Swedish Election Results

Sweden went to the polls this past weekend and the results are mostly in, with overseas ballots left to be counted. But the results are clear, a stark rise for the nationalist Sweden Democrats, though not as high as some had feared late last week.

Not surprisingly we had the standard parliamentary seat chart, seen below by the BBC. The nice twist this time is the annotations stating the seat change. (More on that later.)

An unnerving amount of yellow
An unnerving amount of yellow

It does a good job of showing the parties and how they are laid out, though I am sometimes more partial to a straight-up bar chart like below at Reuters.

Here the Sweden Democrats are grey.
Here the Sweden Democrats are grey.

However, both do not do a great job in showing what would traditionally be a kingmaker result for Sweden Democrats. When stacked at each end, neither the centre-left bloc, led by the Social Democrats, nor the centre-right, led by the Moderates, are in control of a majority of seats in the Riksdag. Imagine that neutral colour straddling a 50% benchmark line or sitting in the middle of the seats. It makes it far clearer just how pivotal the Sweden Democrats would usually be. Because, usually, Sweden Democrats or parties like it—in the sense of it won a large number of seats—that help the main coalition cross that 50% threshold would have an enormous sway in the next governing coalition. But here, the Sweden Democrats are an anti-immigrant, nationalist party that both the centre-left and centre-right have said with whom they will not enter talks.

Here the Sweden Democrats are brown.
Here the Sweden Democrats are brown.

But graphically, the thing I always find lacking in charts like those above are just how dramatic the rise of the Sweden Democrats has been. And so for that, we have this little piece of mine that complements the two. Because not all members of the coalitions experienced the declines of their major parties, the Social Democrats and the Moderates. In fact, with the exception of the Green Party, all others rose or, in the case of the Liberals, stayed flat. A more thorough defeat would have probably seen the whole of the coalition falling in the number of seats. Unfortunately for Sweden, in this case, the nationalists took the lion share of the seats lost by the top two parties.

Credit for the BBC piece is mine.

Credit for my work is mine.

Types of Nuclear Weapons

When I was in high school I began to listen to music. To find music. To find artists. A guy who owned and operated the store next to where I worked recommended David Bowie, that guy whose songs I had heard on Philly’s classic rock radio stations. Back in those days we still had record stores—not that I knew what a record was—and I found a few used CDs—now that kids today would know what a CD is. Over that summer, I picked up a lot of new music. But what struck me about this David Bowie guy is that Space Oddity, Tonight, and Heathen all sounded so different from each other. He was a great one. And while I’m certain there will be some graphic in the future about his timeline—how can there not—today I am going to follow up once more on the North Korean nuclear test after coming across this graphic from Reuters.

You will recall how last week I looked at a New York Times post that explained the differences between a few different types of nuclear weapons. Well, here Reuters illustrates those differences.

Types of nuclear weapons
Types of nuclear weapons

Credit for the piece goes to S. Scarr.

Understanding Modern China

China is a big country, both geographically and demographically. It can also be rather opaque and difficult for an outsider to understand. So this recent work from Reuters is amazing because it makes China a bit more transparent while illustrating just how the political system structures power and personnel appointments.

The table of contents/introduction
The table of contents/introduction

Truthfully, there is more content there than ought to be consolidated into a single blog post here. Briefly, the project was some 18 months in development and hits upon three key areas: Social Power, Institutional Power, and Career Comparisons. Two other sections, China 101 and Featured Stories, offer additional material to help the user understand China’s past and what is going on in the present.

Social Power with Xi Jinping's network shown
Social Power with Xi Jinping's network shown

Social Power examines, primarily through the use of network diagrams, the social dynamics of the upper echelons of the Chinese leadership. Previous generations of Chinese political leaders saw power confined into the hands of a few, e.g. Mao Tse-tung, but in recent years the Chinese Communist Power has decentralised that power into several individuals. Many of those individuals have friendships, marriages, and business relationships that have advanced them and kept them in power. The interactivity allows the user to dive deep into these relationships. And should things becoming confusing, here and throughout the app, there are links to biographies, definitions, and guides to explain what is before the user.

Institutional Power
Institutional Power

Institutional Power roughly compares to a look at the American system of checks and balances. The responsibility of governing China falls to three “branches”: the Communist Party, the Chinese government, and the People’s Liberation Army (under which the navy and air force fall, e.g. the People’s Liberation Army Navy). This section of the app lists who belongs to each post or group and how that post or group falls into the broader structure of the Party, Government, or PLA.

Career Comparison with the guide open
Career Comparison with the guide open

The Career Comparison shows the different—but not really—tracks taken by the leaders of China. The user can compare individuals both present and past, along with potential future players, to see their route to power. China’s political system, because of its arguably undemocratic nature, is different from that of the United States. The path to power is longer and more established in China, as this section clearly shows.

As aforementioned the app was designed over 18 months and was optimised for the iPad 2+ and modern browsers (especially Chrome and Safari). All in all, a stellar piece of work. Design and development credits go to Fathom Interactive Design. The credits listed in the About section are as follows:

EDITOR+PROJECT LEADER: Irene Jay Liu
PRODUCTION HEADS: Yolanda Ma, Malik Yusuf
LEAD WRITER: Chris Ip
COPY EDITOR: John Newland
DESIGN+DEV: Fathom Information Design