Sugary Sweet Donut Charts

I know, I know. You probably expect some sort of climate post given the whole Paris thing. But instead, this morning I came across an article where the supporting chart failed to tell the story. So today we redesign it.

The BBC has an article about MPs backing a tax on sugary drinks. Within the text is a graphic showing the relative importance of sugary drinks in the sugar consumption of various demographics. Except the first thing I see is alcohol—not the focus of the article. Then I focus on a series of numbers spinning around donuts, which are obviously sugary and bad. Eventually I connect the bright yellow to soda. Alas, bright yellow is a very light colour and fails to hold its own on the page. It falls behind everything but milk products.

The BBC likes sugary donuts
The BBC likes sugary donuts

So here is 15 minutes spent on a new version. Gone are the donuts, replaced by a heat map. I kept the sort of the legend for my vertical because it placed soda at the top. I ran the demographic types horizontally. The big difference here is that I am immediately drawn to the top of the chart. So yeah, soda is a problem. But so are cakes and jams, you British senior citizens. Importantly, I am less drawn to alcohol, which in terms of sugars, is not a concern.

My version of sugar is so much sweeter
My version of sugar is so much sweeter

Credit for the original goes to the BBC graphics department. The other one is mine.

The History and Future of Data Visualisation

From time to time in my job I hear the desire or want for more different types of charts. But in this piece by Nick Brown over on Medium, we can see that there are really only a few key forms and some are already terrible—here’s looking at you, pie charts. How new are some of these forms? Turns out most are not that new—or very new depending on your history/timeline perspective. Brown illustrated that timeline by hand.

A timeline of chart forms
A timeline of chart forms

Worth the read is his thoughts on what is new for data visualisation and what might be next. No spoilers.

Credit for the piece goes to Nick Brown.