Whilst I was on holiday, a terrorist killed nearly fifty people in Christchurch, New Zealand. Except this time, he was a white man and the victims were all Muslims. Admittedly, I really did not read much about it until I returned to the States, but it clearly is not a thing I was expecting out of New Zealand. But the Economist looked at the question of whether this shooting is more of another in a pattern or a one-off.
The graphic does a fairly good job of showing the increasing frequency of right-wing/white nationalist terror attacks. From a design standpoint, the nice touch is the use of transparency to show overlapping events. For example, the concentric circles for Utoya and Oslo show the two Anders Breivik attacks in Norway.
You could arguably say the treatment begins to fail, however, in the US/Canada timeline. Here, regrettably, there are often too many attacks in too close proximity that the dots are too overlaid. Here I wonder if some other method of stacking or offsetting the incidents could work.
Credit for the piece goes to the Economist data team.
Yesterday the New York Times published a fascinating piece looking at the data on how often President Trump has gone after the Special Counsel’s investigation. (Spoiler: over 1100 times.) It makes use of a number of curvy line charts showing the peaks of mentions of topics and people, e.g. Jeff Sessions. But my favourite element was this timeline.
It’s nothing crazy or fancy, but simple small multiples of a calendar format. The date and the month are not particular important, but rather the frequency of the appearances of the red dots. And often they appear, especially last summer.
Credit for the piece goes to Larry Buchanan and Karen Yourish.
I hope everybody enjoyed their holiday. But, before we dive back into the meatier topics of the news, I wanted to share this serpentine graphic from the Guardian I discovered last week. Functionally it is a timeline charting the size of 96 known large asteroid impact craters on the Moon, between 80ºS and 80ºN.
The biggest question I have is whether the wrapping layout is necessary. I would prefer a more simplistic and straightforward, well, straight timeline, but I can imagine space constraints forcing the graphic into this box—either for the digital version and/or the likely print version.
The transparencies help to give a sense of density to the strikes, especially in the later years. And the orange ones highlight important or well-known craters like Tycho.
I do wonder, however, if the designer could have added a line at the 290 million years point. Since the graphic’s title calls that year out in particular, it might help the audience more quickly grasp the graphic’s…impact. In theory, the reader can more or less figure it out from the highlighting of the Ohm impact crater that is listed as 291 million years old. But a small grey line like those for the 250 million year increments could have been a nice little touch.
Overall, however, it’s nice to see a compact and helpful space graphic.
Credit for the piece goes to the Guardian graphics team.
A no confidence vote on Theresa May’s government, that’s what.
For those not familiar with parliamentary democracies, basically a no confidence vote is held when a substantial number of members of parliament have just that, no confidence, in the government of the day. The legislative body then votes and if the government wins, the government stays in power. If the government loses, typically, though not always, a new election is held to create a distribution of seats—it’s thought—that will yield a government that can hold the confidence. (There really is not an analogy for this in the US government that I can think of.)
To be fair, nobody really expects May’s government to collapse this afternoon. The Tories and her Democratic Unionist Party (a small Northern Irish party supporting the government) do not want to hold new elections nor do they want to give the Leader of the Opposition, Jeremy Corbyn, the chance to form his own government as much as they might despise May and her Brexit deal. So in all likelihood May survives by a dozen or so votes. On the other hand, the result yesterday was surprising in its scale, so could twenty or so of the 118 Tories who voted no vote against May? Possibly.
So then what next? Thankfully the Guardian put together twocalendars showing just what happens and, crucially, in the context of how much time remains until the UK crashes out of the EU.
In case she wins, as we expect.
If she loses, which is possible, but unlikely.
The key thing to note is that the election campaign would eat up most of the time left and leave the UK very little time to do anything but ask the EU for an extension.
These are two small, but really nicely done graphics.
Credit for the piece goes to the Guardian’s graphics department.
Yesterday we looked at the importance of arms deals from the US and UK to Saudi Arabia in the wake of the brutal murder and assassination of Jamal Khashoggi, the Washington Post journalist who sometimes wrote critically of the Mohamed bin Salman (MBS) regime. But what about the actual murder itself? What do we know?
Well at some point today, President Erdogan of Turkey will give a speech, just prior to the opening of the big Saudi conference the Saudis have branded the Davos of the Desert. In Erdogan’s speech, he is expected to reveal even more of the details of the murder as collected by Turkish intelligence services. But as this story has been unfolding, the Washington Post has been collecting the details about the alleged 15-person assassination squad.
The entire piece is worth reading. It provides great detail and walks the reader through how the story was pieced together. And relevant to my blog it makes use of some nice data visualisation and design elements, including this graphic.
It captures some of the arrivals and departures of six of the men identified. The graphic also notes that sometimes people will not be documented because they arrive on diplomatic flights instead of commercial flights.
As for the rest, the Post used photographic evidence to show how one of the individuals was likely a bodyguard or in the security services for MBS. Phone records and the photographic records of Turkish border control were also used. Taken together, it paints a damning portrait of the supposedly modernising MBS regime.
Of course now we can only wait to see what Erdogan has to say this morning.
Credit for the piece goes to Aaron C. Davis, Aaron Williams and Jason Bernert.
Last Thursday, the US entered its longest bull market in history. And the New York Times covered the story on the front page, which makes this another episode of covering graphics when they land on the Times’ front page. Of course, last week was a big news week away from the economy and so it is no surprise that the above-the-fold coverage was on the scandals besetting the president and those of his team who have pleaded guilty or been convicted of crimes by juries.
But you will note that below the fold is that nice little graphic. Here we see it in more detail.
What I like about the graphic is how it uses the blue fill to draw attention to the bull markets but then also labels how long each was. Those keen on the story will note there is a debate whether a particular 19.9% drop qualifies for the 20% drop usually used to benchmark the beginning and ending of a bull market. That is why there is that second label with the black arrows on the graphic.
It also uses the negative space created by the shape of the graphic to contain its title, text, and caption information.
I found myself doing a bit of summer cleaning yesterday and I stumbled upon a few graphics of interest. This one comes from a September 2016 Wall Street Journal article about the changes in the S&P 500, a composite index of American stocks, some of the 500 largest.
In terms of the page design, if it were not for that giant 1/6 page advert in the lower right corner, this graphic could potentially dominate the visual page. The bulk of it sits above the page’s fold and the only other competing element is a headshot to the upper-right. Regardless, it was clearly enough to grab my attention as I was going through some papers.
As for the graphic itself, I probably would have some done things differently.
To start, are these actual tree maps? Or are they things attempting to look like tree maps? It is difficult to tell. In an actual tree map, the rectangles are not just arranged by convenience, as they appear to be here. Instead, they are in descending—or perhaps occasionally ascending—area, within groupings.
The groupings would have been particularly powerful here. Imagine instead of disparate blue boxes for industrials and utilities in the latter two years that they were combined into a single box. In 2001, that box may have been larger than the orange financials. Then by 2016, you would have seen those boxes switch places—in both years well behind the green boxes of 2001 debuts. If instead the goal was to show the percentages, as it might be given each percentage is labelled, a straight bar chart would have sufficed.
I am not always a fan of the circle for sizes along the bottom. But the bigger problem I have here is the alignment of the labelling and the pseudo-tree maps. One of my first questions was “how big are these years?”. However, that was one of the last points displayed, and it is separated from the tree maps from the listing of the largest company in the index from that year. I would have kept the total market cap closer to the trees, and perhaps used the whole length of line beneath the trees and instead pushed the table labels somewhere between the rather large gap from 1976 and 2001.
Credit for the piece goes to the Wall Street Journal graphics department.
A few weeks back now the Economist posted a graphic about the link between lead, silver, and the rise and fall of the Roman Empire. But not in the way you probably think. Instead, they graph the appearance of lead deposits in the glaciers of Greenland.
For the full explanation you should read the short article. But this piece was right up my alley. We have ancient history, economics, science, and a timeline. And all in one neat little chart.
Credit for the piece goes to the Economist’s Data Team.
Back in March I posted about a great graphic from the New York Times editorial board they made in the wake of the Parkland, Florida school shooting. Saturday morning, the day after Friday’s Santa Fe, Texas school shooting, I was reading the paper and found the updated graphic.
Yeah, almost nothing has changed. Congress passed and the president signed an omnibus spending bill that included language to improve reporting on background checks.
Now from a design standpoint, what’s nice about this graphic is its restrained use of colour. The whole piece works in black and white. Of course it helps that there is nothing to show that needs to be highlighted in the data.
Credit for the piece goes to the New York Times graphics department.
No, this weekend is Infinity War. Which is definitely not led by a Buzz Lightyear. For those of you who don’t know, Infinity War is sort of the culmination of ten years of Marvel superhero films, called the Marvel Cinematic Universe, that started with 2008’s Iron Man. Infinity War is the 19th film and brings together more than 30 main characters—and I believe I’ve read elsewhere as many as 85 when you count minor/side characters—into one two-part film. Yes, this will undoubtedly end on a cliffhanger leading into next year’s film.
If we assume each film is two hours (and I don’t think a single one has been under two hours), we are talking about 38 hours of film to watch to catch up before Friday’s release. Because both the previous Avengers films were 2h20m, I think we can round that up to at least an even 40. You know, a full work week.
Well, if your bosses won’t let you watch Marvel films all week, the Washington Post put together a nice interactive timeline that tries to sum it all up for you.
What is really neat about the piece, beyond helping me recall just what happened ten years ago, you can filter the timeline based on character and major plot points.
What would be really neat, though I assume someone has already done it, is a social network map showing how all these disparate groups were before this weekend’s film. Get on that, internet.
Credit for the piece goes to Sonia Rao and Shelly Tan.