Happy Friday, everyone. I prefer to travel via Amtrak and intercity rail, but from my flat I can see two routes of the US interstate highway system: I-676 and I-76. And when I drive to my hometown outside Philadelphia, I use those two routes. Plus, I live not far from I-95, the main highway corridor running through the East Coast of the United States.
But what a lot of people do not know is that the numbering system for US interstate highways—by and large—has an underlying principle. (I say by and large because I frequently drive on one of the most infamous exceptions.) Thankfully, the YouTuber CCP Grey just released a video that details the numbering system.
And if you’re curious about that exception, which runs through Altoona, Pennsylvania, here’s a screenshot. But you should watch the full video.
Last month on another Friday I shared some graphics from a video by CCP Grey that looked at the origin and history of the name Tiffany. It’s a great video and I highly recommend it. But last week he published…an addendum I guess you could call it.
The piece takes a look at a research path he took for the video. It happened to involve some history and genealogy, two things I personally enjoy, and found it to be a fascinating insight into his research process.
The screenshot above hints at the idea that sometimes work is not linear and, especially when I’m doing genealogy work, there are often tangents and dead ends. In other words, to an extent, I can relate.
Happy Friday, all. We made it through another week of Covid, vaccinations, asteroids, and all that pleasant stuff. So let’s end with an upbeat note.
Over on YouTube there’s a channel I have long enjoyed, CCP Grey, who creates videos about, well lots of things, but sometimes really interesting historical, geographical, and political topics.
This week he released a video about Tiffany. As in the name Tiffany.
In addition to some great 80s aesthetics, the video touches on a couple of things that particularly interest me.
You see names are an important part of genealogical research. After all, almost all of us have names. (Some infants died without names.) Now in my family, on both my mother’s and father’s side I have a lot of Johns. In fact, I broke a line of five consecutive John Barrys. But occasionally a family will have a rarer or more uncommon name that allows you to trace that individual and therefore his or her family through time and space/place.
Grey tracks the history of the name Tiffany from its possible origin to some reasons for its popularity in the 1980s. And that includes some great graphics like this chart tracking the number of children with the name.
In the screenshot above you can see one thought he has on why the name took off in the latter half of the 20th century after languishing for centuries.
But he also examined the family history of one Tiffany and how that became important in the cultural zeitgeist. And to do so he used a family tree.
It’s a nine-minute long video and well worth your time.
I think what’s interesting to consider, however, is how this story could be told for many if not most names. There’s a reason they exist and how, by pure happenstance, they survive and get passed down family lines.
Though I have to say I did a quick search in my family tree and I have not a single Tiffany.
Most of my readers know that I am a designer who works in all formats. But, I really love working in print. Colours, textures, and the physicality of it all. Give me a foil stamp or metallic ink any day.
Any American designer who’s ever worked for an overseas client or overseas designer who’s ever worked for an American client knows all about the US Letter vs A4 debate.
For those that don’t, the US (along with Canada, Mexico, and a very few other countries) use what we call letter size paper. The rest of the world uses A4, part of the ISO 216 international standard. A4 has some special properties that make it the superior choice in my opinion.
But this is a Friday, so we’re here for the lighter take. And for that we have a video by CCP Grey, who explains some of the properties of A4 and then provides a fascinating perspective on it all. It’s about nine minutes long for what it’s worth.