anyway, these are funny—even if one does not necessarily understand the background to the humour there are enough that even we Americans can understand.
But anyways, according to the National Bureau of Economic Research—the people who declare when recessions and such begin and end—the recession that began in December 2007 ended in June 2009. Good news of a sort. And so naturally the press covered it, including the Wall Street Journal.
They included this image:
One, the drop shadows are unnecessary and the giant diamonds hide the actual turning point. The former could be eliminated and therefore allow the line to have greater, crisper detail as the colour should be enough to differentiate the lines. The drop shadow just sort of blurs everything together. The diamond could either be smaller or simply denoted on the timeline and thus allow the entirety of the line to be shown.
What I do appreciate, however, is that the first two charts show the same timeline and therefore allow for an easy comparison of the GDP turnaround to the jobs turnaround. And as one can see, while the recession has ended, if this most recent one is to follow in the paths of its predecessors, jobs will be a long time in returning to pre-recessionary levels.
Courtesy of Feras, this is from the magazine Complex that was the light entertainment for the office this day. It is, of course, an advert for Las Vegas. But in a magazine apparently aimed at men, this felt like a good Friday evening, i.e. pre-bar or other, mixed-gender, social outing, information graphic to share.
I normally do not comment on advertising and such, but I found this story, via the BBC, of interest. This British advertisement for Antonio Federici ice cream, with the tag line ‘immaculately conceived’, has been banned for mocking Catholics on the eve of the Pope’s visit to the United Kingdom. I found it funny and clever and was disappointed to hear that the advert had been banned. This second image is from the same campaign. No word on whether it too has been banned.
These are screen captures from the ice cream company’s website. According to Campaign the company did the work in house, specific credit not given.
The big voting day in November is slowly—or rapidly—approaching. But before we get to the main fight, we have all the small-ring events to tease us. And to whet our appetite for magic walls and holographic projections and all the other technological wizardry that shall amaze and astound us all, we have nice graphics about the primaries.
This comes from the New York Times, in particular covering the Delaware primary where Mike Castle, long-time moderate Republican, has lost his party’s primary to a Tea Party candidate. (One wonders what would happen if the Tea Party candidates ran as an actual third party instead of co-opting the Republican party.) In general, the Times has there coverage pretty nailed down.
It is worth checking out their site for the mid-terms coming up if not for the news but then for the maps and charts they use to visualise all the data. (And with modern-day polling, how could we ever not have enough data to visualise?) After all, I will probably comment upon their work a few more times before Election Day.
I like maps, I really do. And I also like politics. And that means I love election maps. Or just voting maps. This here comes from a Turkish news outlet, Today’s Zaman, via the Economist’s article on the election. A (very) brief background for those unfamiliar with the matter at hand: Turkey wants to be admitted into the European Union (EU), but the EU requires reforms made to the Turkish constitution to bring Turkey up to EU standards in terms of law, liberalism, &c. All well and good, except that Turkey has a unique history of being a staunchly secular country where Islam is the dominant religion. Relaxing the rules against Turkey’s strict brand of secularism has stoked resentment and controversy from those on the staunchly secular side. And the constitutional changes that upset this group of people are being enacted by a political party whose history is that of a party based in Islam. It gets a bit tricky…
But about the graphic…
First, I think a good if not expected place to start is with the three-dimensional pie chart and map. These two visual elements add little if not subtract from the overall graphic. By putting the ‘No’ vote in the background it is made to appear smaller than the ‘Yes’ vote and can be seen as marginalising that portion of the vote. Furthermore, note the change in the colour of the type for each section of the chart. While the orange and white is certainly a high contrast, the black versus white is even higher.
As to the map, I am not an expert in Turkish geography, but this appears to simply be adding a weird three-dimensional effect to the edges of an otherwise flat map. At least I should hope the map is otherwise flat and not distorting the geography. One can always make the argument that a map is not needed to show a single datapoint, in this case the ‘victor’ in the vote. However, from the perspective of an American not familiar with Turkish provinces (assuming they are indeed called provinces), this map is far more meaningful than would a statistically more valuable chart highlighting the discrepancy in the vote. After all the little miniature pies in each province are largely useless except in the most obvious of differences. To actually show and detail the degree of victory a bar chart for all provinces would be more useful.
Or perhaps a compromise that would show each province in a colour that reflects the overall victor, yes or no, and the degree to which that camp beat the other through use of a gradient. Would that be ideal for showing the details of the numbers? No, not at all, but it would highlight that while the ‘No’ vote was concentrated along the western and northern provinces—do they share a political similarity because of their bordering on the Aegean or some other reason?—but that the strongest ‘No’ vote was in the very northwest—geographically the most European part—of Turkey, excepting some exceptional province in the centre of the country. None of this, of course, deals with the density of the population in each province, for none of that is known to me as a non-Turkish observer.
The colours, white and orange, work when considered against the blueish background. Of course, why the bluish background? It might be a branding element or some other such visual styling well-established with the news outlet with which I am unfamiliar. But if not, it does not really add anything other than that glossy feel. The white as a choice for the ‘Yes’ vote is interesting, because it draws more attention to the presence of the ‘No’ vote in the north and west whereas the positioning of the wedges of the pie in the pie chart would hint that the important element to draw forward is that of the ‘Yes’ vote. In terms of the message or the thesis of the graphic, I am unsure. However, using white to allow the orange to come forward is itself a nice visual touch to bring out one or the other camp. Now if only I could figure out which the graphic was going for…
All in all, it is an interesting piece that puts the news story in more context than I might typically read in a straight, text-only article. It has some flaws, but that might be owing to my perspective as an outsider looking in.