Last Thursday I wrote about the Wagner Group, an off-the-books semi-private army the Kremlin uses wage war where plausible deniability is desired. During that piece I mentioned Blackwater, one of the more infamous American private security contractor firms.
The day before I had seen a tweet, this tweet, where Samantha Stokes created a matrix to help people remember just what Blackwater did, as compared to Blackstone.
Every ten years the United States conducts a census of the entire population living within the United States. My genealogy self uses the federal census as the backbone of my research. But that’s not what it’s really there for. No, it exists to count the people to apportion representation at the federal level (among other reasons).
The founding fathers did not intend for the United States to be a true democracy. They feared the tyranny of mob rule as majority populations are capable of doing and so each level of the government served as a check on the other. The census-counted people elected their representatives for the House, but their senators were chosen by their respective state legislatures. But I digress, because this post is about a piece in the New York Times examining the new census apportionment results.
I received my copy of the Times two Tuesdays ago, so these are photos of the print piece instead of the digital, online editions. The paper landed at my front door with a nice cartogram above the fold.
Each state consists of squares, each representing one congressional district. This is the first place where I have an issue with the graphic, admittedly a minor one. First we need to look at the graphic’s header, “States That Will Gain or Los Seats in the Next Congress” and then look at the graphic. It’s unclear to me if the squares therefore represent the states today with their numbers of districts, or if we are looking at a reapportioned map. Up in Montana, I know that we are moving from one at-large seat to two seat, and so I can resolve that this is the new apportionment. But I am left wondering if a quick phrase or sentence that declares these represent the 2022 election apportionment and not those of this past decade would be clearer?
Or if you want a graphic treatment, you could have kept all the states grey, but used an unfilled square in those states, like Pennsylvania and Illinois, losing seats, and then a filled square in the states adding seats.
Inside the paper, the article continued and we had a few more graphics. The above graphic served as the foundation for a second graphic that charted the changing number of seats since 1910, when the number of seats was fixed.
I really like this graphic. My issue here is more with my mobile that took the picture. Some of these states appear quite light, and they are on the printed page. However, they are not quite as light as these photos make them out to be. That said, could they be darker? Probably. Even in print, the dark grey “no change” instances jump out instead of perhaps falling to the background.
The remaining few graphics are far more straightforward, one isn’t even a graphic technically.
First we have two maps.
Nothing particularly remarkable here. The colours make a lot of sense, with red representing Republicans and blue Democrats. Yellow represents independent commissions and grey is only one state, Pennsylvania, where the legislature is controlled by Republicans and the governorship by Democrats.
Finally we have a table with the raw numbers.
Tables are great for organising information. Do you have a state you’re most curious about, Illinois for example? If so, you can quickly scan down the state column to find the row and then over to the column of interest. What tables don’t allow you to do is quickly identify any visual patterns. Here the designers chose to shade the cells based on positive/negative changes, but that’s not highlighting a pattern.
Overall, this was a really strong piece from the Times. With just a few language tweaks on the front page, this would be superb.
Credit for the piece goes to Weyi Cai and the New York Times graphics department.
Two weeks ago the Washington Post published a fascinating article detailing the prescription painkiller market in the United States. The Drug Enforcement Administration made the database available to the public and the Post created graphics to explore the top-line data. But the Post then went further and provided a tool allowing users to explore the data for their own home counties.
The top line data visualisation is what you would expect: choropleth maps showing the prescription and death rates. This article is a great example of when maps tell stories. Here you can clearly see that the heaviest hit areas of the crisis were Appalachia. Though that is not to say other states were not ravaged by the crisis.
For me, however, the true gem in this piece is the tool allowing you the user to find information on your county. Because the data is granular down to county-level information on things like pill shipments from manufacturer to distributor, we can see which pharmacies were receiving the most pills. And, crucially, which manufacturers were flooding the markets. For this screenshot I looked at Philadelphia, though I only moved here in 2016, well after the date range for this data set.
You can clearly see, however, the designers chose simple bar charts to show the top-five. I don’t know if the exact numbers are helpful next to the bars. Visually, it becomes a quick mess of greys, blacks, and burgundies. A quieter approach may have allowed the bars to really shine while leaving the numbers, seemingly down to the tens, for tables. I also cannot figure out why, typographically, the pharmacies are listed in all capitals.
But the because I lived in Chicago for most of the crisis, here is the screenshot for Cook County. Of course, for those not from Chicago, it should be pointed out that Chicago is only a portion of Cook County, there are other small towns there. And some of Chicago is within DuPage County. But, still, this is pretty close.
In an unrelated note, the bar charts here do a nice job of showing the market concentration or market power of particular companies. Compare the dominance of Walgreens as a distributor in Cook County compared to McKesson in Philadelphia. Though that same chart also shows how corporate structures can obscure information. I was never far from a big Walgreens sign in Chicago, but I have never seen a McKesson Corporation logo flying outside a pharmacy here in Philadelphia.
Lastly, the neat thing about this tool is that the user can opt to download an image of the top-five chart. I am not sure how useful that bit is. But as a designer, I do like having that functionality available. This is for Pennsylvania as a whole.
Credit for the piece goes to Armand Emamdjomeh, Kevin Schaul, Jake Crump and Chris Alcantara.
I mentioned this this time last year, but I used to make a lot of datagraphics about GDP growth. The format here has not changed and so there is nothing new to look at there. But, the content is still interesting. And the accompanying Economist article makes the point that high growth rates are not always what they seem. After all, Syria’s high growth rate is because its base is so small.
Credit for the piece goes to the Economist Data Team.
For my American audience, Happy Thanksgiving. Coffeespoons will be on holiday for the remainder of the week. But don’t worry, we’ll be back. For my non-American audience, we basically celebrate a tale of the Pilgrims feasting with Native Americans after a successful harvest.
Today’s graphic is really just a series of tables. I think I missed this back in 2016 because, surprise, I had just moved to Philadelphia and was still settling into things—including running Coffeespoons. Anyway, FiveThirtyEight published an article trying to discover the most popular dishes. This is just a sampling , a screenshot of the meats. But you should go check it out to see if your favourite dishes made the cut.
Mine did not. I am not a big fan of turkey and am doing a pork roast tomorrow . I guess I could go with the ham in a pinch though.
In case you missed it somehow, the President of the United States, the Leader of the Free World, is now also an unnamed, unindicted criminal co-conspirator in a federal campaign election law case in New York to which his co-conspirator pled guilty.
And you thought Obama’s tan suit was bad.
The guilty plea by Michael Cohen and the eight convictions of Paul Manafort are all part of a growing scandal surrounding the White House. Thankfully the New York Times published a piece highlighting the results of the various trials. In short, the former National Security Advisor has pled guilty, as has a former campaign advisor, a former deputy campaign manager/transition leader/early administration staffer, and another campaign advisor. Throw in yesterday’s news and this table will get longer.
Credit for the piece goes to the New York Times graphics department.
Late last week I was explaining to someone in the pub why the World Cup matches are played beyond their 90 minute booking. For those among you that do not know, basically the referees add up all the stoppage time, i.e. when play stops for things like injuries or people dilly dallying, and then tack that on to the end of the match.
But it turns out that after I explained this, FiveThirtyEight published an article exploring just how accurate this stoppage time was compared to the amount of stopped time. Spoiler: not very.
In design terms, the big takeaway was the dataset of recorded minutes of actual play in all the matches theretofore. It captured everything but the activity totals where they broke down stoppage time into categories, e.g. injuries, video review, free kicks, &c. (How those broke out across an average game are a later graphic.)
The setup is straightforward: a table organises the data for every match. The little spark chart in the centre of the table is a nice touch that shows how much of the 90 minutes the ball was actually in play. The right side of the table might be a bit too crowded, and I probably would have given a bit more space particularly between the expected and actual stoppage times. On the whole, however, the table does its job in organising the data very well.
Now I just wonder how this would apply to a baseball or American football broadcast…
Brexit is bad for Britain. Here is some proof from an article by Bloomberg that looks at where London-based banking jobs are headed post-Brexit. Spoiler alert, not elsewhere in Britain. The article purports to be more of a tracker in that they will add on data about jobs moving places when news breaks. But I cannot verify that part of the piece.
What I can verify is a sankey diagram. Underused, but still one of my favourite visualisation forms. This one explores where companies’ London-based banking jobs are moving. Right now, it clearly says Frankfurt, Germany is winning.
As sankeys go, this one is pretty straightforward. Aesthetically I wonder about the colour choice. I get the blues and that the banks are coloured by their ultimate destination. But why the gradient?
But conceptually the big question would be what about London? I probably would have kept London in the destination set. While many jobs are likely to leave Britain, some will in fact stay, and those lines will need to go somewhere in this graphic.
The piece also makes nice use of some small multiple maps and tables. All in all, this is a really solid piece. It tells a great—well, not great as in good news—story and does it primarily through visuals.
Credit for the piece goes to Gavin Finch, Hayley Warren and Tim Coulter.
Just a neat little piece today from FiveThirtyEight. They take a look at the potential impact of the Trump administration’s proposed tariffs on the farm vote in the United States. The screenshot of the table shows how the farm population compares to Trump’s margin of victory in 2016.
The three states at the top? The very same Pennsylvania, Wisconsin, and Michigan about which we hear so often. Yes, Pennsylvania does have large cities like Philadelphia and Pittsburgh, but agriculture is an important part of its economy. So if the tariffs or the reprisals to the tariffs have any significant impact on the livelihood of farmers, that could be enough, all things being equal, to flip those states.
About the design, I think the inclusion of the mini-bar chart helps tremendously. Tables are great for organising information, but scanning over and through cell after cell of black text can hide patterns. The visualisation of those patterns at the end of each row helps the user tremendously, by making it very clear why those three states were highlighted.
Credit for the piece goes to Rebecca Shimoni Stoil.
Yesterday was murders in London and New York. Today, we have a nice article from FiveThirtyEight about deaths more broadly in America. If you recall, my point yesterday was that not all graphics need to be full column width. And this article takes that approach—some graphics are full width whereas others are not.
This screenshot shows a nice line chart that, while the graphic sits in the full column, the actual chart is only about half the width of the graphic. I think the only thing that does not sit well with me is the alignment of the chart below the header. I probably would align the two as it creates an odd spacing to the left of the chart. But I applaud the restraint from making the line charts full width, as it would mask the vertical change in the data set.
Meanwhile, the article’s maps all sit in the full column. But my favourite graphic of the whole set sits at the very end of the piece. It examines respiratory deaths in a tabular format. But it makes a fantastic use of sparklines to show the trend leading towards the final number in the row.
Credit for the piece goes to Ella Koeze and Anna Maria Barry-Jester.