Last week was the climate summit in New York, and the science continues to get worse. Any real substantive progress in fighting climate change will require sacrifices and changes to the way our societies function and are organised, including spatially. Because one area that needs to be addressed is the use of personal automobiles that consume oil and emit, among other things, carbon dioxide. But living without cars is not easy in a society largely designed where they are a necessity.
But over at CityLab, Richard Florida and Charlotta Mellander created an index trying to capture the ability to live without a car. The overall piece is worth a read, but as usual I want to focus on the graphic.
It’s nothing crazy, but it really does shine as a good example of when to use a map. First, I enjoy seeing metro maps of the United States used as choropleths, which is why I’ve made them as part of job at the Philly Fed. CityLab’s map does a good job showing there is a geographic pattern to the location of cities best situated for those trying to live a car-free life. Perhaps not surprisingly, one of the big clusters is the Northeast Corridor, including Philadelphia, which ranks as the 17th best (out of 398) and the 7th best of large metro areas (defined as more than one million people), beating out Chicago, ranked 23rd and 8th, respectively.
Design wise I have two small issues. First, I might quibble with the colour scheme. I’m not sure there is enough differentiation between the pink and light orange. A very light orange could have perhaps been a better choice. Though I am sympathetic to the need to keep that lowest bin separate from the grey.
Secondly, with the legend, because the index is a construct, I might have included some secondary labelling to help the reader understand what the numbers mean. Perhaps an arrow and some text saying something like “Easier car-free living”. Once you have read the text, it makes sense. However, viewing the graphic in isolation might not be as clear as it could be with that labelling.
Credit for the piece goes to David Montgomery.