This weekend, the New York Times published an online piece explaining the spread of the Grenfell Tower fire in London. The story uses small animated graphics and videos to show the origin and progression of the fire from an exploding refrigerator on the fourth floor to its trapping of residents on the 23rd and final floor.
Credit for the piece goes to Troy Griggs, Mika Gröndahl, Josh Keller, Jamine C. Lee, Anjali Singhvi, Megan Specia, Derek Watkins, and Jeremy White.
I am in Chicago today, visiting friends and former coworkers. Generally taking a break from my team’s recentfantasticwork at my new gig. But don’t think that I wouldn’t leave you without some sort of light-hearted Friday content.
My Tuesday post was about Monday’s news about another connection between Donald Trump and Vladimir Putin. Today’s post is a screen capture from the Late Show with Stephen Colbert from last week. Do you recall the weird story about Devin Nunes, Republican Chair of the House Select Committee on Intelligence and, don’t forget a member of the Trump transition team, receiving news from the White House about the White House to tell to the President (of the White House) before telling members of his own committee? Yeah, it was weird.
Colbert put together a great little monologue segment about the entire thing. And that’s what I’m going to share with you today. You should watch the entire thing, but I’ve keyed you into the referenced segment.
I suspect this won’t be the last time over the next four years we take a look at what the Figure-It-Out-a-Tron is telling us…
Credit for the piece goes to the graphics department of the Late Show with Stephen Colbert.
What else did you guys think I was going to cover today? The by-elections in Copeland and Stoke? Well, yeah, we’ll likely get back to that tomorrow when we have some results. In the meantime…space!
This is an animation from the New York Times about the Trappist-1 system that has seven Earth-sized planets, a few of which could support liquid water. And since life as we know it depends upon liquid water…well, you get the idea. Go space.
I stumbled upon this article last night on philly.curbed.com that takes a look at the growth and slowdown in said growth in Philadelphia. For the purposes of this blog, that included an animated .gif that showed the expansion in the metro area since the 1940s.
My quibble with the piece is that the lighter blue loses out to the darker. And so one really sees the presence of the city at the expense of the growth. I wonder if reversing the two colours or in some other way de-emphasising the areas built up would allow the new growth areas to come to the forefront of the map.
Scientists discovered Earth has a new quasi-satellite. It is an asteroid, and it does not orbit the Earth. But, because of the relationship between its orbit and Earth’s around the sun, it is involved in what NASA described as a dance with Earth. This is not Earth’s only dance partner, however, as we interact with a second asteroid as well. The screenshot of a YouTube video (from user britoca) shows how gravity choreographs the second dance.
Credit for the piece goes to YouTube user britoca.
But not for the reasons you might think. This video from Vox looks at the notion that expensive wines taste better. And it turns out they do. Sort of. In terms of the design of the piece, it uses some nice charts and motion graphics to make its point. Plus, it includes snippets from Sideways, notably: “I’m not drinking any fucking Merlot.” Classic.
Credit for the piece goes to Joss Fong, Anand Katakam, Joe Posner, and the Vox.com staff.
I have returned from my trip up north to Minnesota and Wisconsin. Unfortunately, from the research side it was not the most successful of trips. I did find some records, but none that answered any of the big questions I had. If anything, I now have far more questions. Most of the information I learned deals with the homesteaded land that John Spellecy received in 1888, at the young age of 70. It turns out by the time he was given the land by the US government, he had already made one contract to sell a portion of it. And so to make some semblance of it, I made this animation to show how the land grant disappeared over only a 12 year period.
For the curious, the background image is a digitisation of the US government’s original land survey. The A.160 denotes 160 acres, the maximum allowed by a homestead claim.
Alighting an aircraft is a time consuming pain in the arse. Probably number one for me, after security. Anyway, Vox looked at the slow boarding and alighting process and how to improve it. And why, most likely, airlines are not terribly interested in improving it. Hint, follow the money.
Credit for the piece goes to Menkes van den Briel.