This is a repost of sorts, but it is important. Now prime minister, Boris Johnson had an opportunity to seek a more reasonable approach to Brexit. Unfortunately, he is drawing even harder red lines than his predecessor, Theresa May. And that brings us back to my Brexit trilemma graphic from back in March.
Essentially, Johnson wants three things that are mutually—or whatever the word is for three, maybe tri-mutually—semi-exclusive. In other words, of the three red lines, the United Kingdom can only have two, because those two then make the third impossible.
I made the first version of this back in March. Sad it still applies.
Back in April the famed Notre Dame cathedral in Paris caught fire and its roof and spire spectacularly collapsed. At the time I looked at a few different pieces, including two from the New York Times, that explored the spread of the fire. Several months later the Times has just published a look into how the firefighters saved the cathedral from collapse.
The graphics are the same amazing illustrated models from before. Now with routes taken by firefighters and coloured areas indicating key equipment used in the fight to preserve what could be saved. But the real gem in the article are a series of graphics from the firefighters themselves.
Naturally the annotations are all in French. But this French firefighter and sketch artist detailed the progress of the battle during and in the days after the fire. It makes me wish I could read French to understand the five selected sketches the Times chose to use. And I love this line from the Times.
For all the high-tech gear available to big-city fire departments, investigators still see value in old-school tools.
If you are interested in the story of how the cathedral was saved, read the lengthy article. If you just want to see some really amazing and yet wholly practical sketches, scroll through the article until you get to these gems.
Credit for the overall piece goes to Elian Peltier, James Glanz, Mika Gröndahl, Weiyi Cai, Adam Nossiter, and Liz Alderman.
I am always intrigued by the mental maps people create for themselves and the environments in which they live. (Try it yourself, draw a map of your day-to-day world. How far can your mind draw streets, neighbourhoods, landmarks, &c. without the aid of a Google Maps?) In this article from the BBC, a Sierra Leonean-Gambian journalist related how he dealt with the lack of a formal address system in the Gambia impacted his ability to do even the simple things like providing a mailing address on postal or banking forms. They provide a very large space for the individual to draw their home address on a map.
But unlike my interest in what could you or I draw, this is practical. There is no other option than to be able to draw your neighbourhood. The whole article is well worth a read to help you…gain perspective on your surroundings.
Today we move from the Iron Throne of Westeros (Game of Thrones) to the Chrysanthemum Throne of Japan. Emperor Akihito abdicated his throne in favour of his son Naruhito. Fascinatingly, because Japanese monarchs are not allowed to abdicate, the Japanese parliament had to pass a law allowing Akihito to do just that. It was also a one-time deal. The next emperor would need similar legislation should he ever want to abdicate. You will also note there are a lot of male pronouns in this paragraph. By law, women cannot inherit the throne. And when royal princesses marry, they leave the royal household.
Not surprisingly, the news today had some graphics depicting the family tree of the Japanese royal family. And you all know how much I am a sucker for genealogy related work. This piece comes from the BBC and it is pretty simple. It uses a nice grey bar to indicate the generations and some titling indicates who succeeds whom.
The graphic also makes rather painfully clear that if Japan wants to preserve its monarchy, it will need to embrace some kind of reforms. There are only four males left in the line of succession and only one is likely to have any sons.
Credit for the piece goes to the BBC graphics department.
Last week we looked at the amazing news that astronomers had finally photographed a black hole. Or, technically, the shadow of a black hole since the black hole itself cannot be seen. I want to return to that news, because it’s awesome. And because xkcd published a piece that annotated the image to show the size of things by comparison.
I had mentioned that it was a supermassive black hole, some of the biggest of the bigs. And M87 is a beast.
On Tuesday I talked about a small article published by the New York Times that looked at the cathedral fire. I lamented that there were no immediate graphics explaining what happened. Just give me two days. Tuesday we had the BBC piece and then yesterday the New York Times published a more extensive look.
As the user scrolls through the piece, a 3-dimensional model reveals the key structural elements whilst text explains why that part is being focused upon in the story.
I do not know if the dramatic, black background helps. It might create contrast the designers deemed helpful against the light-coloured illustration. But that is probably my only real point to make about the piece. Otherwise, it is a very thorough and helpful guide to the architecture and how that helped the fire spread.
Credit for the piece goes to Larry Buchanan, James Glanz, Even Grothjan, K.K. Rebecca Lai, Allison McCann, Karthik Patanjali, Yuliya Parshina-Kottas, Jeremy White, and Graham Roberts.
Yesterday I mentioned how there were few graphics detailing the fire at Notre Dame de Paris. Just give media organisations a day. The BBC published this piece about the fire. It includes, much like the Times piece from yesterday, an illustrative diagram detailing the key locations of the fire.
But the BBC piece goes a bit further and includes photo sliders like this.
It shows the extent of the fire burning away at the roof. (Amazingly, the stone vaulted ceiling below the roof contained most of the fire as the ground floor is nearly intact.)
Another slider looks at the appearance of the cathedral while photographs are annotated to provide immediate context of what the reader is seeing.
Overall, it is a very strong piece.
Credit for the piece goes to the BBC graphics department.
This was not what I was going to write about today, but the news of the fire that ravaged Notre Dame yesterday rightly dominated the news yesterday and this morning. However, while I found multiple articles dealing with photographic evidence of the damage, I did not see many that detailed the fire from an illustrative or diagrammatic standpoint.
Thankfully, the New York Times did just that. They posted an article that deals specifically with the fire. It includes this set of small multiples that shows the progression along the roof and spire.
The article also includes a nice diagram explaining how the fire was focused on the cathedral’s attic. That explains some of the imagery from this morning that shows combustible materials like the pews and pulpit on the stone floor fully intact. And that provides hope the overall building can be saved, as French officials are indicating today.
Credit for the piece goes to Larry Buchanan, Weiyi Cai, James Glanz, Evan Grothjan, Allison Mccann, Yuliya Parshina-Kottas, Karthik Patanjali, Jugal K. Patel, Scott Reinhard, Bedel Saget, Anjali Singhvi, and Jeremy White.
The key problem in the Brexit deal remains what to do with the Irish border. In essence, the UK faces the same trilemma it has since the beginning. It wants three things it cannot have at the same time: exiting the EU single market and customs union, so it can create a free and independent trade policy; no hard border between Ireland and Northern Ireland, per the Good Friday Agreement that ended the Troubles; and territorial integrity, i.e. no hard border between Northern Ireland and the rest of the UK in the Irish Sea.
Essentially, the UK can choose two of these three options. Below, I have attempted to show how they relate and what the result is once two of the options have been chosen.
Or at least a portion that was already funded back in March. If it was, in fact, a wall.
This morning it appears as if President Trump will not scupper the funding agreement. It includes far less than the $5.7 billion he demanded, but do not forget back in March, Congress appropriated funds to construct barriers, not walls in Texas.
This piece from the Washington Post looks at those plans and details how wall-like or not these border installations are. (Spoiler: semi.) The screenshot below illustrates the levee fencing would work.
But the piece also includes some really nice maps and aerial shots, also seen above, of where these border enhancements will be constructed.
Overall it is just a really informative and enjoyable piece with several graphical elements.
But whether this is a wall, I will leave that up to you.
Credit for the piece goes to Laris Karklis and Tim Meko.