This is a piece I’ve been sitting on for a little while now, okay half a year now. There isn’t too much to it as it’s an illustration overlay on a satellite photo. But the graphic supports an article about the construction of a new roundabout in Philadelphia, coincidentally where I used to live.
That intersection is…tricky to navigate at best as a pedestrian because there are six and a half streets converging at the junction—I give a half to Arizona St because, well, you’ll see shortly. When I lived in the neighbourhood I saw several near accidents between vehicles and pedestrians and vehicles and cyclists. Anything to help improve the safety will be welcome. And that improvement is what the Philadelphia Inquirercovered back in January.
More roundabouts please.
This definitely fits in the category of well done, small graphics. Not everything needs to be large and interactive. This does a great job by using transparency over the satellite image and layering illustration atop the photo.
Now if we could only restore the old rails on Trenton Ave to be some kind of tram/trolley or light rain corridor. Regardless, there are some good restaurants and drinks options in the neighbourhood, so maybe I’ll have to go investigate in person now that going out is an option again. You know, to a do a proper follow-up.
Happy Friday, all. Apologies for the lack of posting yesterday, I wasn’t feeling well and sitting in front of my computer typing stuff up wasn’t happening. But now the weekend is nearly upon us and to get in the mood I wanted to share this great dot plot from xkcd. It captures something I’ve definitely been thinking about.
Hopefully crossing most of these off in the next few weeks/months.
For example, on 3 March 2020, I had a friend over to my flat for drinks and to watch the Super Tuesday Democratic primary results come in. Tomorrow, if all goes according to plan, will be the first time I’ve had company over in 15 months.
In essence we have check boxes of the normal things we did in the before times and we’re just checking them off one by one until we can feel normal again.
Just please don’t contract a novel bat virus again.
Two Fridays ago I received my second dose of the vaccine. In other words, I’m fully vaccinated and can resume doing…things. Anything. And so this piece from xkcd seemed an appropriate way to wrap up what has been a horrible, no good, terrible year.
Last week, Ken Rosenthal of the Athletic wrote an article examining the recent spate of injuries in Major League Baseball. For those interested in the sport, the article is well worth the read. For the unfamiliar, baseball played only about 1/3 of the number of games as usual last year due to Covid-19. This year, pitcher after pitcher seems to be falling prey to arm troubles. Position players are straining hamstrings, quads, and other muscles I’ve never heard of let alone used over the last year. And joking aside, therein is thought to be the problem.
And the evidence, in part, shows that we are seeing an increase in the numbers of injuries. But 2020 may not be as much of a problem as youngsters throwing baseballs near 100 mph. But I digress. The article contained a table detailing the numbers of injuries for certain body parts in the first month (April) of the season in both 2021 and 2019, the last comparable season due to Covid-19.
To be fair, the table was nice, but in the exhaustion of post-second dose shot last weekend, I sketched out some things and decided to turn it into a proper post.
When I was in high school, the United States would regularly spend space shuttles into orbit to help build this new thing: the International Space Station (ISS). In the aftermath of the Cold War, the nations of the world joined together to commit to building an orbital space station.
There was of course a time before the ISS, and I can recall many jokes being made about Mir, the Soviet then Russian space station. And before Mir there were other, though none as long-lasting. But I digress, we’re here today because recently Canadian astronaut Chris Hadfield tweeted a graphic made by Peter Batenburg that visually captures the history of the International Space Station.
Space, the final frontier…
I think my favourite element is the graphical representation of the expansion of the ISS in terms of its volume. I’ve seen similar sort of graphics showing the addition of modules and new components, but I can’t recall seeing the amount of space where people can live and work being captured.
But really, the whole piece is worthy of sitting down and enjoying. After all the ISS is only about 22 years old. But there are questions of how much longer it will remain in orbit. I’m not aware of any concrete plans to fund it beyond 2030 nor any plans for an eventual replacement.
We can only hope that the ISS and its successor remain an area that fosters international cooperation for the next thirty years.
A few years ago, I created a piece about the missing Argentine submarine ARA San Juan. For those that do not remember, back in 2017, the Argentine Navy Type 1700 submarine ARA San Juan disappeared on a voyage from Ushuaia to Mar del Plata. At the time, people thought it may have sunk over the continental shelf where the seafloor was shallow enough the boat could have survived and not imploded. A year later, surveyors discovered the wreck at a much deeper depth east of the continental shelf. But at the time of the loss I made a graphic trying to show how the submarine was much smaller than the standard American submarine, the Los Angeles class, and how much deeper the Los Angeles class can dive.
So when the news broke this week that an Indonesian submarine, KRI Nanggala disappeared north of Bali, Indonesia, I decided to update the graphic. Since I finished the piece, however, the Indonesian Navy discovered the wreck in three pieces at 850 metres, far below even the presumed crush depth of the Los Angeles class. In other words, at that depth there was never any hope to find survivors.
Another 1970s era German-designed U-boat sank, this one was found within days however.
The Indonesia submarine is an even smaller than the Argentine boat, both having an operating depth of about 250 metres—actual depths are generally not disclosed because, well, military secrets. But the graphic shows just how far below that depth the sub’s wreckage rests.
Most of my readers know that I am a designer who works in all formats. But, I really love working in print. Colours, textures, and the physicality of it all. Give me a foil stamp or metallic ink any day.
Any American designer who’s ever worked for an overseas client or overseas designer who’s ever worked for an American client knows all about the US Letter vs A4 debate.
For those that don’t, the US (along with Canada, Mexico, and a very few other countries) use what we call letter size paper. The rest of the world uses A4, part of the ISO 216 international standard. A4 has some special properties that make it the superior choice in my opinion.
But this is a Friday, so we’re here for the lighter take. And for that we have a video by CCP Grey, who explains some of the properties of A4 and then provides a fascinating perspective on it all. It’s about nine minutes long for what it’s worth.
Perseverance landed on Mars on 18 February, almost a month ago. The video and photography the rover has already sent back has been stunning. We all know she is the most capable rover yet landed on the Red Planet, but what we all want to know is how cute is Perseverance compared to her predecessors?
Yesterday we looked at how the New York Times covered the deaths of 500,000 Americans due to Covid-19. But I also read another article, this by the BBC, that attempted to capture the scale of the tragedy.
Instead of looking at the deaths in a timeline, the BBC approached it from a cumulative impact, i.e. 500,000 dead all in one go. To do this, they started with an illustration of 1,000 people. Then they zoomed out and showed how that group of 1,000 fit into a broader picture of 500,000.
We’re going to take a look at this in reverse, starting with the 500,000.
Half a statistic.
I think this part of the graphic works well. There’s just enough resolution to see individual pixels in the smaller squares, connecting us to the people. And of course the number 500 stacks nicely.
My quibble here might be whether the text overlay masks 8,000 people. Initially, I thought the design was akin to hollow square, but when I looked closer I could see the faint grey shapes of the boxes behind a white overlay. Perhaps it could be a bit clearer if the text fell at the end of all the boxes?
But overall, this part works well. So now let’s look at the top.
1,000 tragedies
This is where I have some issues.
When I first saw this, my eyes immediately went to the visual patterns. On the left and right there are rivers or columns of what look like guys in white t-shirts. Of course, once I focused on those, I saw other repeated patterns, the guy in the black jacket with his arms bent out, hands on his hips. The person in the wheelchair occupies a different amount of area and has a distinct shape and so that stood out too.
Upon even closer inspection, I noticed the pattern began to repeat itself. Every other line repeated itself and with the wheelchair person it was easy to see the images were sometimes just flipped to look different.
Now, allow me to let you in on a secret, unless you gave a designer a budget of infinite time, they wouldn’t illustrate 1,000 actual people to fill this box. We don’t have time for that. And I’ll also admit that not all designers are good illustrators—myself first and foremost. A good design team for an organisation that uses illustration should have either a full-time illustrator, or a designer who can capably illustrate things.
But this gets to my problem with the graphic. I normally can distance myself from reading a piece to critiquing it. But here, I immediately fixated on the illustrations, which is not a good sign.
There are three things I think that could have been done. The first two are relatively simple fixes whilst the third is a bit grander in scope.
First, I wonder if a little more time could have been spent with the illustrations. For one, white t-shirt guy, I don’t see his illustration reused, so why not change the colour of his t-shirt. Maybe in some instances make it purple, or orange, or some other colour. I think re-colouring the outfits of the people could actually solve this problem a good bit.
But second, if the patterns still appear visible to readers, mix it up a bit. I understand the lack of desire to spend time creating an individualised row for each row. Crafting each row person by person probably is out of the time requirements—though maybe the people above the designer(s) should know that content takes time to create. So what about repeating smaller blocks? I counted 20 rows, which means there should be 50 people per row. Make each row about ten blocks, and have several different blocks from which you can choose. Ideally, you have more blocks than you need per row, so not all figures are repeated, but if constrained, just make sure that no two rows have the same alignment of blocks.
Thirdly, and here’s the one that would really have required more time for the designer to do their job, make the illustrations meaningful. In a broad sense, we do have some statistics on the deaths in the United States. According to the CDC, 63% of deaths have been by white non-Hispanics, 15% by Black non-Hispanics, and 12% by Hispanic/Latino, 4% by Asian Americans, 1% by Native Americans, 0.3% by Hawaiian and Pacific Islander, and 4% by multiple non-Hispanic. Using those numbers, we would need 630 obviously white illustrations, 150 obviously Black, and so on.
If the designer had infinite time, the illustrations could also be made to try and capture age as well. Older people have been hit harder by this pandemic, and the illustrations could skew to cover that cohort. In other words, few young people. According to the CDC, fewer than 5% of deaths have been by people aged under 40. In other words, no baby illustrations needed.
That’s not to say babies haven’t died—87 deaths of people between 0 and 4 have been reported—but that when creating a representative average, they can be omitted, because that’s less than 0.1%, or not even 1 out of 1000.
To reiterate though, that third concept would take time to properly execute. And it would also require the skills to execute it properly. And I am no illustrator, so could I draw enough representative people to fake 1,000? Sure, but time and money.
The first two options are probably the most effective given I’d bet this was a piece thought up with little time to spare.
Credit for the piece goes to the BBC graphics team.
Well, it’s Friday. And in the Northeast that means another snowstorm. In normal times, that would mean a nice half-hour walk to the office wherein my overcoat would likely become covered in snow and my trousers soaked in disgusting, salty, slush water. In other words, I’d need to wash and dry my clothes. But what household appliances should I use?
Thankfully, over at xkcd, Randall Munroe tackled that very problem with this helpful matrix.
Of course my aforementioned scenario is entirely moot, because like so many of you, I haven’t seen my office nor really left my flat in 11 months now. But here’s looking at you vaccines.
