Ireland, the ancestral land of many Americans, can also be claimed by President Obama. His maternal great-great-great-grandfather was a shoemaker. The BBC created this graphic to complement their news article. And I must admit to being quietly amused at the % ‘Irishness’; Approximate label.
Finland held an election that was worth watching because of the rise of a nationalist party whose name translates to True Finns. The leader of the True Finns was interviewed and at the end he reassured all watching that they “are not extremists. So you can sleep safely.” For Europe, the issue is their opposition to the bailouts of the various European economies, such as Ireland and Greece. And now that Portugal is in the midst of bailout negotiations, the True Finns could complicate matters if they manage to make it into government.
The Finnish Ministry of Justice released a small, interactive piece detailing the results. The parties are represented by acronyms, with PS for the True Finns. And here one can see that they performed third-best with about 19% of the vote. The True Finns actually beat the Centre Party, which was the leading party in the last coalition government. In short, a remarkable rise whose impact is yet unknown.
The interactive piece, however, is a tad confusing. While one story is certainly the improvement of the True Finns from the last election to the current one, does that need to be shown in the default view as we have here? And what I perceive to be shading or some sort of split colouration in the bars lends itself to the idea of having two separate sets of data encoded in the bar. Although I can see no such data and am thus confused.
But, fortunately, one can also change one’s views of the data, from column to bar to table. And I daresay that the table, in this instance, I find best. Not because the data could not be visualised in an interesting, compelling and comprehensible fashion, but because it was not.
Certainly, the election results provide interesting data sets. And in this case we clearly have an interesting story, the rise of the True Finns from a small, rural party of 5 seats in the Finnish parliament (200 total seats) to the third-largest party with 39 seats. Alas, this piece leads does not make it easy to tell that story—let alone the results of the election.
Le Monde is a French-language publication and so I never really bother with it, despite favourable reviews. However, they do have a small site with some content in the English language that I check from time to time. Frequently they have maps or other graphics of some interest, and this time upon visiting—done to see if they have anything on Libya given the lead taken by France and the UK—they had a few maps of the situation in North Africa.
By and large, nothing radical or ground-breaking in the maps. But, the designer, Philippe Rekacewicz, used a different cartographic perspective than I am at least accustomed to seeing for infographics. And then the aesthetic of the map is interesting, and quite different than what one typically sees. In a refreshingly interesting way. Now, whether he used a texture or filter in Photoshop to create the background map or whether he physically drew the map (and then overlaid the informational elements digitally), it matters little as the style works. I enjoy the idea of mixing the hand-made and data visualisation—though it needs to be well-executed.
He created a few sets of maps; each makes use of a slightly different palette. These certainly help create the visual distinction necessary between data sets. The pie charts are not particularly helpful, but they at least are kept simple: looking at only two parts of the whole. The comparison within each nation by bar charts of internet connectivity and higher-education learning works. It begins to work not so well as one tries to compare country to country. Though, the separation of the bars into ten-percentage point sub-bars begins to alleviate that issue. The main map, that highlights the political situation does a nice job of putting these countries into broader context. That is, who has oil and who has control over the key waterways in the region.
All in all, a refreshing set of maps that illustrate the fluid situation in North Africa and the Middle East.
While not new news, if you have not heard, Canada’s minority government fell and Canada is having an election. And, as we all know, elections mean infographic insanity. Map mania. Graphs galore. You get my drift.
The Globe and Mail, a Toronto-based newspaper, printed an infographic about the 50 ridings to watch. (A riding is, for my mostly US-based readers, similar to a congressional district.) They complemented this with an online, interactive piece. They did all of this a few days ago.
I have been meaning to write about this for a few days, but am only now sitting down to write it up and an interesting thing has happened. Whereas before, I was able to click the Globe and Mail’s link to their print graphic, now I get directed to their Google map pushpin overlay. Bye-bye, print graphic.
And that is a shame, because, the print graphic is far better than the interactive. Yes, the pushpin can be clicked to read a small snippet of summary about the riding, however, at the same scale of print graphic, good luck finding all the pushpins. And while one can certainly zoom-in to find all the urban ridings, one loses seeing the whole and that riding’s relationship to the rest of Canada. Compare that to the print graphic where equally-sized boxes represent the ridings, and the boxes are spread out across a map of Canada in the background, showing the total apportionment of ridings to the provinces and territories. Whereas the pushpins do not. The arrangement of the boxes also has urban ridings grouped together and delineated from more rural ridings. Whereas the pushpins do not. And the boxes are not tied specifically to a point. Whereas the pushpins are. And that is most helpful, because one can only assume that the Western Arctic riding is located inside Yellowknife’s city hall. Right?
Pushpins are great for locating a specific point. Note the point of the pin. The boxes are great for eliminating the distorting effects of electoral districts in rural vs. urban settings. For comparison, look at the congressional districts in and around cities like New York and compare them to those in places like Montana.
I think the print graphic is better also because it included three charts that summarised and provided context of the 50-key ridings in the context of the whole general election across Canada. Google’s pushpin map overlay thing…does not.
Is the print graphic perfect, no. As I noted above, it does not specifically name the 50, as one can discover by clicking on the pushpins. Nor does it provide the name of the candidates or a very brief summary of the situation, as one can discover by clicking on the pushpins. But I have a better grasp of how the little piece fits into the whole from the print graphic.
Perhaps the best solution would have been to create a unique interactive piece that married the best of both designs. Scrap the Google maps bit and create a set of interactive boxes that mirror the print graphic, and so by clicking on the boxes one can access the same information in the pushpin. And then one would also have a reason to write something in the print article about checking the website for the online version that has even more information. But that is surely crazy talk.
As an additional point of comparison, the two screenshots are both roughly the same size in width—the main concern in showing all of Canada—and just note the amount of data presented in both versions.
A more interesting question, though, is why was the print graphic was removed from the site? (Or at least made so difficult to find that I could not find it.)
Credit for the print graphic image I have is to the Map Room, which is from where I first learned of the map to begin with.
The BBC has a new feature on Nigeria, one of Africa’s most important—and most complicated—countries. And a few days ago it was supposed to hold elections. But these have been postponed, apparently on logistical problems. This piece attempts to explain the complexities of modern Nigeria across several different metrics via maps. Overall, it is very similar to a piece I mentioned that the BBC ran on South Sudan in the run up to that soon-to-be-country’s independence referendum.
Overall, the piece works for me as a means of quickly and broadly explaining the geographic breakdown of Nigeria in terms of ethnicity, politics, health, et cetera. The colours work, especially shifting between hues for the one-variable maps. The one thing that the Nigeria map adds over the Sudan map is the name of each state. However, these begin to become a bit cluttered and distracting—not to mention that in all-caps they sit at roughly the same level of the neighbouring country names despite being a touch smaller. Perhaps the maps could have been made to do more with less, and only label those states mentioned in the explanatory text. Or they could have been included but treated in a subtler fashion.
The Census Bureau has been releasing state population figures over the past several weeks and one means of accessing those figures is through a small, interactive map feature. Clicking through makes for some interesting observations—although not all states are currently available. In this screenshot, one can see an interesting story. Western Pennsylvania is shrinking whereas eastern Pennsylvania is growing. And, perhaps importantly, Philadelphia has perhaps reversed its long-term trend of population decline and saw a 0-5% increase in population while its further suburbs have seen increases in the 5–25% range.
If one is not viewing the piece in fullscreen mode, the navigation can be a bit small, especially for small counties. And the counties over which one rolls with the mouse cannot be selected, they are purely rollover functions that display census data from 1960 and the total population as of 2010. I would have liked the ability to select a particular county and then compare it to others by rolling over neighbouring counties. The colour choice, blues and a light, brownish-beige work rather well within the overall blue motif of the site. And by restricting the palette there, one gains the ability to use an altogether different colour, here green, to indicate which counties are rolled over along with differentiating the rollover box from the remainder of the map piece.
I wonder if more could not have done with the ethnic breakdowns on the right. Certainly the overall breakdown is effective, but it appears to lack a summary of sorts. What was the overall change for the state? And on a minor note, the person symbol is downright distracting.
To get to the first state, one clicks on said state from an overall map of the United States. States are blue if they have had their data released, grey otherwise. However, once looking at a state, there is no way back to the overall map as states are chosen from a small button in the upper-right. This works just fine, we are here to look at state data, not for a geography lesson. However, that they use the map at the beginning seems incongruent with the remainder of the experience. I wonder if they could not remove the map at the start, or keep the map but make it more useful. After all, it would be interesting to see the percentage change in the states displayed—the unpublished states could remain grey.
Further below the first map is a second map.
Here, one does have access to the state population change figures. Much of the critique above remains salient here, except the light brown for population loss in the first map is here replaced by a garish and obnoxious orange. An interesting addition is the range of historical data, from the 1910 census through the 2010 census and to see how those population changes affected the apportionment of seats in Congress. Another interesting story that one can glimpse is the ‘filling-in’ of the North American continent. Population density in 1910 was high only in the Northeast, but ever since, the people have spread, concentrating along the coasts and then moving inwards towards the vast centre of the continent.
The United Kingdom. England. Britain. All pretty much mean the same thing, right? No. But, if you do not believe me, might I recommend going to Glasgow or Edinburgh and calling a local an Englishman. It may very well be a quick education.
Colin Grey attempts to untangle the constitutional and jurisdictional mess in both a video and an accompanying chart. The video takes about five minutes and is largely correct with most of the errors I have picked up on being rather small in nature, e.g. Ireland is not the Republic of Ireland but just Ireland…not a big deal unless one wants to be enraged by minutiae.
The chart is simple and effective in delineating the structure of the UK and expands about how the UK fits into Europe.
Credit for the piece is to Colin Grey and thanks to Kim Nguyen for the tip.
Two hundred years later, and the US Navy is again in action off the shore of Tripoli. Except instead of calling it the Barbary Coast, we now typically see the name the Maghreb. Things will surely be fluid and changing far faster than I can hope to detail in graphics, let alone follow casually. However, this here details what I have learned since this morning. Nothing too fancy, just mapping out some places to show just how far American, British, and French warplanes are flying to reach Libya. Then what aircraft are being used, at least that we know of, what ships are in the blockade and lastly who supported the Resolution 1973.
By Monday we shall surely be seeing further attempts by news and media agencies.
If you have been living under a rock—or perhaps I should say isolated at an oasis deep in the Sahara—you may not have heard that these are some interesting times in northern Africa and the Middle East. Popular protests begat revolutions that have now toppled two governments, Tunisia and Egypt, and quite possibly a third in the near future, Libya. And for those that have not seen governments fall, Bahrain, Yemen, Algeria, Jordan and Morocco have all been disrupted to some degree by protests against the governments in power.
Perhaps one of the defining characteristics of these movements have been the social-networking and mobile communications that spread the news of protests, riots, and crackdowns like wildfire. Sites like Facebook and Twitter were instrumental in passing word and for many other, people simply used their mobile phones to spread the news.
CNN has this series of maps to highlight internet and mobile phone use in the region. Nothing particularly fancy about the maps, though I wonder about the choice of green to represent so many Arab nations. Intentional or coincidence? Regardless of the colours, I think these maps are an example of using simple informational-based graphics to support a story. And given the goings-ons in the world, I thought this worth posting.
From CNN via a post at the Map Room.
Presidents’ Day originally celebrated the birthday of George Washington, the first president of the United States. (Though, one could get crazy and say it was actually Samuel Huntington, but I fear I would digress.) Now technically the holiday still does celebrate Washington as the official name of the federal holiday is Washington’s Birthday, but by and large we group folks like Lincoln in there too.
Regardless of who exactly is remembered, we remember a United States of the 18th and 19th centuries. And thus it seems appropriate to share a piece from Charles Blow over at the New York Times.
The information graphic is a heat chart of various rankings and index numbers that compare the United States across various metrics to the rest of the world’s “advanced economies”, as decided by the IMF. I certainly have some issues with a few of the metrics, for example what exactly does Gallup mean by percentage of people thriving? And are the math and science scales out of 600 total points? I presume as much but cannot be certain. These could have briefly explained in the footer, or similar to how the food insecurity metric is handled—though I suspect that would be too much from an aesthetic standpoint. The use of drop shadows, from a design perspective, I disagree with; the dark crimson should surely be enough distinction to stand alone. And for completeness, I would have included what appears to be the beigish middle ground between the best and the worst in the scale at the top of the piece.
As to the story the piece supports, I leave that for the audience to decide. Is the United States of the President Obama/Bush as great as that of President Washington/Adams?