From the Sydney Morning Herald, we have a link to an interactive infographic published by the Cancer Council of Australia, a non-profit that seeks to reduce the impact of cancer upon Australia. It is not the most graphical by way of charts, but offers the user “playful” interactions with statistics to better inform him or her about the causes and impacts of cancer. The format is also interesting in that it mimics the fad in infographics of the long, vertical scroll page. But here it is done to much better and ostensibly more useful effect. Useful in the sense of trying to help people.
This is certainly not the largest, nor the most glamorous infographic. But to drivers in Los Angeles, probably a very useful one. It is a diagram of forthcoming changes to a series of on- and off-ramps to Interstate 405 and Wilshire Boulevard.
Simple things like having a dangerous red for the soon-to-be-closed ramps set against the calmer, desaturated colours of the safer, separated ramps of the future highlight the important area of the shared lanes. I probably would have called those areas out with something more than a black, many-pointed star, but it does still work.
Credit for the piece goes to Tia Lai and Anthony Pesce.
This is a post that goes back a little bit in time, but that I stumbled upon and found worth a post. Last summer the United States ended the Space Shuttle programme by retiring all of our orbiters. And of course this prompted many to attempt infographics about the history of bringing liberty and freedom to space.
Amidst the fond farewells, I missed this interactive piece from the Philadelphia Inquirer about the history and the future of Americans in space.
The interactive piece contains three separate sections. The first looks at the individual Americans who made it into space. The second compares the Space Shuttle to the Russian Soyuz craft that we now must use to get into space. The third looks at the future, and what we might use.
But, the Inquirer also had a print edition to worry about, and published a static version of the piece. Is it perhaps a bit cluttered, yes, but the addition of the photographs and the annotations (even though the annotations are available as rollover conditions in the interactive piece) makes the print version more welcoming to explore and read at leisure. Additionally, the difference in scale of the three segments of the piece give a clear importance to the individuals rather than to the technology. This distinction is lost in the interactive piece because each segment is the same size and receives the same scale of treatment.
Credit for the interactive piece goes to Kevin Burkett and Rob Kandel. Credit for the print piece goes to Kevin Burkett.
It’s like a log cabin. But taller. A lot taller. The New York Times reports with an infographic on a nine-story block of flats (apartment building for us Americans) in London called the Graphite Apartments that was built almost entirely of timber.
In a rare infographic misstep, the New York Times published an incorrect diagram detailing the centre of the Earth.
Clearly, anyone who knows anything about science knows that it is not a solid core of iron at the centre of the Earth, but dinosaurs. And I see no dinosaurs in this diagram.
Credit for the piece goes to Jonathan Corum, Ritchie S. King, and Frank O’Connell.
You might recall that back in January an Italian cruise ship sank after striking submerged rocks. In case you were wondering, the ship is still there. But the plan is to refloat the ship and then tow it to a harbour on the Italian mainland and scrap the ship. The Guardian put together a nice interactive infographic explaining just how the process will work.
Google is a big company. What do big companies do from time to time? Market themselves. And so this is a screenshot from a fun interactive infographic piece that has supplementals from text to photos to videos as Google explains how an e-mail is sent. All the while Google touts its green energy initiatives and energy efficiencies. It’s a game changing win-win paradigm-shifting grand slam of a piece. (Sorry, that just felt like an appropriate place to use CorporateSpeak.)
Subways. Home of the mole people. And in the United States an unwanted recipient of government money to build things. Along with being generally unwanted. By those who do not live in cities. Probably because of said mole people. Or something.
But in Canada, they like subways. At least enough that Toronto is building an extension to a university and from there to a suburb. But the invasion of the mole people homeland is a complex process that, fortunately, the National Post explains in an illustrative infographic, a cropping of which is below.
Credit for the piece goes to Mike Faille and Peter Kuitenbrouwer.
I loved the space shuttle. I mean how awesome is it that the lead ship of the class is named after the Enterprise from Star Trek. But seriously, it was a brick with little stub wings for gliding. It was not meant for flying. So now that all the shuttles are all retired—that’s a whole separate issue—how do they get from Kennedy Space Center to the various museums and installations?
Piggy back rides. On massive 747s. The Los Angeles Times made an infographic to explain just how the process works.
Credit for the piece goes to Tom Reinken, Raoul Ranoa, and Anthony Pesce.
On 14 April 1912—that is 100 years—RMS Titanic avoided slamming bow-on into an iceberg. But her turn allowed the iceberg to slice a long gash beneath the waterline and the North Atlantic gushed into watertight compartment after watertight compartment. Several hours later over 1500 people would be dead.
The BBC has published several articles about the sinking in the lead-up to the anniversary. This one is an illustration through small multiples of how the Titanic sank, from the bow slipping beneath the waves to the point at which the liner split in two to the stern rising vertically out of the water before it too plummeted to the seabed.
At the end of the graphic is an exploration of the wreck and a small chart showing the scale of the depth at which the wreck now sits, slowly deteriorating.