Antarctica is a continent way down at the southern end of the world. It is covered almost entirely by glaciers. But glaciers move, and NASA and the University of California unveiled a map looking at the speed of the glaciers’ movements. Along with it, an interesting little video showing the tributaries to the glacial flow.
So, those of you a little bit older than me—not to date myself—probably remember the evil Reds of Soviet Russia. Some my age do as well. Younger than me, it’s probably all ancient history. And so for those of you who forget, the Union of Soviet Socialist Republics was, if I am to simplify, a Russian empire that featured a centralised, command and control economy and a dictatorial government. In 1991, the empire fell apart for a number of reasons and became 15 independent countries, Russia still being the largest. And a lot has happened in the twenty years between 1991 and 2011.
Twenty years being a long time, the BBC has remembered the event by creating a relatively simple piece that compares the fates of the various countries in the aftermath of the Soviet Union’s breakup. One takes one drop-down list and selects a country and then another country from the other list. And in the centre one can control whether the comparison is of wealth (GDP), health (life expectancy), or leadership (no. of times the presidency has changed hands).
I have an issue with some of the metrics and whether they are the best suited to describe the wealth, health, and democracy of the former Soviet republics. But, I think the strength really is not so much the charts but the brief summaries for each country that try to capture the story of the past two decades.
Living in Chicago, hurricane season means rather little. Perhaps at worst the city would see a major rain system moving up from Texas or the Gulf Coast. But, from all my time living on the East Coast makes hurricane season a bit more meaningful if now just as an outside observer. The Weather Channel has launched a site called the Hurricane Tracker that allows you to follow the current season’s storms.
While there has yet to be any major activity, there have been a few named tropical systems that are present in what is called the Active Tracker. The storms are tracked geographically, showing you the precise locations where the storm was recorded and then filling out the path between points. The data includes information on strength—hurricanes are classed on a 1–5 scale with 5 being really most unpleasant—such as windspeed and pressure—hurricanes are enormous low pressure systems. The panel on the left of the screen provides a detailed history of the storm and links the recorded data points to the corresponding geographic points on the map. Currently, the storms have all been relatively minor and short-lived; watching a major storm of some duration through the charts and the map progression could be quite fascinating.
But there is also the Historical Tracker that catalogues an impressive number of previous storms. The view first loads with an overwhelming number of storm tracks, but filters for controlling the years—which includes a interactive mini-graphic of the total number of storms for each year that when clicked filters for only that year—and for location of landfall begin to significantly bring your search or exploration into focus. I have yet to find any detailed information about specific storms, the one in this screenshot being those that made landfall in the Northeast roughly during my lifespan. (I have memories of being at the shore during Hurricane Bob with the winds and rain and warning sirens making an impression.) You cannot click to focus on a particular storm, instead, a mouseover is the only way of discovering the name of a particular track. But, that may simply be an unavailable level of data, especially with the storms from the 19th and early 20th centuries.
Now I just hope we can use this sort of information to help develop better forecasting and modelling to help save lives and property.
As most of us know, the final space shuttle mission lifted off on Friday. Appropriately, the New York Times created an infographic for the news stories accompanying the mission that details the history of the entire shuttle program’s flights. If you are a space-y kind of guy like me, it’s worth a look.
2011 appears to be the year of the tornado, with killer tornados roaming from Birmingham, Tuscaloosa, and small towns in the deep South now to Joplin, Missouri. The latter now holds the record for being the most deadly, 117 confirmed deaths, in US-recorded history.
The New York Times, in its coverage of the aftermath—and the potential for more destruction with the forecasted weather—has mapped, charted, and animated data from the National Weather Service (NWS) and the National Oceanic and Atmospheric Administration (NOAA) to illustrate the totality of the devastation witnessed this year.
The piece makes use of a map to illustrate where tornados struck and then their subsequent track, relevant geographic data, and that matches that with known fatalities using the always popular area of a circle datapoints. I am less keen on these for their cross-comparable nature, but here, in this instance, that is less the focus than the overall number of deaths and their locations. Then we also have the dataset over time with the noted caveats that, one, only in 2011 are deaths linked to counties rather than tornados as in all years past and, two, that as our ability to detect and record tornados has increased, we have more data with which to work. In short, it is not necessarily true that 1953 had less tornados than 2011.
Given the severity of the current year, and this outbreak in particular, the New York Times also created a smaller, but by no means lesser, piece to highlight just those tornados striking the Southeast. This piece maps the tornados by touchdown, date, and time. Omitted is data on fatalities or damage. However, this piece complements the larger, broader view of the above by breaking down the 2011 year, thus far, into increments of days. This is a great complementary piece that, by being separate from the first piece, allows each to shine in its own respective area.
Credit to this second piece goes to Archie Tse, Matt Ericson, and Alan McLean.
Ireland, the ancestral land of many Americans, can also be claimed by President Obama. His maternal great-great-great-grandfather was a shoemaker. The BBC created this graphic to complement their news article. And I must admit to being quietly amused at the % ‘Irishness’; Approximate label.
Airlines merge. (As do many other companies, but those companies are not the focus of this post.) And often the mergers are complex. Lamentably, one cannot simply merge logos and be done. Here is looking at you, UAL Corporation (United Air Lines) + Continental Airlines Inc.= United Continental Holdings Co.—not that I particularly care for the United Continental logo mashup, I miss the Saul Bass logo for United.
Unfortunately there are things to worry about like getting planes to fly, not crash into each other, not to mention ticketing, unions, general technology…one hopefully gets the idea.
But for those of you who do not, an article in the New York Times about the merger of Delta and Northwest includes a graphic about the master guide to the whole process. Note the use of sticky pad paper. Each piece represents one project, with projects containing as many as a thousand separate tasks.
Yesterday, Chartporn posted a link to an OkCupid post about sex, specifically charts of sex. And yes, they are quite interesting and worth checking out. But, I enjoyed the humour at the outset, where they noted the brilliance of the pie chart as a modern chart form that can replace the classic Minard chart about Napoleon’s invasion of Russia.
Minard’s original at top, the modern simplification at bottom.
If you have not heard, somebody in Britain is getting married…and of course that means explorations of royal blood lines and, well, non-royal bloodlines. So the BBC put together a small piece on Kate Middleton’s ancestry. So for those of you with any interest in charting family lines, here you go. The piece has some interactive features, clicking on the folks with little cameras provides a brief bio or story and a photo—though not necessarily of the individual.