So apparently there was a game last night? I didn’t get the chance to watch it, I was busy updating this blog here. The changes ought to make it easier to be more social, since that’s the thing these days.
But, so about that game, apparently New Jersey won. Congratulations to the New Jersey Giants of East Rutherford, New Jersey. You have prevailed. The newspaper in the nearby city of New York had a graphic to explain the progress of the game, this being a cropping of the ending. Which is probably all anybody really needed to see anyway, right?
The Guardian has an interactive piece that details payments to and from European Union member states to institutions, determining whether each state is a giver or receiver.
The concept sounds all well and good. However, the piece itself feels clumsy with too much scrolling and whipping about to pan across the whole EU. The charts look a tad heavy—which could have been remedied for a more concise piece—and the callouts beg for a level of interactivity that is otherwise lacking.
Lastly, I have concerns about the list of countries at the top, although these may stem only from the point of view of an American not too familiar with Europe. Flags are not circles, they are, in most cases, rectangular in shape. Does cropping a symbol or icon of a country make it more or less useful of a symbol or icon? Furthermore, do the British recognise the flags of their fellow EU member states?
The country icons/flags call for some type of sorting function, to compare payments and receipts and their balance. But, instead, they sit there in unalterable silence, providing only an economic overview when clicked. An overview that through its staid design feels more like an afterthought.
The riots in the UK earlier this year prompted questions about British society and the causes behind the riots. The Guardian has been reporting on different elements of the riots for some time now and has released the results of their work on discovering those causes. And naturally, survey results should be visualised for more awesomeness.
The discrepancies between the causes should be interesting. However, the number of bars and their tight spacing along with contrasting colours makes me wonder if the chart would be more effective not if it plotted the value of the responses, but rather the value of the difference in the responses.
I don’t know about you, but to me, it’s beginning to look a lot like campaign season. At least from what I read on the internet. Because, according to this interactive piece by the Washington Post, there has been little local campaign spending on ads in the Chicago television market.
By clicking on the left, you are able to see the spending amounts and spending places of ads by both personal campaigns and interest groups. For national ad campaigns, there is a small outline of the continental US in the bottom left.
Above the map you have some facts about the spending and spending over time and a curious bit about whether the ads are positive or negative. Already if you move from the beginning to now, you can watch the positive ad number slip.
Via Fareed Zakaria, an interactive piece by Food Service Warehouse that looks at the leading nations of food consumption in calories—and what people spend for their food.
The map is not entirely useful, although it does at least hint at the geographic locations of the largest consumers (the West) and the smallest consumers (the Rest of the World). More interesting is the simple bar chart at the bottom of the interactive piece.
Forbes released Jon Bruner’s latest map of migration in the United States. It uses IRS figures to show inbound and outbound movement from counties across the United States. The work itself is an improvement from his map from last year, which was a bit more difficult to read. Beneath is the new version, and at the end, for comparison, the old.
Firstly, the colour palette is far more sophisticated. Secondly, and most crucially, the user can hide the lines on the map, which obscures a key part of the story of migration in urban areas—higher income people moving out of the city and into the suburbs. Thirdly, the map data now includes additional years, which are available by clicking the small chart in the upper right—a welcome addition that allows the data from last year’s map to become accessible this year. Fourthly, and to be fair this may have existed previously but not that I can recall, the new map is accompanied by essays.
These essays use the map and its data to tell stories and explain what one sees going on with the data. It is (relatively) easy for one to put together a piece of data visualisation from a data set. But, without knowing where to look, users may not actually find anything valuable in the visualisation. By pointing to these essays, the map—already much improved from a design perspective—takes on a much more rounded and mature character and becomes more about generating information and knowledge than simply figures and statistics.
We are now just under 365 days away from Election Day 2012. Without a doubt, I shall have many politically-themed graphics coming. People just have to start making them. But for now, the Economist kicked it off Monday—when it was 365 days—with a motion graphic piece that outlines some of the polling numbers and challenges to the Republicans vying for power and President Obama determined to keep it.
Certain types of the chart are very much not helpful in determining the actual numerical comparisons. But, with the voiceover keeping our attention and explaining what is going on with the charts, it is as always interesting to experience a story told in charts and graphs for nearly three minutes. And about a story with real significance.
If you live in a big city, you’ve probably been running late, missed the bus or the train, needed to get home safely at least once. So you’ve probably taken a cab.
This interactive graphic from the Washington Post compares cab fares across a number of major cities in the United States. The cheapest cab rides are to be found in Washington D.C. The priciest are in Honolulu.
Credit for the piece goes to Todd Lindeman and Sisi Wei.
A few days ago, President Obama announced that all but perhaps 150 US troops in Iraq would be home before 1 Jan 2012. While the mission may have been accomplished over 8 years ago, we are finally seeing an end to the Iraq War.
Both the BBC and the New York Times created charts to show the strength of US forces in Iraq since the start of the war up until the end—the New York Times also compares these to troop levels in Afghanistan where we have a new ‘surge’ of troops.
The two are slightly different. The first from the New York Times is an interactive piece that allows you to mouse over each bar and access the actual number of troops present in Iraq that month. The bars are spaced tightly together with only the necessary gap to break apart years and provide the vertical scale.
The BBC piece is a static image with no interaction. I do not care for the clustering of years, it breaks the visual rhythm of the piece and interrupts the story. I think in the design of the piece that the New York Times has the better and more effective chart. However, where the BBC truly succeeds is in offering bits of explanation for changes in the chart.
One might think that the war lasted several years with periods of great battles and great troop losses because the number of soldiers stays roughly at 140 thousand. But the text lets us know otherwise. The first is obvious, the war begins. But it progresses to things like the declaring of mission accomplished, the surge, and when US troops left Iraqi cities.
These are not difficult pieces of analysis, nor do they require much investigatory journalism, but they provide the context that allows the chart to tell the story in its numbers.