Technology changes and changes rapidly. The United States led the way with cabled phone networks. Now, countries in Africa are skipping landlines and moving straight to mobile phones. The New York Times has an piece on the changes in technology and accompanies that piece with small multiples of choropleth maps that showcase different technologies and their prevalence.
What is interesting about these maps is that the Times eschewed the conventional Mercator or Robinson map projections and went with a slightly more unusual layout. But, a layout that saves some space by its contortion of the world’s oceans. Was their reason spatial or something more about maintaining consistent area? I would be curious to see the piece in print to see if it needed to fit a narrow column.
The New York Times had a piece in the Sunday paper asking whether American police have gone military, especially in the wake of the images of the police response to Occupy Oakland and Occupy Wall Street with police/troops deployed in tactical body armour, armoured vehicles, &c. The Times piece was accompanied by an Op-Art piece that took three key protests and illustrated the type of police officer responding to the unrest.
Credit for the illustration goes to Chi Birmingham. The title of this post comes from a British publication about the Brixton riot of 1981 where an individual was asked about why he was rioting was quoted as saying “We want to riot, not to work.”
I don’t know about you, but to me, it’s beginning to look a lot like campaign season. At least from what I read on the internet. Because, according to this interactive piece by the Washington Post, there has been little local campaign spending on ads in the Chicago television market.
By clicking on the left, you are able to see the spending amounts and spending places of ads by both personal campaigns and interest groups. For national ad campaigns, there is a small outline of the continental US in the bottom left.
Above the map you have some facts about the spending and spending over time and a curious bit about whether the ads are positive or negative. Already if you move from the beginning to now, you can watch the positive ad number slip.
I do not often get the chance to post illustrative works. But, the Washington Post reported on the work of Georgetown students that shows how China has tunneled thousands of miles of, well, tunnels to create a secret labyrinth for their nuclear weapons programme. The result is that instead of the few dozen warheads that China is thought to have, they could have many more times that. They included this graphic, cropping below, with the article.
The BRICs are ten years old. Well, not really. But the concept of Brazil, Russia, India, and China becoming some of the world’s largest economies is. Well, not even that necessarily. But the coining of the term BRIC is a decade old. So the BBC has a small interactive piece showing why the BRICs matter.
They do some interesting things with the use of hues and tints to group lines in the line charts and provide consistent groupings throughout the piece. And they have photos of leaders. Just in case you do not know what the finance minister of Italy looked like back in 2001…just do not ask me to remember his name.
Something I’ve been meaning to put up for a little while, the New York Times’ coverage of that city’s marathon and changes in the socioeconomic composition of the neighbourhoods through which the course winds.
The piece includes a narrated motion graphic explaining the changes along a map of the course, while a series of charts look at those factors from a static perspective. The horizontal axis being the route of the course.
Credit for the piece goes to Graham Roberts, Alan McLean, Archie Tse, Lisa Waananen, Timothy Wallace, Xaquin G.V., Joe Burgess, and Joe Ward.
In just a few days, NASA’s next Martian rover, Curiosity, will lift off for a 2012 date with the Martian surface. The Washington Post has a two-part motion graphic piece to look at the rover’s landing and scientific components.
Credit for the piece goes to Alberto Cuadra, Sohail Al-Jamea, and Andrew Pergram.
The Democratic Republic of the Congo is preparing for elections at the end of the month. For decades since independence from Belgium, the country has been beset by insurrection and civil war. Eastern portions of the country are all lawless and beyond the control of the government in the capital Kinshasa. Yet, DR Congo, which is almost the size of all of Western Europe, holds vast mineral and energy reserves.
Much like with the independence of South Sudan, the BBC has released a small interactive piece detailing DR Congo through maps. While not as extensive and lacking in visualising anything about the warfare and bloodshed, the piece is useful to gain a brief insight into the complexities of the country and the sheer scale of its problems. But that is not wholly surprising as the title of the piece is Failed State: Can DR Congo Recover?.
Nearly a month ago, the New York Times released an interactive piece along with a printed infographic about the European debt crisis in an attempt to explain just what is going on; I wrote about it here.
Now, the BBC has an interactive graphic showing how different countries relate to each other. The width of the lines relates to the amount of debt and the colours fall into three groups: red for high risk, yellow for medium risk, and grey for low risk. These are all fairly sensible and are echoed in the New York Times piece.
However, one advantage of the diagram used by the BBC is that the arrows emerge from an arc and show the total amount of debt going to the selected European (and US) economies. At least, I hope they do. That is how I read it, but it is not explicitly stated. I hope that I am correct. If so, this is better than the Times version which simply has a proportionally wide line starting from a circle. But without other lines, one cannot see the useful supplemental information about how much total trade the country has.
One element that sticks out is the selected state of the diagram. This uses a blue line that is rather crudely drawn atop the arc. Distractingly so. The colour choice works as blue contrasts with the reds, yellows, and greys, but the execution of the line drawing is simply poor.
Overall, the data is interesting, and if my assumption is correct, and presents a more meaningful picture of trade relations between the chosen countries. However, the execution of the piece’s design does leave me wanting more. And that, given the need to tell this story both completely and correctly, is unfortunate.