Into the Memory Hole

I noticed an interesting thing this morning. Over the holiday weekend I bookmarked a BBC News article about new airlines because it included a small graphic showing the number of airlines started during the pandemic (32) and the number of new airlines lost during the pandemic (55). The graphic used a stock three-dimensional illustration of a passenger airlines with a blank white body. From the top of the body rose two white bars, next to the left was the shorter of the two with a 32. The right was taller and had a 55. Above each was a header saying something to the effect of “Airlines started in 2020” and “Airlines lost in 2020”, respectively. Funny thing this morning that when I returned to the bookmark with this post in mind, the article’s graphic had disappeared.

This weekend I happened to start re-reading 1984, George Orwell’s classic dystopian novel about a man named Winston Smith. He works in the Records Department and is tasked with “rectifying” misstatements. I had just finished reading the section where Orwell describes Smith’s work wherein he takes previously published newspaper articles about statistics and figures and then edits them to include new numbers aligned with the actual outputs. This way should anyone read the old article for evidence of a previous past, they find the output forecasts have always been correct. He then destroys the written record of the old past by dumping it into a memory hole, a pneumatic tube that delivers it straight to a furnace where the old past is incinerated and thus replaced with Smith’s new version.

When I read the article again, because the graphic was gone, I read a paragraph that had figures for 2021. I cannot recall those numbers being present earlier this weekend. But they are roughly where I remember the old graphic being. Yet the article includes no note about any edits to a previous version let alone what those edits may have been. And so now I am left wondering if I really saw what I think I remember that I saw. How very Orwellian.

But let’s assume I did see what I thought I saw, the graphic was actually unnecessary. It presented two figures, 32 and 55. The bar chart itself had no axis labels and that made it a bit difficult to believe the numbers themselves. It did not help that the white bars blended almost seamlessly into the white body of the airliner. Moreover, the graphic was large and fit the full width of the text column. For two figures.

My initial goal was to show this graphic I made to show just how little space truly needs to be used to show an effective graphic. I also changed the direction of the bars. Instead of making one bar about the positive change and the other the negative change, I made both bars about the change. Therefore the one bar moved upwards with the positive (32) and the other downwards with the negative (55). I then plotted a dot to show the net change between the two. Yes, 32 airlines were created in 2020. But that still made for a net loss of 23 that year.

But because the graphic was missing and there was some new text for 2021 figures, I decided to incorporate them as well to show how the trend basically continued year over year.

Finally, a graphic

I left the white space to the right to illustrate how you really do not need a full-width graphic to display only six data points, itself a three-fold increase on the original graphic’s data content. The original graphic contained more illustrated plane than it did data content.

Graphics should be about the data, not about the splashy, flashy, whizbang background content that ultimately distracts our attention away from what should be the focal point of the piece: the data. The article still contains photos of planes with the livery of the new airlines, of empty terminals to represent the pandemic losses, and portraits of executives. This graphic did not need an illustrated plane taking over the graphic. It needed to only show those two numbers.

I would even contend that the article could have made do with a simple factette, two big numbers. Airlines closed in 2020 and the airlines opened. It need not be fancy, but it quickly delivers the big numbers with which the reader should be concerned. You don’t need to see an aircraft or a terminal. You could add some colour to the numbers or even a minus sign as there is a significant difference between a 55 and a -55. But all in all, the graphic need not be full width like it was originally.

But I think we should all keep in mind the value of transparency. The graphic did exist, of that I am certain. But future readers or even my sanity cannot be sure that it did. And in an era where “fake news” and fact-checking are important, I wonder if we need to be including corrections notes in more of our news articles. Because if we lose faith in our news, we have little left to lean upon in our societal discourse about the events of our time.

Credit for the piece is mine.

The Freedom of the Press

By now you may have heard that this Thursday media outlets across the United, joined by some international outlets as well, have all published editorials about the importance of the freedom of the press and the dangers of the office of the President of the United States declaring unflattering but demonstrably true coverage “fake news”. And even more so, declaring journalists, especially those that are critical of the government, “enemies of the people”.

I have commented upon this in the past, so I will refrain from digressing too much, but the sort of open hostility towards objective reality from the president threatens the ability of a citizenry to engage in meaningful debates on public policy. Let us take the clearly controversial idea of gun control; it stirs passions on both sides of the debate. But, before we can have a debate on how much or how little to regulate guns we need to know the data on how many guns are out there, how many people own them, how many are used in crimes, in lethal crimes, are owned legally or illegally. That data, that verifiably true data exists. And it is upon those numbers we should be debating the best way to reduce the numbers of children massacred in American schools. But, this president and this administration, and certain elements of the citizenry refuse to acknowledge data and truth and instead invent their own. And in a world where 2+2=5, no longer 4, who is to say next that no, 2+2=6.

There are hundreds of editorials out there.

Read one from the Philadelphia Inquirer, the Chicago Tribune, the Guardian, and/or the New York Times.

But the one editorial board that started it is that of the Boston Globe. I was dreading how to tie this very important issue into my blog, which you all know tries to focus on data and design. As often as I stand upon my soap box, I try to keep this blog a little less soapy. Thankfully, the Globe incorporated data into their argument.

The end of their post concludes with a small interactive piece that presents survey data. It shows favourability and trustworthiness ratings for several media outlets broken out into their political leanings. The screenshot below is for the New York Times.

Clearly Republicans and Democrats view the Times differently
Clearly Republicans and Democrats view the Times differently

The design is simple and effective. The darker the red, the more people believe an outlet to be trustworthy and how favourably they view it.

But before wrapping up today’s post, I also want to share another bit from that same Boston Globe editorial. As some of you may know, George Orwell’s 1984 is one of my favourite books of all time. I watched part of a rambling speech by the president a few weeks ago and was struck at how similar his line was to a theme in that novel. I am glad the Globe caught it as well.

Credit for this piece goes to the Boston Globe design staff.

News Deserts

Yesterday we looked at the shrinking Denver Post. Today we have a graphic from a related story via Politico. The article explores the idea that President Trump performs better in what the article terms “news deserts”, those counties with a very low level of newspaper circulation. (The article explains the methodology in detail.) This piece we are looking at here shows how those counties performed against the circulation rate and their 2016 presidential election result.

How the news deserts performed
How the news deserts performed

Overall, the work is solid. But I probably would have done a few things differently. First, the orange overlay falls in the middle of one column of dots. Do those dots then fall inside or outside the categorisation of news desert?

Secondly, the dots. If this were perhaps a scatter plot comparing the variables of circulation rates and, perhaps, election vote results as a percent, dots would be perfect. Here, however, they create this slightly distracting pattern in the the main area of counties. When the dots are stacked neatly and apart from other columns, as they are more often on the right, the dots are fine. But in the packed space on the left, not as much.

As I was reading through the article I had a couple of questions. For example, couldn’t the lack of newspapers be reflective of the urban–rural split or the education split, both of which can be seen in the same election results. Thankfully the article does spend time going through those points as well. It is a bit lengthy of a read—with a few other perfectly fine graphics—but well worth it.

Credit for the graphics goes to Jeremy C.F. Lin.

Picking at the Bones

We have all seen the slider that lets you see a pre- and post- or before and after of, usually, the same property, building, landscape, map, &c. Well a few days ago, the Denver Post took the same form and used it to show the before and after of cuts to the staffroom in just five years.

What makes the photo so telling is that in the editorial describing the photo, the paper is successful. But the hedge fund managers of the paper continue to demand cuts to the overhead. And in the journalism environment that often leads to cuts in coverage or quality, and sometimes both. And for the leading—and only large circulation—paper of Denver, that is bad news, pardon the pun, for the community.

Staff before, staff after
Staff before, staff after

What makes the situation worse is that allegedly the cuts are due to poor business investments by the hedge fund, Alden Global Capital, in areas not at all related to the news industry.

Credit for the piece goes to the Denver Post graphics department.

Covering Terrorism

Last week we witnessed the lorry attack in Nice, France. This week we have the axeman attack on a German train. Does anybody note, however, the recent terror attacks in Dhaka, Bangladesh? Probably not, according to this insightful piece from FiveThirtyEight. They took a look at journalism’s coverage of terror attacks and whether there are discrepancies based on geography. Turns out that yes, there are. But, the article does make a point to note some reasons why that might be. One, we have covered it a lot more often since 11 September 2001. Anyway, the whole piece is worth a read.

All countries are equal, but some are more equal than others
All countries are equal, but some are more equal than others

Credit for the piece goes to the FiveThirtyEight graphics department.

Journalists and Deaths

Journalism is not always a safe profession. Indeed, many journalists risk their lives to bring us news from conflict zones or otherwise dangerous places. This piece from the Washington Post supplements an article about a particular Pakistani journalist, but looks at a broader set of journalist deaths over the last 20+ years.

Mountains of conflict
Mountains of conflict

That said, unless you are a fan of the Mountain of Conflict, this graphic does nothing for me. Because of the way the points form mountains, it begins to emphasise the area of the triangle, not the height of the point. Secondly, the mountains overlap and then because of the way the colours interact, give increased emphasis where there should not be any. After all, the overlap does not signify anything of itself.

Credit for the piece goes to John Muyskens and Samuel Granados.