I wasn’t expecting this piece to fall into the queue for today, but you all know me as a sucker for trains. So today we have this nice set of small multiples from the Guardian. It looks at…I guess we could call it train deserts. They’re like food deserts, except we’re talking about trains.
What strikes me is that in a perfect world at least three of these could be on one direct line. You can almost draw a straight line from Columbus, Ohio to Nashville, Tennessee and hit Louisville, Kentucky. Obviously things like property get in the way, but it is something to note.
So here’s how this week was supposed to go. I was going to write about the Northern Irish election Monday and then Tuesday was going to be a piece from the New York Times that looked at the public’s concerns facing an incoming president. This piece I was going to save for later. But then Sunday night North Korea tested several missiles and flew them into the Sea of Japan. Sort of felt appropriate to move this one up a couple of days.
As you know, I like infographics and diagrams about military things. And in an article about the US cyberwar against North Korea, the New York Times included these graphics to provide context about the scale and scope of the North Korean missile programme.
I don’t have the URL for the page on-hand, but if you can find it. The article is well worth the read.
As most of you know, I am a huge baseball fan. I am not so much a huge fan of American football. But I will watch it from time to time. And as a Red Sox fan, that means I will root for the Patriots. So I guess you know how my Sunday night went.
But this past week, I started my subscription to the printed New York Times. And on Sunday I opened the sports section to this full-page graphic.
It comprises three graphics: The big one on the left looks at completions under pressure. Despite being a full-colour page, the designers only needed two colours to convey the message—black and orange.
Similarly, on the right, the third-down graphic also uses a more limited palette. But, for the heat map it does make some sense to use a full colour palette.
Overall, the page shows that colour, when thoughtfully restrained, makes not just the graphic clearer, but also good sense.
Credit fort he piece goes to David K. Anderson and Joe Ward.
For the past few days I was in Las Vegas for a stag party. One of the things I got to see was the Mob Museum in old Vegas. As I am not a gambler, the other forms of entertainment garner my interest, and if you are like me, I would highly recommend the museum. I found it very informative and well designed. So over the next few days I will be showcasing some photos that I took in Vegas, but mostly at the Mob Museum.
The first is a diagram of the Trafficante family. It bears a striking resemblance to the genealogy diagrams with which I am very familiar. But since in many respects these mob families started as just that, perhaps the similarity should not be so surprising.
Credit for the piece, I assume, would go to the Justice Department.
Update: Thanks to Scott Deitche for pointing me towards the chart’s author: Ken Sanz of the Florida Department of Law Enforcement.
Well Christmas is over so now for some of us, it’s time to go back to work. Those of you enjoying your time off through the new year, well…enjoy it.
Today’s piece is from the New York Times and explores the structure of Donald Trump’s organisation. A second graphic within the piece then details just what the various parts of the organisation actually do. I found the whole article to be a nice insight into an organisation that will likely be ever more in the news spotlight.
Credit for the piece goes to Troy Griggs and Karen Yourish.
A few weeks back a fire raged through a communal, creative warehouse in Oakland. The fire claimed the lives of over thirty people. But why? We have the New York Times behind this piece which attempts to explain just what happened that night through a nice mixture of diagrammatic illustrations and photography.
Credit for the piece goes to Ford Fessenden and Anjali Singhvi.
Several days ago OPEC, the Organisation of the Petroleum Exporting Countries, announced a cut in production to raise the price of oil. This was big news because Saudi Arabia and others had kept the price low in an attempt to undercut the nascent American shale oil and gas industry. Well…that didn’t work.
In this article from Bloomberg, you can see how the United States could be positioned to become an energy superpower. But, they also lay out the various snags and pitfalls that could dim that outlook. This map from the article details the destinations thus far of America’s natural gas, in liquefied state.
Credit for the piece goes the Bloomberg graphics department.
You clearly didn’t miss this story from two weeks ago, because we all had to change our clocks. But, you might not have thought much about it. Which is fine, because I think there was an election or something a day or two later. Or was I dreaming/nightmaring?
Thankfully Andy Woodruff did think about it and he put together a really nice piece about how the changes to time affect the amount of perceived sunlight. I say perceived because obviously the same amount of sunlight falls upon the Earth, but it’s whether we can see it from underneath the covers or hidden behind our office computer monitors.
His interactive piece lets you examine scenarios based on your preferred inputs. For example, as someone who goes to work a bit later in the morning—I have to write this blog sometime, right?—I would prefer the sun to be up later into the evening. And based on my selections, that means that I should consider the argument for always using Daylight Savings Time.
Whereas if I valued a sunrise with daylight, I might prefer to abolish Daylight Savings Time.
So this is the last Friday before the election next Tuesday. Normally I reserve Fridays for less serious topics. And often xkcd does a great job covering that for me. But because of the election, I want today’s to be a bit more serious. Thankfully, we still have xkcd for that.
The screenshot above gets to the point. But the whole piece is worth a scroll-through and so it goes at the end. Credit for the piece goes to Randall Munroe.