Back to the Future

We began the week with an infographic about Star Trek on account of Leonard Nimoy’s death. We end the week with an xkcd graphic about stories of the past and future and its mentions of Star Trek. Not just for Nimoy, but now also of Harve Bennett, who was a producer instrumental in the production of the movies that solidified Star Trek as a cultural phenomenon.

Stories of the past and future
Stories of the past and future

Credit for the piece goes to Randall Munroe.

Board Games

On New Year’s Eve, well technically in the wee hours of New Year’s Day, the group with which I was spending the holiday broke out Settlers of Catan. We played that game—and drank a few bottles of champagne—until 04.00. My experience of playing the game—not necessarily the part about being inebriated on New Year’s Eve—bears out the increasing popularity of board games. This article from FiveThirtyEight seeks to understand what makes particular board games popular. And, because I am mentioning it on this blog, it has a few charts worth noting.

Game ratings organised by year of introduction
Game ratings organised by year of introduction

Credit for the piece goes to Rasmus Greve.

How Late is Fashionable?

The weekend has come and gone. And with it undoubtedly some house parties. But the looming question over any such party is when will the guests arrive. To answer that Five Thirty Eight took a look at one joint birthday party and here are the results.

One party's arrival times
One party’s arrival times

Credit for the piece goes to Walt Hickey.

Cutting the Cable

We have all heard talk about cutting cable, i.e. unsubscribing from cable television. But the question is what is replacing it if anything? Fortunately, this really nice graphic produced by Quartz shows the market over the course of the last five years.

Cutting the cable
Cutting the cable

It is a really nice use of small multiples and the power of not overlapping size and growth charts, or combo-charts, just because you can. Different metrics deserve different charts. The important part is placement, and that’s where a good designer can make sure to place relevant data near its partner.

Credit for the piece goes to Ritchie King.

And the Award Comes From…an Old White Male. Most Likely.

So apparently last night actors, directors, and others associated with the production of films won little statues. (And then probably celebrated with fancy foods and wines.) Yes, last night was the Academy Awards. But who is this Academy that decides upon the best films and performances?

As it turns out, the demographics of the Academy do not quite mirror those of the broader country. Just over a week ago, the Los Angeles Times looked at the Academy and visualised its membership, discovering the details of which was itself a journalistic feat.

The demographics of the Academy of Motion Picture Arts and Sciences
The demographics of the Academy of Motion Picture Arts and Sciences

After a broad overview with pie charts and such, each branch was mapped as a choropleth to the Los Angeles area. Those members from outside the LA metropolitan area were given small squares to represent their cities.

Where the actors live
Where the actors live

As someone not at all familiar with Los Angeles and its neighbourhoods, perhaps where the members of the various branches of the Academy live is actually somewhat interesting. However, I fail to understand the value in that. More useful is the idea of breaking out a socio-economic demographic and mapping that data. And if that had been the case here we almost have a set of small multiples. These are just a bit big.

Overall, a solid body of work.

Credit for the visualisation piece goes to Doug Smith, Robert Burns, Khang Nguyen, and Anthony Pesce.