Today’s post is, I think, the first time I’ve featured the Politico on my blog. Politico is, I confess, a regular part of my daily media diet. But I never thought of it as a great publication for data visualisation. Maybe that is changing?
Anyway, today’s post highlights an article on how the Irish shipping/logistics industry could be affected by Brexit. To do so, they looked at data sets including destinations, port volume, and travel times. Basically, the imposition of customs controls at the Irish border will mean increased travelling times, which are not so great for time-sensitive shipments.
This screenshot if of an animated .gif showing how pre-Brexit transit was conducted through the UK to English Channel ports and then on into the continent. Post-Brexit, to maintain freedom of movement, freight would have to transit the Irish Sea and then the English Channel before arriving on the continent. The piece continues with a few other charts.
My only question would be, is the animation necessary? From the scale of the graphic—it is rather large—we can see an abstracted shape of the European coastlines—that is to say it’s rather angular. I wonder if a tighter cropping on the route and then subdividing the space into three different ‘options’ would have been at least as equally effective.
Credit for the piece goes to Politico’s graphics department.
Last week the Economist posted an intriguing article about the relationship between culinary choices/preferences and education and income. It began with an article by David Brooks in the Times, which I have not read, talking about how culture can create inequality as much as economics or government policy. The Economist then conducted a survey looking at the relationship between food preferences and both education and income. This is a screenshot of some of their results.
Yes, correlation is not causation, but these are some fascinating findings that suggest we should perhaps explore the idea in more depth.
As to the graphics, we have nothing super sophisticated, just a matrix of small multiples. But that goes to the point of “simple” graphics sometimes can do wonders for a story.
Credit for the piece goes to the Economist graphics department.
Well after the last two weeks of recording solo trivia performances, I decided that this week I would showcase a team effort.
And we finally placed, ending the performance tied for first place. But if you look closely you will see the final score has us at second. Why when we were tied with the same number of points? Because tiebreaker. And after I was selected to represent the team, I needed to respond, within three seconds, with the names of Tom Hanks films in a back-and-forth response.
I could name only Saving Private Ryan and Castaway. My competitor, she named three. They won.
This past Wednesday I once again ended up playing trivia at the pub solo. Once again, I decided over the final pint that I would attempt to visualise my performance.
One thing to keep in mind is that on Wednesday there were fewer teams competing—five instead of nine. And while I never placed higher than tied for third, this week’s bar charts show how I was incredibly competitive until the final music round.
Despite an abysmal performance at naming celebrities as they were as children, my near-perfect second round kept me only five points behind first place. And a perfect fourth round meant heading into that final round I climbed back to being only three points back. Thankfully I knew more of the songs this past week. And enough to not finish last. But, I was close enough that a perfect round would have been enough to still place first.
Super helpful that Lord of the Rings questions appeared a few times.
There is a lot to unpack about last Thursday and Sunday. But before we dive into that, a little story from the New York Times that caught my eye from Friday.
The map shows the counties in the United States where there is one health insurer and no health insurer. Further on in the piece a small multiple gallery shows that progression from 2014 and highlights how the drastic changes are seen only in 2017 and 2018.
The problem is often not that people cannot buy insurance if no insurers are in the marketplace. The marketplace is for federally-subsidised coverage and insureres appear to be moving to offering policies outside the marketplace for non-subsidised customers.
The White House claims Obamacare is in a death spiral. It is not. But after seven years it could use a little maintenance.
Credit for the piece goes to Haeyoun Park and Audrey Carlsen.
Second, you may recall a post last week where I shared some work by FiveThirtyEight about life expectancy. In particular I liked the set of small multiples. However, the New York Times just took what I liked and upped it a slight notch.
Every small multiple set needs a legend to explain just what the user is looking at. What the Times did is integrate that legend into the Alaska multiple. And it can do that because of Alaska’s position in the upper-left, or northwest, portion of the “map” as a non-contiguous part of the United States.
Credit for the piece goes to the New York Times graphics department.
Well it finally happened. While the Great Recession spared Philadelphia for several years, Phoenix has finally moved up into the rank of fifth-largest city in the United States.
There are some notable differences that this graphic captures. The big one is that Philly is relatively small at 135 square miles. Phoenix is half the size of Rhode Island. What the graphic does not capture, however, is that Philly is still growing, albeit more slowly than southern and western cities. Because also in the news is the fact that Chicago has shrunk and lost people. Personally I count as a -1 for Chicago and a +1 for Philly.
Credit for the piece goes to the Philly.com graphics department.
Today we look at income in American cities and in particular the middle class disappearance. The Guardian published the graphics, but they originate with Metrocosm, LTDB at Brown, and IPUMS National Historical Geographic Information System. So what are we looking at? Well, the big one is a set of small multiples of cities and their income breakdowns as percentages of city census tracts. This screenshot is static, but the original is an animated .gif.
I have a few issues with the design of the graphic, the most important of which is the colour palette. If the goal is to focus on the decline of the middle class—and I admit that may be the point of the Guardian’s authors and not the original authors—why are the most visually striking colours at the top of the income distribution. Instead, you would want to draw attention to the middle of each chart, not the right. And if the idea was that the darker colours represent the higher income groups, well the positioning of each bar on the chart and the axis labelling does that already. After all, if anything, the story is that in a number of cities the middle class has shrunk while the lower income groups have grown. And you can barely see that with the lower income groups coloured yellow.
My other issues are more minor design things such as the city labelling. I kept reading the label as being below the bars, not above as it actually is.
And then I wonder if a different chart form would be more effective at showing the decline in the middle class. Perhaps a line chart plotting the beginning and end points for each cohort?
Then the piece gets into some three-dimensional maps that you can spin and rotate.
Yeah. Shall I count the ways? A more conventional choropleth would have served the purpose far more effectively. The dimensionality hides lower income tracts behind higher ones. The solution? Allow the user to rotate and spin the map? No, get rid of the dimensionality. It offers little to the understanding of the underlying data. Not to mention, are the areas of shadows shadows? Or are they another bin or cohort of income?
And then you have to read the piece to get a fuller understanding of my criticism.
But don’t worry, I can quote it.
Chicago was largely successful transitioning away from manufacturing to a service-based economy. This shift is evident in the bifurcated pattern present in 2015 – a heavy concentration of wealth in the business/financial district and marked decline in the surrounding area.
Those of you who read this blog from Chicago or who have lived in Chicago will pick up on it. The rest of you not so much. The concentration of wealth is not located in the business/financial district. Those dark red skyscrapers are not actual skyscrapers, they are census tracts located not in the financial district, but the areas of River North, Old Town, Gold Coast, &c. Thinking of the issue more logically, yes incomes are up in cities that are doing well. But how many of those very wealthy live on the same block as their office? Not many. Your higher income is going to be concentrated in residential or mixed-residential neighbourhoods near, but not in the business/financial district.
The data behind this work fascinates me. I just wish the final graphics had been designed with a bit more consideration for the data and the stories therein. And a little bit of proper understanding of the cities and their geography would help the text.
Credit for the piece goes to Metrocosm, LTDB at Brown University, and IPUMS National Historical Geographic Information System.
Yesterday Oscar Munoz, the CEO of United Airlines, testified to Congress about the airline industry. All of this just a few weeks after such a great week of press coverage. Of course, the last few weeks have also been a wee bit busy, so I was unable to post today’s piece. But with Munoz’s testimony it makes the perfect segue.
Today’s piece is a graphic article from the New York Times. It examines the state of the US airline industry. I use the term graphic article, because outside of headlines and subheads, it uses few words. Instead the point of the article is conveyed via charts. And what I found really nice is that, as the below photo shows, the article comprised most of the front page of the Business section.
In terms of the structure, the piece did a nice job of giving breathing space around the various elements. This helps focus the reader’s attention on the charts and the data therein. Long headers and subheads break the vertical flow and create sentences or paragraphs that the charts prove.
But then we get below the fold and low and behold we have a pie chart. I would have probably used a bar chart to show the market share. Especially with the top-three airlines so close. On the other hand, I can see the argument for the large, colour-filled visual. It does a nice job balancing the area charts at the opening and puts an emphatic period at the end of the piece.
Overall, a solid piece and one that I am glad occupied a significant portion of the Business section front page.
The joke I have been telling everyone in person this past week: I changed jobs and moved 750 miles from Chicago to Philadelphia, but I still cannot escape the NFL Draft. The two previous drafts occurred across the street from my last job and this year they are three blocks away from my new flat. Traffic is a bloody nightmare. So while there is a lot of news to cover through data visualisation and design, the local story is the NFL Draft that begins tonight next to the Rocky statue and in front of the Art Museum. We will return to trade wars with Canada, tax cuts for the rich, North Korea, climate change, and other things over the next few weeks.
Today’s piece comes from the Washington Post and looks at NFL Draft success across the NFL. Unfortunately for all of you, I know almost nothing about the NFL except Free Tom Brady. (I have to transfer my Red Sox allegiance somewhere, right?) But this set of small multiples looks fantastic and generally tells me that the Colts and Packers—the latter likely to the chagrin of my Chicago-born followers—have historically done well.
Aesthetically, I am not sure about the handwriting typeface. I wonder: could the content have been handled better by a more traditional face?