Today is Friday.
Behold the awesomeness of Star Trek characters in pixel form, trexels. How many can you identify? I admit, I got a whole bunch. I shall admit no further.
Designed by John Martz with Koyama Press. Posting via Flowing Data.
Valentine’s Day is a day both loved and loathed; I need not detail which groups feel which way. However, despite the dark history—think less hearts and love and more martyrdom and death—we have seen the lighter elements promoted by various causes from genuine love to commercial profits. But all things must have their symbols, especially if they are to be capitalised upon for profits, and we are now accustomed to Cupid representing love and Valentine’s Day. (One must wonder what the Christian martyrs would think if they learned that Valentine’s Day, once originally a Christian saint day, was now symbolised by a heathen, pagan god.)
Courtesy the New York Times, designer Ji Lee now, however, offers you not the staid and static symbol of love we have all come to know and love, but now a true choice of form and symbol. Which would you choose?
Personally, I have to go for the G5…
I love pizza. I think most people do too, though, we can all disagree on whether thin crust or thick crust is better. Yet as someone who has now eaten both…well…I shall not wade into the matter. But, I will toss up this piece from the New York Times.
The paper has an article about Domino’s adding more cheese to their pizza to increase sales as part of a plan from a US government-supported agency. At the same time, the US government is also trying to reduce the amount of saturated fats consumed to reduce obesity. And of course cheese contains saturated fat.
Naturally, the supporting graphic should make use of pizza. And in what better form than as a pie chart.
Though having now been looking at this for quite some time, I am in the mood for pizza. Though I could do without the saturated fat…
It’s Monday. The day of the week we hate the most when we realise that we really do have to wake up. Myself, I on occasion throw in some choice words as I swat my alarm clock. This graphic, from xkcd, is apropos as—well, you get the idea.
After being inspired by the Europe from Europe maps, last night I created a map of the United States, as seen by someone from southeastern Pennsylvania.
This comes via the blog The Map Room. Designer Yanko Tsvetkov created a series of maps that most wholly, completely, and accurately represent the cultures, peoples, and attitudes of various European countries towards, well, other European countries. Some of the usual suspects are in there, the Brits, the French, and the Germans. However, I find the Bulgarian perspective, my screenshot choice, of interest because one does not typically find Bulgaria in the list of usual suspects. (Though one perhaps should as it is a member of the European Union unlike the Norways, Switzerlands, and Icelands of Europe.)
Anyway, these are funny—even if one does not necessarily understand the background to the humour there are enough that even we Americans can understand.
Courtesy of Feras, this is from the magazine Complex that was the light entertainment for the office this day. It is, of course, an advert for Las Vegas. But in a magazine apparently aimed at men, this felt like a good Friday evening, i.e. pre-bar or other, mixed-gender, social outing, information graphic to share.
I normally do not comment on advertising and such, but I found this story, via the BBC, of interest. This British advertisement for Antonio Federici ice cream, with the tag line ‘immaculately conceived’, has been banned for mocking Catholics on the eve of the Pope’s visit to the United Kingdom. I found it funny and clever and was disappointed to hear that the advert had been banned. This second image is from the same campaign. No word on whether it too has been banned.
These are screen captures from the ice cream company’s website. According to Campaign the company did the work in house, specific credit not given.
My post is inspired by a post on FlowingData a few days ago. FlowingData’s post is about a diagram of coffee recipes and it interests me on a personal level. For long before ever designing anything professionally, I was a barista. Over three and a half years of my life were (somewhat) dedicated to crafting coffees, espressos, and on the rare occasion, tea. We used Starbucks’ recipes—and on several occasions I commented about the graphics and diagrams they sent so baristas could all be making the same drink. I may have even kept a few…but that would require some digging through some really old collections.
However, Plaid Creative made something for me. Well, me in the sense that I would like to talk about it here and now, not really for me. They created a diagram to explain the various recipes for coffee and espresso-based beverages. I am especially fond of the inclusion of Irish whiskey. However, FlowingData’s post comments upon how Plaid’s piece is in some sense an update of an earlier chart by Lokesh Dhakar, found here. (Update: So that link to Lokesh’s work is broken, here’s a link to it courtesy of The Babble Out.)
So how do these two compare?
First, keep in mind that Plaid’s is much more extensive in terms of the number of recipes examined and the number of ingredients used (or suggested). For while Dhakar’s piece uses a consistent and simple colour scheme that relates well to the subject matter, Plaid addresses the breadth of its recipes by introducing patterns and so allows for the colour scheme to still relate to the subject. I like the idea of patterns, and here they work in differentiating between the ingredients. However, it took me a little while to make sense of them all and I wonder if a small legend would not have been helpful. Or even just labelling the colours and patterns when each first appears.
However, the one thing I find most interesting about the two pieces is that Plaid represents the drinks as multiples of pie charts. The proportions of ingredients are thus wedges or slices of said pie. Dhakar’s piece instead keeps the cup form and shows the proportions as layers. (And what is noticeably helpful is that the sides of the cup are straight, making comparisons easier than they might otherwise be in cups with fancy, curving sides.) And while I prefer the aesthetic of Plaid’s piece, that Dhakar chose to show proportions as layers allows him to also show the order of events.
From personal experience, the order of events can actually impact the flavour of the drink. And to be honest, I am not certain that Dhakar intended to show order of events—for the mochas I made always started with the mocha first. But the system he used to show the drinks would theoretically allow for that element in the actual graphic. Plaid’s would likely have to have the order of events be written explicitly; the only other option is to order the arrangement of the pie wedges, but I am not certain that doing so would be as easily assumed as pies are normally ordered by value, here the proportion amounts, if ordered at all.
Both, however, do help the average Joe enjoy his, well, you know as increasingly create more and more complicated versions and variations. And in that sense, both are successful and entertaining pieces. If one, however, were to try and use either as a more educational piece in a true recipe-like sense, than I find Dhakar’s piece to the more successful of the two.
Either way, I still do not like coffee.
Computer: tea, Earl Grey, hot.