Airlines merge. (As do many other companies, but those companies are not the focus of this post.) And often the mergers are complex. Lamentably, one cannot simply merge logos and be done. Here is looking at you, UAL Corporation (United Air Lines) + Continental Airlines Inc.= United Continental Holdings Co.—not that I particularly care for the United Continental logo mashup, I miss the Saul Bass logo for United.
Unfortunately there are things to worry about like getting planes to fly, not crash into each other, not to mention ticketing, unions, general technology…one hopefully gets the idea.
But for those of you who do not, an article in the New York Times about the merger of Delta and Northwest includes a graphic about the master guide to the whole process. Note the use of sticky pad paper. Each piece represents one project, with projects containing as many as a thousand separate tasks.
Japan has updated the the threat level from the Fukushima Plant from five to seven. And while everyone ought to put Fukushima into context, chiefly by looking at the damage facing the rest of the country, we can also see that, broadly, things worked as expected at the power plant. They just did not build the plant to survive the 48ft-high tsunami waves and 9.0 earthquakes that happen perhaps once every thousand years. Very poor planning indeed.
This is an older, albeit by a few weeks, graphic from the New York Times explaining how a reactor is ‘shut down’ and then, failing that, what a meltdown is. And most importantly, how the meltdown of a modern reactor design is far different from that at Chernobyl.
Credit for the piece to Xaquín G.V., Bill Marsh, Dylan McClain, and Graham Roberts.
Japan continues to deal with damage from the earthquake and its subsequent tsunami. Yet, much of the news that seems to come out of Japan focuses on the leak of radioactive materials from the Fukushima power station. Certainly that is a story, but is it more important than the tens of thousands of people missing and presumably dead?
The New York Times printed a graphic on Saturday that details the danger from the radiation at the plant, near the plant, across Japan, and then across the rest of the world.
And largely, if you live in the United States, you have no reason to fear the radiation leak. In general, unless you maybe live near the plant, you have no reason to fear the radiation leak.
Overall, it communicates its message clearly and adds nice detail in the bottom third of the graphic about whatever spread of radiation there has been.
Credit for the graphic goes to Joe Burgess, Amanda Cox, Sergio Peçanha, Amy Schoenfeld and Archie Tse.
One of my interests is genealogy/family history. While everyone is certainly more than the sum of their parts, that sum of parts is the history that led to your existence. And I find that notion fascinating.
When looking around the New York Times, I came across this interactive piece about complicated family histories. I am unaware of the exact impetus behind the project, but it probably has something to do with the unfolding US Census results and the increasing number of mixed marriages and thus genealogies. But I cannot say for certain.
The design of the piece is an interesting decision. Instead of a complicated and unwieldy diagram with lots of details, the designers chose to focus merely on photographs, when available, and little, coloured leaves to denote the ethnicity of each individual. This works to a degree in communicating simple ethnic ancestries, however, when one begins to have shades of light blue to distinguish between disparate ethnicities, one can begin to see a flaw in the system.
From an interactive perspective, I certainly think one of the more interesting bits is the inclusion, at least here in Lou Diamond Phillips’ tree, is the inclusion of the audio story as recounted by an individual. It brings a level of human connection that is always lost in diagrams. (Although these diagrams do have softer, curvier lines than most ergo they are more human. No?)
As someone interested in genealogy, the details are a bit light—but that was not likely the main intent of the piece. Beyond that, there are privacy issues with which to contend. But, if you wish, the New York Times does allow you to upload your own tree and even audio—to 10 megabytes. Perhaps in the future I shall upload a simple version of mine.
Presidents’ Day originally celebrated the birthday of George Washington, the first president of the United States. (Though, one could get crazy and say it was actually Samuel Huntington, but I fear I would digress.) Now technically the holiday still does celebrate Washington as the official name of the federal holiday is Washington’s Birthday, but by and large we group folks like Lincoln in there too.
The information graphic is a heat chart of various rankings and index numbers that compare the United States across various metrics to the rest of the world’s “advanced economies”, as decided by the IMF. I certainly have some issues with a few of the metrics, for example what exactly does Gallup mean by percentage of people thriving? And are the math and science scales out of 600 total points? I presume as much but cannot be certain. These could have briefly explained in the footer, or similar to how the food insecurity metric is handled—though I suspect that would be too much from an aesthetic standpoint. The use of drop shadows, from a design perspective, I disagree with; the dark crimson should surely be enough distinction to stand alone. And for completeness, I would have included what appears to be the beigish middle ground between the best and the worst in the scale at the top of the piece.
As to the story the piece supports, I leave that for the audience to decide. Is the United States of the President Obama/Bush as great as that of President Washington/Adams?
I would have become an arborist…alas, I am a mere designer in a world where trees shed leaves, not cash. The government, on the other hand, now that sheds a lot of cash.
President Obama released his budget proposal for 2012, proposal because the responsibility actually falls to the House of Representatives to pass spending bills and budgets. The New York Times, crediting Shan Carter and Amanda Cox, has put together a nice little interactive piece explaining the proposal. (It would be rather interesting to see if they compare the proposal to the passed budget, whenever that happens.)
From one side of the aisle we hear arguments about how we must cut spending from things like education and infrastructure while the other side pushes back. However, what this piece does quite nicely is allow the user to isolate mandatory spending. That is, we see that if we really wanted to cut spending, we would need to look at reforming Medicare, Medicaid and Social Security and then cutting the Defense Department budget. At last, something on which we see bipartisan agreement, reforming and cutting those budgets is too tough (read likely to cost representatives, senators, and presidents their jobs) and so they are left alone. But, I digress.
Furthermore, the piece adds the change in spending since 2010 for the various programs by way of greens and reds. While certainly not necessary—one could argue that the inclusion of such data makes a sometimes difficult chart type that much more difficult—I think that in this case the additional data is more than worthwhile. This year’s theme seems to be austerity and that means cuts. So while highlighting, say, the massive portion of government spending that is Medicare, Medicaid, and the US military we can also highlight that much of all that spending is still rising.
Valentine’s Day is a day both loved and loathed; I need not detail which groups feel which way. However, despite the dark history—think less hearts and love and more martyrdom and death—we have seen the lighter elements promoted by various causes from genuine love to commercial profits. But all things must have their symbols, especially if they are to be capitalised upon for profits, and we are now accustomed to Cupid representing love and Valentine’s Day. (One must wonder what the Christian martyrs would think if they learned that Valentine’s Day, once originally a Christian saint day, was now symbolised by a heathen, pagan god.)
Courtesy the New York Times, designer Ji Lee now, however, offers you not the staid and static symbol of love we have all come to know and love, but now a true choice of form and symbol. Which would you choose?
I love pizza. I think most people do too, though, we can all disagree on whether thin crust or thick crust is better. Yet as someone who has now eaten both…well…I shall not wade into the matter. But, I will toss up this piece from the New York Times.
The paper has an article about Domino’s adding more cheese to their pizza to increase sales as part of a plan from a US government-supported agency. At the same time, the US government is also trying to reduce the amount of saturated fats consumed to reduce obesity. And of course cheese contains saturated fat.
Naturally, the supporting graphic should make use of pizza. And in what better form than as a pie chart.
Though having now been looking at this for quite some time, I am in the mood for pizza. Though I could do without the saturated fat…
Yesterday, the New York Times released this interactive piece to look at the popularity of particular candidates in that seemingly ubiquitous world of Twitter. Perhaps it was inevitable that the Times or somebody else would create something like this. Regardless, it is out there and I have to say, I am left confused.
No, not by the how it works. I understand that more activity makes for larger bubbles. (Although at this point I shall refrain from my usual diatribe on bubbles.) And if you click on a particular bubble/candidate, the vector and colour of the little bubbles describes the type of activity. Understand? Check.
But why are the bubbles placed where they are on the screen?
Perhaps the rationale is explained somewhere…but I have yet to find it. And after sitting down with a colleague yesterday, the two of us could not quite figure it out. Vaguely one gets the impression of representing actual geography—except for things like Delaware being in the bottom corner. Perhaps the bubbles’ centre points are randomly generated? They do not appear to be on separate loads of the Flash piece.
And so I am left with the thought that the bubbles are a needless distraction and, in fact, lead to greater confusion. What if, for example, the candidates were not bubbles but bars? The bars would create a visual rhythm as they grow and shrink and each could be clickable. One could sort the bars by some sort of a hierarchy: alphabetic, geographic, political, &c. You could even still click on a bar for more detailed views and perhaps do some other neat things.
The United States was founded on the East Coast as English (and the odd Scottish) colonies with the old cities of Philadelphia, Boston, and New York. These first colonies became the original 13 states. Ever since the 18th century, we have expanded westward into the Ohio Territory, the Northwest Territory, French colonies, Spanish colonies turned Mexico, and then again the British in the Pacific Northwest. (Overly simplified history of the United States’ growth, but it shall do.)
Every ten years, the United States is constitutionally obligated to hold a census. You cannot elect representatives to make political decisions for you if you do not know how many of you there are and where you live. But what these decennial censuses show are how the demographics of the United States have changed, with the population shifting from the East Coast, once almost 100% of the population, to the lands south and west. It’s only natural when you consider how unpopulated that part of the continent is.
But, because we rely on these censuses to redraw political districts and boundaries, every ten years politicians make much ado about…well, something. This article by the New York Times looks at how these changes are set to affect the Midwest in particular and this graphic, while simple, charts the congressional power of the Midwest through the total number of seats held in Congress over the years.