In case you missed it somehow, the President of the United States, the Leader of the Free World, is now also an unnamed, unindicted criminal co-conspirator in a federal campaign election law case in New York to which his co-conspirator pled guilty.
And you thought Obama’s tan suit was bad.
The guilty plea by Michael Cohen and the eight convictions of Paul Manafort are all part of a growing scandal surrounding the White House. Thankfully the New York Times published a piece highlighting the results of the various trials. In short, the former National Security Advisor has pled guilty, as has a former campaign advisor, a former deputy campaign manager/transition leader/early administration staffer, and another campaign advisor. Throw in yesterday’s news and this table will get longer.
Credit for the piece goes to the New York Times graphics department.
By now you may have heard that this Thursday media outlets across the United, joined by some international outlets as well, have all published editorials about the importance of the freedom of the press and the dangers of the office of the President of the United States declaring unflattering but demonstrably true coverage “fake news”. And even more so, declaring journalists, especially those that are critical of the government, “enemies of the people”.
I have commented upon this in the past, so I will refrain from digressing too much, but the sort of open hostility towards objective reality from the president threatens the ability of a citizenry to engage in meaningful debates on public policy. Let us take the clearly controversial idea of gun control; it stirs passions on both sides of the debate. But, before we can have a debate on how much or how little to regulate guns we need to know the data on how many guns are out there, how many people own them, how many are used in crimes, in lethal crimes, are owned legally or illegally. That data, that verifiably true data exists. And it is upon those numbers we should be debating the best way to reduce the numbers of children massacred in American schools. But, this president and this administration, and certain elements of the citizenry refuse to acknowledge data and truth and instead invent their own. And in a world where 2+2=5, no longer 4, who is to say next that no, 2+2=6.
But the one editorial board that started it is that of the Boston Globe. I was dreading how to tie this very important issue into my blog, which you all know tries to focus on data and design. As often as I stand upon my soap box, I try to keep this blog a little less soapy. Thankfully, the Globe incorporated data into their argument.
The end of their post concludes with a small interactive piece that presents survey data. It shows favourability and trustworthiness ratings for several media outlets broken out into their political leanings. The screenshot below is for the New York Times.
The design is simple and effective. The darker the red, the more people believe an outlet to be trustworthy and how favourably they view it.
But before wrapping up today’s post, I also want to share another bit from that same Boston Globe editorial. As some of you may know, George Orwell’s 1984 is one of my favourite books of all time. I watched part of a rambling speech by the president a few weeks ago and was struck at how similar his line was to a theme in that novel. I am glad the Globe caught it as well.
Credit for this piece goes to the Boston Globe design staff.
Today is Tuesday, 14 August. We are now 12 weeks away from the 2018 midterms. That is just three months away. Coverage will only intensify in the weeks to come, and you can be certain that if there are pieces worth noting, I will do that. But to mark the date I went with this choropleth map from the New York Times.
Nothing too crazy here. Likelihood of results colour the districts. The darker the blue, the more solid the Democratic seat. The darker the red, the more solid the Republican one. But what this map does really well is it excludes the likely’s and the solids and sets them to a light, neutral grey. You can still hover over a district if you are curious about where it falls, but, in general those have been excluded from the consideration set because they are not the districts of the most national attention.
Secondly, note the state labels. States like Wyoming that have no competitive seats have no label. After all, why are we labelling things that have no impact on this story, again, the competitive races. Fewer labels means fewer distracting elements in the graphic.
Finally, the piece includes the ability to zoom into a region. After all, for those of us living in urban areas, our districts are geographically tiny compared to the at-large or state-wide seats like in Wyoming, the Dakotas, and Alaska. Otherwise, good luck trying to find the Illinois 5th or Pennsylvania 3rd.
Last Tuesday we looked at a print piece from the New York Times detailing the share price plunge of Facebook after the company revealed how recent scandals and negative news impacted its financials. Well, today we have a piece from last week that shows how large Apple is after it hit a market capitalisation of one trillion US dollars.
The piece itself is not big on the data visualisation, but it functions much like the Facebook piece, as a blend of editorial design and data visualisation. The graphic falls entirely above the fold and combines a factette and maybe we could classify it as a deconstructed tree map. It uses squares where, presumably, the area equates to the company’s value. And the sum total of those squares equals that of one trillion dollars, or the value of Apple.
In terms of design it does it well. The factette is large enough to just about stretch across the width of the page and so matches the graphic below it in its array of colours. Why the colours? I believe these are purely aesthetic. After all, it is unclear to me just what Ford, Hasbro, and General Mills all have in common. In a more straight data visualisation piece, we might see colour used to classify companies by industry, by growth in share price or market share. Here, however, colour functions in the editorial space to grab the reader’s attention.
The design also makes use of white space surrounding the text, much like the Facebook piece last week, to quiet the overall space above the fold and focus the reader’s attention on the story. Note that the usual layout of stories on the page continues, but only after the fold.
When we keep in mind the function of the piece, i.e. it is not a straight-up-explore-the-data type of piece, we can appreciate how well it functions. All in all this was a really nice treat last Friday morning.
Credit for the piece goes to Karl Russell and Jon Huang.
Last Thursday, Facebook’s share price plunged on the news of some not so great numbers from the company on its quarterly earnings report. The data and number itself is not terribly surprising—it is a line chart. But what I loved is how the New York Times handled this on the front of the Business section on Friday morning.
I found the layout of the page and that article striking. In particular, each day of the share price is almost self-contained in that the axis lines start and stop for each day. I question the thickness of the stroke as something a little thinner might have been a bit clearer on the data. However, it might also have not been strong enough to carry the attention at the top of the page. As it is, that attention is needed to draw the reader down the page and then down across the fold.
Additionally, the designers were sensitive to the need to draw that attention down the page. In order to do that they kept the white space around the graphic and kept the text to two small blocks before moving on to the interior of the section.
Credit for the story goes to Matthew Philips. Although I’m pretty sure the page layout goes to somebody else.
The weather in Philly the past week has been just gross. It reminds of Florida in that it has been hot, steamy, storms and downpours pop up out of nowhere then disappear, and just, generally, gross. I do not understand how people live in Florida year round. Anyway, that got me thinking about this piece from a month ago in the New York Times. It looked at the impact of climate change and living conditions in South Asia. Why is South Asia important? Well, it is home to nearly a billion people, a large number of whom are poor and demanding resources, and oh yeah, has a few countries that have fought several wars against each other and are armed with nuclear weapons. South Asia is important.
The map from the piece—it also features a nice set of small multiples of rising temperatures in six countries—shows starkly how moderate emissions and the high projection of emissions will impact the region. Spoiler: not well. It notes how cities like Karachi, for example, will be impacted as hotter temperatures mean lower labour productivity means worse public health means lower standard of living. And it doesn’t take a rocket scientist to see how things like demand for water in desert or arid areas could spark a conflict between Pakistan and India. Although, to be very clear, the article does not go there.
As to the design of the graphic, I wonder about the use of white for no impact and grey for no data. Should they have been reversed? As it is, the use of white for no impact makes the regions of impact, most notably central India, stand out all the more clearly. But it then also highlights the regions of no data.
Credit for the piece goes to Somini Sengupta and Nadja Popovich.
Today is primary day and everyone will be looking to the California results. Although probably not quite me, because Eastern vs. Pacific time means even I will likely be asleep tonight. But before we get to tonight, we have a nice primer from last Friday’s New York Times. It examines the California House of Representatives races that we should be following.
Like most election-related pieces, it starts with a map. But it uses some scrolling and progressive data disclosure. The map above, after a bit of scrolling, finally reveals the districts worth following and their 2016 vote margins.
From there the article moves onto a bit of an exploration of those few districts. You should read the full article—it’s a short read—for the full context on the California votes today. But it does make some nice of bar and line charts to plot the differences in presidential race vs. congressional race margins and the slow Democratic shift.
Credit for the piece goes to Jasmine C. Lee and Karen Yourish.
Back in March I posted about a great graphic from the New York Times editorial board they made in the wake of the Parkland, Florida school shooting. Saturday morning, the day after Friday’s Santa Fe, Texas school shooting, I was reading the paper and found the updated graphic.
Yeah, almost nothing has changed. Congress passed and the president signed an omnibus spending bill that included language to improve reporting on background checks.
Now from a design standpoint, what’s nice about this graphic is its restrained use of colour. The whole piece works in black and white. Of course it helps that there is nothing to show that needs to be highlighted in the data.
Credit for the piece goes to the New York Times graphics department.
Surprise, surprise. This morning we just take a quick little peak at some of the data visualisation from the Pennsylvania primary races yesterday. Nothing is terribly revolutionary, just well done from the Washington Post, Politico, and the New York Times.
But let’s start with my district, which was super exciting.
Each of the three I chose to highlight did a good job. The Post was very straightforward and presented each office with a toggle to separate the two parties. Usually, however, this was not terribly interesting because races like the Pennsylvania governor had one incumbent running unopposed.
But Politico was able to hand it differently and simply presented the Democratic race above the Republican and simply noted that the sitting governor ran unopposed. This differs from the Post, where it was not immediately clear that Tom Wolf, the governor, was running unopposed and had already won.
The Times handled it similarly and simultaneously displayed both parties, but kept Wolf’s race simple. The neat feature, however, was the display of select counties beneath the choropleth. This could be super helpful in the midterms in several months when key races will hinge upon particular counties.
But where the Times really shines is the race for Pennsylvania’s lieutenant governor. Fun fact, in Pennsylvania the governor and lieutenant governor do not run as a ticket and are voted for separately. This year’s Democratic incumbent, Mike Stack, does not get on with the governor and had a few little scandals to his name, prompting several Democrats to run against him. And the Times’ piece shows the two parties result, side-by-side.
Credit for the Post’s piece goes to the Washington Post graphics department.
Credit for Politico’s piece goes to Politico’s graphics department.
Credit for the Times’ piece goes to Sarah Almukhtar, Wilson Andrews, Matthew Bloch, Jeremy Bowers, Tom Giratikanon, Jasmine C. Lee and Paul Murray, and Maggie Astor.
If you haven’t heard by now, this year is a US Congressional midterm election year meaning that eligible American citizens will be voting for their local representative and 1/3 of the states will be selecting their senator. But perhaps because yesterday was Mother’s Day in the States, the New York Times ran a front-page, above-the-fold piece on the number of women running for Congress this year, either as incumbents or challengers.
Those of you familiar with this blog will know that I am excited basically anytime smart graphics work their way onto the front page. The map itself shows the rough location of where women candidates are running for office and a quick comparison shows there are more blue, Democratic, women than red, Republican. Nothing too special here.
But as I began to read the article, I became more interested in my questions that then fortunately became some of the article’s points about where these women were running in terms of competitive seats. Unfortunately the map does not contain any information about that.
Until I got to the inside page later on.
This graphic is the more impressive of the article’s two. As a brief inside, these types of graphics always intrigue me. What kind? The kind that do not fit neatly into a box. As part of my job, I serve as creative director, graphics designer, page designer, and production designer for the Philly Fed’s premier quarterly economics journal. Sometimes the job is having a box and filling said box with a graphic, the map on the front page is a great example. But with this graphic, that would leave too much white space at the top and so how do you design around or rather with that?
To the graphic specifically though, we get a nice little treat.
Nothing is complicated in this one. We have three conditions, running in an open seat or running against an incumbent, an incumbent, or running for an open seat. Since this piece focuses on the difficult path to get these women into office, especially because of the challenges of facing an incumbent, that group is the highlighted one. (A less focused piece that shows all three conditions would be neat.)
Then we basically have a graphic where we count the number of icons. In this case, we could have even used little boxes as the icons are not necessary. Personally, I would have opted for something like boxes, but these icons are not too distracting. The icons are then grouped by the competitiveness of the district, the part that interested me, and at this point note that the designer makes certain each grouping is an equal ten units wide.
Visually it becomes quite clear that women should certainly expect greater representation in Congress come 2019, but with so many women running as Democrats against safe Republican incumbents, it will be difficult to see many of these women in Congress. Of course with all this talk of a wave election, if that is true, you would expect some of the seats on the right to move to the left, i.e. safe Republican become lean Republican become tossups.
Overall, this was a nice treat for a Sunday read of the paper.
Credit for the piece goes to Kate Zernike and Denise Lu.