Sudan Side by Side

Conflict—a brutal civil war—continues unabated in Sudan. In the country’s west opposition forces have laid siege to the city of el-Fasher for over a year now. And a recent BBC News article provided readers recent satellite imagery showing the devastation within the city and, most interestingly, one of the most ancient of mankind’s tactics in siege warfare: encircling the town or fortress with a wall. No one gets in. And no one gets out.

The screenshot from the article above is of a village to the west of the city and it reveals the brutality of siege warfare. Paramilitary opposition forces constructed their siege wall through the middle of the village, which the image reveals barely exists any longer.

I love images like this because sometimes complex graphics are not necessary to tell the story. The scale of obliteration is obvious to the audience. And it only requires a moment’s extra thought to realise each building was someone’s home or business.

This second screenshot is of an annotated map from the Humanitarian Research Lab at Yale University. Coloured lines indicate the siege wall’s size and progress. Unlike the obvious nature of the first set of side-by-side images, here the story requires annotations.

Colours indicate when the paramilitaries built the segment of wall. The village in the satellite photos can be seen on the left of the map with the green dashes appropriately cutting through the text label. There are only four colours relevant to the wall and I perhaps would have explored using a light-to-dark gradient instead of four distinct hues as a gradient implies a progression. The wall began in the north, then went to the west and worked clockwise, i.e. cyan to green to yellow to red. A gradient probably would have been clearer in that regard.

I think the drawback with that particular graphic is the legend is not in the graphic itself. Instead, the BBC had to explain it via the article’s text. The lack of an integrated graphic hurts in cases just like this when, say, a screenshot of the image is used without the accompanying text. Here is an example of how that could work.

Overall I like the graphics. And by like I mean the design of the graphics. I do not like the ongoing civil war. The paramilitary forces have made clear their intention to starve and bombard the city’s population to death. Alas, I doubt we will see anything change anytime soon.

Credit for the original pieces go to the Humanitarian Research Lab at Yale University and the BBC graphics team.

Credit for the edit is mine.

Journalists and Deaths

Journalism is not always a safe profession. Indeed, many journalists risk their lives to bring us news from conflict zones or otherwise dangerous places. This piece from the Washington Post supplements an article about a particular Pakistani journalist, but looks at a broader set of journalist deaths over the last 20+ years.

Mountains of conflict
Mountains of conflict

That said, unless you are a fan of the Mountain of Conflict, this graphic does nothing for me. Because of the way the points form mountains, it begins to emphasise the area of the triangle, not the height of the point. Secondly, the mountains overlap and then because of the way the colours interact, give increased emphasis where there should not be any. After all, the overlap does not signify anything of itself.

Credit for the piece goes to John Muyskens and Samuel Granados.

The Crisis in Syria

The crisis in Syria now resembles more of a civil war. The UN General Assembly has condemned the conflict and passed a resolution calling for Bashar al-Assad to step aside along with a host of other steps to resolve the conflict. However, nothing can happen until the Security Council agrees on a measure, which is still unlikely given the previous vetoes by China and Russia.

This piece from the Guardian chronologically explains what has been happening—at least as best as can be determined in the not-so-media-friendly country. As this story focuses on dates and places, a map feels natural. The designers have added some crucial details from the backstory about the ethnic complexities of the country and denoted the larger and more important urban centres.

An overview of Syria
An overview of Syria

When one clicks on a date, coloured by what part of the story is taking place, markers with text boxes overlay the original city markers and provide the user information on what happened in that city on that date. Or, if the event is more general, the box appears outside the borders.

Syria on 9 Feb 2012
Syria on 9 Feb 2012

The interface is rather simple, but works in focusing a person in on a time. Unfortunately, since much of this story can be seen through the lens of locale, e.g. the city of Homs has borne the brunt of al-Assad’s wrath, one cannot focus in on a place and then add time. For example, clicking on the marker for Homs and then seeing a chronological list of events that occurred there would also be quite useful.

Another slight improvement would be more clearly signifying the date being viewed. It does appear in the text box, but with the visual prominence of the main navigation at the top, on a few occasions when I was going through the piece, I did forget what date I was on and had brief moments of confusion.