The Winter Olympics are creeping ever closer and so this piece from the New York Times caught my eye. It examines the impact of climate change on host cities for the Winter Olympics. Startlingly, a handful of cities from the past almost century are no longer reliable enough, i.e. cold and snow-covered, to host winter games.
This screenshot is of a bar chart that looks at temperatures, because snow and ice obviously require freezing temperatures. The reliability is colour-coded and at first I was not a fan—it seemed unnecessary to me.
But then further down the piece, those same colours are used to reference reliability on a polar projection map.
That was a subtle, but well appreciated design choice. My initial aversion to the graphic and piece was changed by the end of it. That is always great when designers can pull that off.
Credit for the piece goes to Kendra Pierre-Louis and Nadja Popovich
Whilst away, I came upon this piece in the following of my offseason baseball news. The New York Times published it between Christmas and New Years and the piece looks at the origins of sports persons in European football leagues compared to several American sports leagues, including American football, baseball, and basketball.
The piece features an opening set of small multiples comparing all the leagues. Maddeningly, I wanted details and mouseovers and annotations at the start. Fortunately, as the reader continues through the article, each small multiple becomes big and the reader can explore the details of the league.
Credit for the piece goes to Gregor Aisch, Kevin Quealy, and Rory Smith.
Apologies for the lack of posts over the last week or so, I have alternately been on holiday or sick while spending other time on my annual Christmas card. This will also be the last post for 2017 as I am on holiday until the new year. But before I go, I want to take a look at the election night graphics for the Alabama US Senate special election yesterday.
I am going to start with the New York Times, which was where I went first last night after returning from work. What was really nice was there graphic on their homepage. It provided a snapshot fo the results before I even got to the results page.
The results page then had the standard map and table, but also this little dashboard element.
We all know how I feel about dashboard things. To put it tersely: not a fan. But what I did enjoy about the experience was its progression. The bars below filled in as the night progressed, and the range in the vote-ometers narrowed. But that same sort of design could be applied to other graphics representing the narrowing of likely outcomes.
The second site I visited was the Washington Post. Like the Times, their homepage also featured an interactive graphic, another choropleth map.
There are two key differences between the maps. The Times map uses four bins for each party whereas the Post simplifies the page to two: leading and won. The second difference is the placement of the map. The Post’s map is a cropping of a larger national map versus the Times that uses a sole map of the state.
For a small homepage graphic, bits of both work rather well. The Times cuts away the unnecessary map controls and neighbouring states. But the space is small and maybe not the best for an eight-binned choropleth. In the smaller space, the Post’s simplified leading/won tells the story more effectively. But on a larger space that is dedicated to the results/story, the more granular results are far more insightful.
On a quick side note, the Post’s page included some context in addition to the standard results graphics. This map of the Black Belt and how it correlates to regions of Democratic votes in 2016 provides an additional bit of background as to how the votes played out.
Credit for the piece goes to the design teams of the New York Times and the Washington Post.
North Korea tested another missile yesterday. And while we do not have the precise details, I happened to come across this video from the New York Times exploring the different means by which the United States defends against missile threats. It makes use of some nice illustrations and motion graphics to explain ballistic missiles and missile defence systems.
Credit for the piece goes to Robin Stein and Drew Jordan.
This is a piece from a few years ago, but the New York Times cleverly brought it to the front of their Upshot page. And it seemed just so appropriate. Many of you are likely travelling today—I’m not, I’m headed to work—and many of you will be driving or taking the train. But some will be flying. But to and from where?
The map has some nice features that allow you to selectively few particular cities. Philadelphia has relatively few travellers by air, but that’s probably because places in the Northeast are more easily accessible by road or rail.
Chicago also has relatively few travellers, though more than Philadelphia. I would posit that is because most people are not flying to visit their relatives, but rather driving to places in Wisconsin, Iowa, and Indiana.
No post tomorrow, because I intend on sleeping in. But you can expect something on Friday.
Credit for the piece goes to Josh Katz and Quoctrung Bui.
I was reading the Sunday paper yesterday and whilst I normally skip the sports section, especially during baseball’s offseason, this time a brightly coloured map caught my attention. Of course then I had to read the article, but I am glad that I did.
On Sunday the New York Times ran a print piece—I mean I assume I can find it online (I did.)—about CBS chooses which American football matches to air in the country’s markets. It is a wee bit complicated. And if you can find it, you should read it. The process is fascinating.
But I want to quickly talk about the design of the thing. Remember how I said a map caught my attention. That was pretty important, because the map was not the largest part of the article. Instead that went to a nice big photo. But the information designer I am, well, my eyes went straight to the map below that.
There is nothing too special about the map in particular. It is a choropleth where media markets are coloured by the game being aired yesterday. (The piece explains the blackout rules that changed a few years ago from what I remember growing up.)
But then on the inside, the article takes up another page, this time fully. It runs maps down the side to highlight the matches and scenarios the author discusses, reusing the same map as above, but because this is an interior page, in black and white. It probably looks even better online as they likely kept the colour. (They did. But the maps are smaller.)
Overall, I really enjoyed the piece and the maps and visuals not only drew me into the piece, but helped contextualise the story.
While I am still looking for a graphic about Zimbabwe, I also want to cover the tax reform plans as they are being discussed visually. But then the Senate went and threw a spanner into the works by incorporating a repeal of Obamacare’s individual mandate. “What is that?”, some of you may ask, especially those not from the States. It is the requirement that everyone have health insurance and it comes with tax penalties if you fail to have coverage.
Thankfully the New York Times put together a piece explaining how the mandate is needed to keep premiums low. Consequently, removing it will actually only increase the premiums paid by the poor, sick, and elderly. The piece does this through illustrations accompanying the text.
Overall the piece does a nice job of pairing graphics and text to explain just why the mandate, so reviled by some quarters, is so essential to the overall system.
Well, the data speaks for itself. I wanted to use this screenshot, however, to show you the story because I think it does a fantastic job. Without having to read the article, the image encapsulates what is to come in the article.
That said, there are a few other scatter plots worth checking out if the topic is of interest. And the explanation of the data makes all the more sense.
But I really loved the impact of that homepage.
Credit for the piece goes to Max Fisher and Josh Keller.
Yesterday the New York Times published a piece looking at the potential impacts of the proposed tax reforms on Americans. Big caveat, not a lot has been detailed about what the reforms entail. Instead, much remains vague. But using the bits that are clear, the Tax Policy Centre has explored some possible impacts and the Times has visualised them.
I like the opening graphic, though all are informative, that cycles through various proposals. It highlights which group benefits most from the proposals. The quick takeaway is that while all would moderately benefit, the rich do really well.
Well news definitely happened whilst your author was on holiday. So today we look at an informative piece from the New York Times that compares the weapons fire from the Las Vegas shooting to that of Orlando and a fully automatic weapon.
This piece makes good use of both audio and motion graphics to show how the bump stock makes a semi-automatic rifle more like what we might call a machine gun. It also includes some nice illustrations that demonstrate how the stock does what it does.
From an audio standpoint, I do want to point out that the designers made a wise decision in opting not to use authentic sounds. Instead they chose an abstracted sound, allowing the user to focus on the rapidity and steadiness of the sound.
Credit for the piece goes to Larry Buchanan, Evan Grothjan, Jon Huang, Yuliya Parshina-Kottas, Adam Pearce, Karen Yourish, C.J. Chivers, and Thomas Gibbons-Neff.