The Quadrants of Trump

My apologies to you for the blog being down the last week and a half. This is what happens when I get 33,000 spam comments in the span of 24 hours: the blog crashes. Rest assured, I have lots of things to post.

But for today, we are picking up after a yuuugge night for Donald Trump so let’s get on with the data visualisations. Trump decisively won Connecticut, Delaware, Maryland, Pennsylvania, and Rhode Island with a majority of votes in every state. As he made sure to point out, winning 50–60% in a three-way race is quite difficult to do. Simply put, Cruz and Kasich got destroyed.

Why is that? Well a few days ago—can you tell I meant to post this then?—David Wasserman over at FiveThirtyEight posted an insightful article about the various counties thus far contested and how, when divided into quadrants based on socioeconomics and conservativeness, Trump has won three out of four quadrants. The whole article is worth the read.

The Quadrants of Trump
The Quadrants of Trump

Credit for the piece goes to David Wasserman.

Where’s the Cold Weather?

I prefer colder weather to warmer weather. I like to feel a bit of chill on my skin rather than a bit of warmth. This makes me that asshole who says “it’s great out today”, when the temperature is 5ºC (41ºF). (I also enjoy grey, cloudy days, but that’s a different matter entirely.) Anyway, thanks to a friend of mine I could take a look at some temperature maps of the contiguous United States.

High temperatures between 32º and 60ºF
High temperatures between 32º and 60ºF

The Pacific Northwest or the coast of the Mid-Atlantic and New England would be great along with the desert and the mountains. But, don’t deserts get hot? Because the whole point would be to not live somewhere too warm. So here’s a map of the number of days where I prefer to sit inside and crank the air conditioning.

Way too hot
Way too hot

Basically I should avoid the South, the deserts and the plains states of the Midwest. Chicago looks borderline uncomfortable. (And from experience, summers typically are.)

Credit for the piece goes to Christopher Ingraham.

Design and Data Visualisation

Today’s piece features a critique of the data visualisation world from Christopher Ingraham at the Washington Post. It centres on the difference between these two maps. The one on the left is Ingraham’s and the one on the right from the Pew Charitable Trusts.

Spot the difference
Spot the difference

I do not want to spoil or ruin the article for you—it’s a short read after all. But the crux of the argument, which I believe extends beyond maps, is that despite the proliferation of tools to visualise data, one still needs to understand the principles behind it to create meaningful work. Anybody can put words to paper—look at this blog after all—but the truly great writers have the education and the experience to move and motivate people. And the same holds true for designers of data visualisation. And designers even more broadly.

If I have to add one design critique to Ingraham’s work, I would also add that design decisions like colours and map type also play a role in creating legible pieces. The grey lines in the Pew map versus the white lines in the Post’s make it difficult to read the colours in the smaller, eastern counties of the United States.

Credit for the Washington Post piece goes to Christopher Ingraham.

Credit for the Pew Charitable Trusts piece goes to Pew’s graphics department.

Analysing the World’s Flags

Flags are cool. And I will openly admit I may have designed several of my own over the years. So thanks to my good friend for pointing me in the direction of this project from ferdio that breaks down flags across the world. If you are at all curious about how many flags use particular colours, shapes, sizes, you need not go any further.

The representative flag of the world
The representative flag of the world

Credit for the piece goes to ferdio.

Nova Beats the Buzzer

As you may know, while I presently live in Chicago, I hail from Philadelphia. I grew up there and most of my best mates did too. And some of them attended a small school called Villanova. And as you may know, their men’s basketball programme just won the national championship in dramatic fashion. So today’s post shares with you a graphic from the Wall Street Journal that explains how Villanova won the game in the final few seconds.

The final shot won it all
The final shot won it all

Credit for the piece goes to the Wall Street Journal graphics department.

Striking the Balance Between Airline Prices and Service

Yesterday I took a look at the Alaskan Airlines and Virgin America merger. Part of the disappointment on the internets centres around the service and experience delivered by Virgin. I mean who doesn’t like mood lighting, right? Well the Economist took a look at international airlines by both price and service. And if we use Virgin Atlantic as the best proxy for Virgin America, you can see why people prefer it over American carriers.

Price vs. service
Price vs. service

Credit for the piece goes to James Tozer.

Merging Alaska Airlines and Virgin America

Alaska Airlines and Virgin America made some news the past few days when they announced Alaska would purchase Virgin America for $2.6 billion. I mapped out the flight routes of the two carriers to see where they overlapped. You can see the results in my piece for the blog today below.

A brief look at the merger of Alaska Airlines and Virgin America
A brief look at the merger of Alaska Airlines and Virgin America

Credit for the work is mine, except the underlying map, which I sourced from Brigham Young University Geography Department.

The Cherry Blossoms Are Coming

It’s cherry blossom time in Washington. So the Washington Post has a nice piece—appropriately coloured—looking at where the different varietals are within and near the Tidal Basin.

Where the cherry trees are
Where the cherry trees are

Credit for the piece goes to Emily Chow and Dakota Fine.

The Middle Class is Getting Poorer

At least relatively speaking. Today’s post is a Bloomberg article comprised primarily of charts with pithy titles summarising the data story. If listicle is a word for articles consisting of the Top-10 things about [whatever], do we start embracing charticle as the word for chart-driven stories? Even if we do, we should take note that this piece was not the work of one person, but four.

The Middle Class' share of wealth
The Middle Class’ share of wealth

The story captures my attention to and dovetails nicely into yesterday’s piece about a possible electoral path for Donald Trump to take the White House later this autumn.

Bonus points for the responsive nature of the post.

Credit for the piece goes to Andre Tartar, Mira Rojanasakul, Jeremy Diamond, and John Fraher.

A Timeline of Supreme Court Nominations

Beyond Donald Trump, Capitol Hill finds itself consumed by the vacancy left by Antonin Scalia. Democrats insist President Obama’s eventual nomination should be considered by the Senate. Senate Republicans rebut saying that a vote should not happen until the next presidential term. That would be the longest, by nearly a factor of three, the Supreme Court has had a vacant seat.

The New York Times put together a graphic article exploring the timeline of Supreme Court nominations: when the seat became vacant; when the successor was nominated; and whether the nominee was accepted or rejected.

Recent history
Recent history

What I really enjoy is the reversed convention of a timeline. I have made timelines myself on a few occasions and placed recent events at the top, as like here, or to the left in a horizontal format. The idea being recent data and history is more relevant than distant historic information. But placing the relevant data at the bottom or far right makes it more difficult to access.

The timeline bit I like also finds itself in the representation of presidential terms, which the designers chose to display as a countdown from four years from left-to-right. That works very well given the narrative.

And it goes without saying that the annotations add invaluable context.

Overall, a very solid piece.

Credit for the piece goes to Gregor Aisch, Josh Keller, K.K. Rebecca Lai, and Karen Yourish.