We have a scatterplot from the Financial Times that looks at wage and economic growth across the OECD, focusing on the exception that is the United Kingdom. And that is not an exception in the good sense.
The UK had the rare privilege of experiencing economic growth—that’s good—while simultaneously wages fell—that’s bad. But I wanted to comment on the chart today.
Straight off the bat, the salmon-coloured background does not bother me. That is FT’s brand and best to stick to it and make your graphics work around it. Possibly the colours in the plot could use a bit of a push to increase separation, but that is more a design quibble. Instead, I am not too keen on the colour coding here.
Not that the colours need not be applied, but why to the dots? Note how the dots of a colour fall into one of the quadrants. Instead of having people refer to the legend, incorporate the legend into the chart by moving the labels to the plot background. You could colour code the labelling or even colour the quadrants to make it a bit clearer.
Credit for the piece goes to the Financial Times graphics department.
Last Friday the Economist published this article about the odds of Marine Le Pen, the leader of France’s National Front party, winning the French presidential election in April. You may recall I focused on other things last Friday. So today we have this graphic.
But this morning news broke about new allegations over fraudulent claims by Le Pen and the National Front. This, after claims of fraud against Fançois Fillon and some unhelpful remarks about Algeria from Emmanuel Macron, could be enough to make the French presidential election a complete toss up.
But for now we just wait to see if the rise of populist nationalism continues.
Credit for the piece goes to the Economist’s graphics department.
Well, so about that whole Michael Flynn furore thing I wrote about yesterday…. Time to add another name to the list of people to be appointed—as I said, that post isn’t confirmed, merely appointed.
But today is Valentine’s Day. So for all you lovebirds out there, here are some graphics showing how rate of marriages has declined in the United States.
It does a real nice job of presenting the overall national view, but then breaking that down into a state-by-state comparison over time, the small multiples shown below.
My critique would be the labelling. Note how the state label appears above the chart, but how when stacked in a row, the label for the state below appears far closer to the chart above. The first few times I looked at this, I saw the label for the chart as being below. And I was therefore curious why Kansas was so different from the rest of the plains state. It just goes to show you how important spacing and layout can be on the page.
It’s easy to miss the news these days. But as a designer who does a lot of work—and writes a blog about—data visualisation and information design, I was fortunate to catch the word that Hans Rosling died. You might know him best from his TED talks, but I became familiar with him through his Gapminder project.
Do I agree with the design decisions? Of course not, just ask anyone who has asked me anything about bubble charts. But that is not the point. He and others laid the groundwork for myself and those newer to the field to work on the presentation of data, and its integration into analysis.
Unfortunately his death comes at a time when the field of data visualisation comes under threat. Not from the Chinese stealing our jobs, or robots doing them better for cheaper, but from those who assail the veracity of data and fact itself.
It’s easy to joke about alternative facts and alternative data—I do it on an almost daily basis now. But, as Rosling knew that accepting facts, even if unpleasant or challenging to your view on things, was critical to public discourse. To quote from Claire Provost of the Guardian, who interviewed him in 2013:
“Rosling stood for the exact opposite – the idea we can have debates about what could or should be done, but that facts and an open mind are needed before informed discussions can begin.”
As most of you know, I am a huge baseball fan. I am not so much a huge fan of American football. But I will watch it from time to time. And as a Red Sox fan, that means I will root for the Patriots. So I guess you know how my Sunday night went.
But this past week, I started my subscription to the printed New York Times. And on Sunday I opened the sports section to this full-page graphic.
It comprises three graphics: The big one on the left looks at completions under pressure. Despite being a full-colour page, the designers only needed two colours to convey the message—black and orange.
Similarly, on the right, the third-down graphic also uses a more limited palette. But, for the heat map it does make some sense to use a full colour palette.
Overall, the page shows that colour, when thoughtfully restrained, makes not just the graphic clearer, but also good sense.
Credit fort he piece goes to David K. Anderson and Joe Ward.
Well, we are one day away now. And I’ve been saving this piece from the New York Times for today. They call it simply 2016 in Charts, but parts of it look further back while other parts try to look ahead to new policies. But all of it is well done.
I chose the below set of bar charts depicting deaths by terrorism to show how well the designers paid attention to their content and its placement. Look how the scale for each chart matches up so that the total can fit neatly to the left, along with the totals for the United States, Canada, and the EU. What it goes to show you is best summarised by the author, whom I quote “those 63 [American] deaths, while tragic, are about the same as the number of Americans killed annually by lawn mowers.”
I propose a War on Lawn Mowers.
The rest of the piece goes on to talk about the economy—it’s doing well; healthcare—not perfect, but reasonably well; stock market—also well; proposed tax cuts—good for the already wealthy; proposed spending—bad for public debt; and other things.
The commonality is that the charts work really well for communicating the stories. And it does all through a simple, limited, and consistent palette.
Well, we have arrived at 2017. We all know the big political story in the executive branch. But we also saw elections in the legislative branch. But how different will the 115th Congress look from the 114th? The Wall Street Journal took a look at that in an article.
The article’s graphic does a nice job showing the two different compositions. But if we are truly interested in the growth, we could use a line chart to better showcase the data. So what did I do last night? I made that chart. But as I was playing with the data I saw some numbers that stood out for me. So I compared the proportion of minorities in the original graphic to their proportion of the US national population, per Census Bureau data.
The line charts, broken out into the House vs. the Senate and then into the two parties, do a really good job of showing how the growth is not equally distributed between the two parties. And the reverse of that is that it shows how one party has failed to diversify between the two congresses.
The 115th Congress might be more diverse than ever. But it has a long way to go.
Credit for the original piece goes to the Wall Street Journal graphics department.
In my new role as data visualisation manager at the Philadelphia Federal Reserve, I am learning a lot about what the Fed does and how it does it. Needless to say, this piece from Bloomberg interested me as it displayed how the federal funds rate has changed over time.
What I really enjoy is how they colour-coded the two previous hiking cycles as well as what I think everyone presumes will be a new one. And those colours then move on down the piece into the dot plots. The dot plots show various potential factors in the decision-making process, and just how far off the current hiking cycle is from the two previous.
Credit for the piece goes to Chloe Whiteaker, Jeremy Scott Diamond, and Jeanna Smialek.
Alternatively known as the zombie food map. Sorry, but I couldn’t resist that one. Today we look at a piece from Bloomberg that maps brain drain across the country. What is brain drain? Basically it is the exodus of people with advanced degrees and education employed in science-y industries and fields. So this map shows us where the brains are moving from and where they are moving to.
Credit for the piece goes to Vincent Del Giudice and Wei Lu.
On the lighter side of things we have today’s post on income inequality. Always a lighter subject, no? Thanks to Jonathan Fairman for the link.
Herwig Scherabon designed the Atlas of Gentrification as a project at the Glasgow School of Art and it was picked up by Creative Review. It displays income as height and so creates a new cityscape of skyscrapers for the wealthy and leaves lower income residents looking straight up. His work covered the US cities of New York, Los Angeles, and Chicago. The image below is of Chicago. I probably was living in a cluster of mid-rise buildings despite living in a five-story building.