Yesterday we looked at a piece by the Boston Globe that mapped out all of David Ortiz’s home runs. We did that because he has just been voted into baseball’s Hall of Fame. But to be voted in means there must be votes and a few weeks after the deadline, the Globe posted an article about how that publication’s eligible voters, well, voted.
The graphic here was a simple table. But as I’ll always say, tables aren’t an inherently bad or easy-way-out form of data visualisation. They are great at organising information in such a way that you can quickly find or reference specific data points. For example, let’s say you wanted to find out whether or not a specific writer voted for a specific ballplayer.
Just don’t ask me for whom I would have voted…
Simple red check marks represent those players for whom the Globe’s eligible staff voted. I really like some of the columns on the left that provide context on the vote. For the unfamiliar, players can only remain on the list for up to ten years. And so for the first four, this was their last year of eligibility. None made the cut. Then there’s a column for the total number of votes made by the Globe’s staff. Following that is more context, the share of votes received in 2021. Here the magic number if 75% to be elected. Conversely, if you do not make 5% you drop off the following year. Almost all of those on their first year ballot failed to reach that threshold.
The only potential drawback to this table is that by the time you reach the end of the table, there are few check marks to create implicit rules or lines that guide you from writer to player. David Ortiz’s placement helps because six—remarkably not all Globe writers voted for him—it grounds you for the only person below him (alphabetically) to receive a vote. And we need that because otherwise quickly linking Alex Rodriguez to Alex Speier would be difficult.
Finally below the table we have jump links to each writer’s writings about their selections. And if you’ll allow a brief screenshot of that…
Still don’t ask me
We have a nicely designed section here. Designers delineated each author’s section with red arrows that evoke the red stitching on a baseball. It’s a nice design tough. Then each author receives a headline and a small call out box inside which are the players—and their headshots—for whom the author voted. An initial dropped capital (drop cap), here a big red M, grabs the reader’s attention and draws them into the author’s own words.
Overall this was a solidly designed piece. I really enjoyed it. And for those who don’t follow the sport, the table is also an indicator of how divisive the voting can be. Even the Globe’s writers couldn’t unanimously agree on voting for David Ortiz.
Credit for the piece goes to Daigo Fujiwara and Ryan Huddle.
Yesterday baseball writers elected David Ortiz of the Boston Red Sox, better known as Big Papi, to the Baseball Hall of Fame. I was trying to work on a thing for yesterday, but ran out of time. While I will attempt to return to that later, for now I want to share a simple interactive graphic from the Boston Globe. As the blog title suggests, it’s about the 558 career home runs Ortiz hit between his time with the Twins and the Red Sox. He hit 541 of those during the regular season, tacking on 17 more in the post season including his famous 2013 ALCS grand slam against the Detroit Tigers. (The one where the cop’s arms are in the air alongside Torii Hunter’s legs.)
That’s a lot of runs
Now you can see that Ortiz was a left-handed pull hitter with that home run concentration to right field, especially those wrapped around Fenway’s (in)famous Pesky Pole.
But with the number of dots you see inside the grounds at Fenway, you can also see the one downside of a chart like this. The graphic maps home runs at all Major League ballparks to that of Fenway. Not to mention the role that the Green Monster plays in turning a lot of those line drive home runs that when hit to right field leave the yard, but to left simply bounce off the Monster for doubles or the dreaded long single. But in part that’s why Ortiz also had ridiculous season numbers for extra base hits because of all those Green Monster doubles. (Conversely, how many popups a mile in the sky came down into the Green Monster seats?)
You access this interactive piece by scrolling through the experience as the Globe chose 12 home runs to represent Ortiz’s entire career. I’m fortunate enough to remember watching several of them on the television.
Big Papi was a force to be reckoned with and watching him hit was entertainment. I’m very excited to see him enter the Hall of Fame.
Many of us know the debt that comes along with undergraduate degrees. Some of you may still be paying yours down. But what about graduate degrees? A recent article from the Wall Street Journal examined the discrepancies between debt incurred in 2015–16 and the income earned two years later.
The designers used dot plots for their comparisons, which narratively reveal themselves through a scrolling story. The author focuses on the differences between the University of Southern California and California State University, Long Beach. This screenshot captures the differences between the two in both debt and income.
Pretty divergent outcomes…
Some simple colour choices guide the reader through the article and their consistent use makes it easy for the reader to visually compare the schools.
From a content standpoint, these two series, income and debt, can be combined to create an income to debt ratio. Simply put, does the degree pay for itself?
What’s really nice from a personal standpoint is that the end of the article features an exploratory tool that allows the user to search the data set for schools of interest. More than just that, they don’t limit that tool to just graduate degrees. You can search for undergraduate degrees.
Below the dot plot you also have a table that provides the exact data points, instead of cluttering up the visual design with that level of information. And when you search for a specific school through the filtering mechanism, you can see that school highlighted in the dot plot and brought to the top of the table.
Fortunately my alma mater is included in the data set.
Welp.
Unfortunately you can see that the data suggests that graduates with design and applied arts degrees earn less (as a median) than they spend to obtain the degree. That’s not ideal.
Overall this was a really nice, solid piece. And probably speaks to the discussions we need to have more broadly about post-secondary education in the United States. But that’s for another post.
Credit for the piece goes to James Benedict, Andrea Fuller, and Lindsay Huth.
Depending upon where you live, autumn presents us with a spectacular tapestry of colour with bright piercing yellows, soft warm oranges, and attention-grabbing reds all situated among still verdant green grasses and calming blue skies. But this technicolour dreamcoat that drapes the landscape disappears after only a few weeks. For those that chase the colour, the leaf peepers, they need to know the best time to travel.
For that we have this interactive timeline/map from SmokyMountains.com. It’s pretty simple as far as graphics go. We have a choropleth map coloured by a county’s status from no change to past peak, when the colours begin to dull.
All the colour
The map itself is not interactive, i.e. you cannot mouse over a county and get a label or some additional information. But the time slider at the bottom does allow you to see the progression of colour throughout the autumn.
Normally, as my longtime readers know, I am not a fan of the traffic light colour palette: green to red. Here, however, it makes sense in the context of changing colours of plant leaves. No, not all trees turn red, some stay yellow. Broadly speaking, though, the colours make sense.
And to that end, the designers of the map chose their colours well, because this map avoids the issues we often see—or don’t—when it comes to red-green colour blindness. This being the reason why a default of green-to-red is a poor choice. Their green is distinct from the red, as these two proof colour screenshots show (thanks to Photoshop’s Proof Colour option).
ProtanopiaDeuteranopia
The choice isn’t great, don’t get me wrong. You can see how the green still falls into the shades of red. A blue would be a better choice. (And that’s why I always counsel people to stick to a blue-to-red palette.) Compare, for example, what happens when I add a massive Borg cube of blue to the area of Texas and Oklahoma—not that you have a choice, because resistance is futile.
A bit of blue
Here the blue is very clearly different than the reds. That makes it very distinct, but again, I think in the context of a map about the changing of leaf colours from greens to reds, a green-to-red map is appropriate. But only if, as these designers have, the colours are chosen so that the green can be distinguished from the reds.
As I always say, know the rules—don’t use red-to-green as one—so that you know the few instances when and where it’s appropriate to break them. As this map is.
Credit for the piece goes to the SmokyMountains.com
After twenty years out of power, the Taliban in Afghanistan are back in power as the Afghan government collapsed spectacularly this past weekend. In most provinces and districts, government forces surrendered without firing a shot. And if you’re going to beat an army in the field, you generally need to, you know, fight if you expect to beat them.
I held off on posting anything about the Taliban takeover of Afghanistan simply because it happened so quick. It was not even two months ago when they began their offensive. But whenever I started to prepare a post, things would be drastically different by the next morning.
And so this timeline graphic from the BBC does a good job of capturing the rapid collapse of the Afghan state. It starts in early July with a mixture of blue, orange, and red—we’ll come back to the colours a bit later. Blue represents the Afghan government, red the Taliban, and orange contested areas.
The start of the summer offensive
The graphic includes some controls at the bottom, a play/pause and forward/backward skip buttons. The geographic units are districts, sub-provincial level units that I would imagine are roughly analogous to US counties, but that’s supposition on my part. Additionally the map includes little markers for some of the country’s key cities. Finally in the lower right we have a little scorecard of sorts, showing how many of the nearly 400 districts were in the control of which group.
Skip forward five weeks and the situation could not be more different.
So much for 20 years.
Almost all of Afghanistan is under the control of the Taliban. There’s not a whole lot else to say about that fact. The army largely surrendered without firing a shot. Though some special forces and commando units held out under siege, notably in Kandahar where a commando unit held the airport until after the government fell only to be evacuated to the still-US-held Hamid Karzai International Airport in Kabul.
My personal thoughts, well you can blame Biden and the US for a rushed US exodus that looks bad optically, but the American withdrawal plan, initiated by Trump let’s not forget, counted on the Afghan army actually fighting the Taliban and the government negotiating some kind of settlement with the Taliban. Neither happened. And so the end came far quicker than anyone thought possible.
But we’re here to talk graphics.
In general I like this. I prefer this district-level map to some of the similar province-level maps I have seen, because this gives a more granular view of the situation on the ground. Ideally I would have included a thicker line weight to denote the provinces, but again if it’s one or the other I’d opt for district-level data.
That said, I’d probably have used white lines instead of black. If you look in the east, especially south and east of Kabul, the geographically small areas begin to clump up into a mass of shapes made dark by the black outlines. That black is, of course, darker than the reds, blues, and yellows. If the designers had opted for white or even a light shade of grey, we would enhance the user’s ability to see the district-level data by dropping the borders to the back of the visual hierarchy.
Finally with colours, I’m not sure I understand the rationale behind the red, blue, yellow here. Let’s compare the BBC’s colour choice to that of the Economist. (Initially I was going to focus on the Economist’s graphics, but last minute change of plans.)
Another day, more losses for the government
Here we see a similar scheme: red for the Taliban, blue for the government. But notably the designers coloured the contested areas grey, not yellow. We also have more desaturated colours here, not the bright and vibrant reds, blues, and yellows of the BBC maps above.
First the grey vs. yellow. It depends on what the designers wanted to show. The grey moves the contested districts into the background, focusing the reader’s attention on the (dwindling) number of districts under government control. If the goal is to show where the fighting is occurring, i.e. the contest, the yellow works well as it draws the reader’s attention. But if the goal is to show which parts of the country the Taliban control and which parts the government, the grey works better. It’s a subtle difference, I know, but that’s why it would be important to know the designer’s goal.
I’ll also add that the Economist map here shows the provincial capitals and uses a darker, more saturated red dot to indicate if they’d fallen to the Taliban. Contrast that with the BBC’s simple black dots. We had a subtler story than “Taliban overruns country” in Afghanistan where the Taliban largely did hold the rural, lower populated districts outside the major cities, but that the cities like the aforementioned Kandahar, Herat, Mazar-i-Sharif held out a little bit longer, usually behind commando units or local militia. Personally I would have added a darker, more saturated blue dot for cities like Kabul, which at the time of the Economist’s map, was not under threat.
Then we have the saturation element of the red and blue.
Should the reds be brighter, vibrant and attention grabbing or ought they be lighter and restrained, more muted? It’s actually a fairly complex answer and the answer is ultimately “it depends”. I know that’s the cheap way out, but let me explain in the context of these maps.
Choropleth maps like this, i.e. maps where a geographical unit is coloured based on some kind of data point, in this instance political/military control, are, broadly speaking, comprised of large shapes or blocks of colour. In other words, they are not dot plots or line charts where we have small or thin instances of colour.
Now, I’m certain that in the past you’ve seen a wall or a painting or an advert for something where the artist or designer used a large, vast area of a bright colour, so bright that it hurt your eyes to look at the area. I mean imagine if the walls in your room were painted that bright yellow colour of warning signs or taxis.
That same concept also applies to maps, data visualisation, and design. We use bright colours to draw attention, but ideally do so sparingly. Larger areas or fields of colours often warrant more muted colours, leaving any bright uses to highlight particular areas of attention or concern.
Imagine that the designers wanted to highlight a particular district in the maps above. The Economist’s map is better designed to handle that need, a district could have its red turned to 11, so to speak, to visually separate it from the other red districts. But with the BBC map, that option is largely off the table because the colours are already at 11.
Why do we have bright colours? Well over the years I’ve heard a number of reasons. Clients ask for graphics to be “exciting”, “flashy”, “make it sizzle” because colours like the Economist’s are “boring”, “not sexy”.
The point of good data visualisation, however, is not to make things sexy, exciting, or flashy. Rather the goal is clear communication. And a more restrained palette leaves more options for further clarification. The architect Mies van der Rohe famously said “less is more”. Just as there are different styles of architecture we have different styles of design. And personally my style is of the more restrained variety. Using less leaves room for more.
Note how the Economist’s map is able to layer labels and annotations atop the map. The more muted and desaturated reds, blues, and greys also allow for text and other artwork to layer atop the map but, crucially, still be legible. Imagine trying to read the same sorts of labels on the BBC map. It’s difficult to do, and you know that it is because the BBC designers needed to move the city labels off the map itself in order to make them legible.
Both sets of maps are strong in their own right. But the ultimate loser here is going to be the Afghan people. Though it is pretty clear that this was the ultimate result. There just wasn’t enough support in the broader country to prop up a Western style liberal democracy. Or else somebody would have fought for it.
Credit for the BBC piece goes to the BBC graphics department.
Credit for the Economist piece goes to the Economist graphics department.
First, I should say that I don’t have a lot to say about this graphic because I went back to the source because I was interested in another city and I wanted to compare the two. In other words, expect a small graphic follow up to this maybe tomorrow.
Anyways, over the last few years since returning to Philadelphia after eight years away in Chicago, I’ve had numerous conversations with different people about how “I don’t remember it always being this hot before”, which is particularly relevant as the Philadelphia region endures excessive heat. Thankfully, it’s not nearly as bad as the Pacific Northwest. Also I have air conditioning blasting next to me as I type this out, so, you know.
The common refrain in these conversations, however, tends to be less about how we have high temperatures and more about how it’s difficult to sleep at night. And there’s a reason for that as this article from the Philadelphia Inquirer explains, our average summer low temperatures are rising, and rising faster than our average summer high temperatures.
Yep, definitely getting warmer.
Of course you can probably already see where I was going with this. The Inquirer linked to their source and that’s where I’ve spent my time this morning, alas, I didn’t quite have enough to finish what I started and so this post will have to do.
Credit for the piece goes to the Philadelphia Inquirer graphics department.
It’s no secret that Americans—and likely at least Western communities more broadly—live in bubbles, one of which being our political bubbles. And so I want to thank one of my mates for sending me the link to this opinion piece about political bubbles from the New York Times.
The piece is fairly short, but begins with an interactive piece that allows you to plot your address and examine whether or not you live in a political bubble. Using my flat in Philadelphia, the map shows lots of little blue dots, representing Democratic voters, near the marker for my address and comparatively few red dots for Republicans.
An island of blue in a sea of red.
If you then look a bit more broadly, you can see that by summing up the dots, my geographic bubble is largely a political bubble, as only 13% of my neighbours are Republicans. Not terribly surprising for a Democratic city.
A certain lack of diversity in political thought.
And while the piece does then zoom back out a wee bit, it tries to show me that I don’t live too far from a politically integrated bubble. Except in this case, it’s across a decent sized river and getting there isn’t the easiest thing in the world. I’m not headed to Gloucester anytime soon.
Things are better in Jersey?
These interactives serve the purpose of drawing the user into the article, which continues explaining some of the causes of this political segregation, by both policy, redlining, and personal choice, lifestyle. The approach works, because it gives us the most relatable story in a large dataset, ourselves. We’re now emotionally or intellectually invested in the idea, in this case political bubbles, and want to learn all about it. Because the more you know…
The piece uses the same type of map to showcase the bubbles more broadly from the Bay Area to the plains of Wyoming. (No surprises in the nature of those political bubbles.) It wraps up by showing how politicians can use the geography of our political bubbles to create political geographies via gerrymandering that shore up their political careers by creating safe districts. The authors use a gerrymandered northeastern Ohio district that encompasses two cities, Cleveland and Akron, to make that point.
That’s in part why I’m in favour of apolitical, independent boundary commissions to create more competitive congressional districts. Personally, I would have been fascinated to see how Pennsylvania’s congressional districts, redrawn in 2018 by the Pennsylvania Supreme Court, after the court found the gerrymandered districts of 2011 unconstitutional, created political competition between parties instead of within parties. But I digress.
And then for kicks, I looked at how my flat in Chicago compared.
Less island of blue and sea of red, because a lake of blue water alters that geography.
Not surprisingly, my neighbourhood in Lakeview was another political bubble, though this one even more Democratic than my current one.
Lakeview is even more Democratic than Logan Square, Philly’s Logan Square that is.
But if I had wanted to move to an integrated political bubble, instead of Philadelphia, I could have moved to…Jefferson Park.
Because everyone can agree Polish food is good food.
Credit for the piece goes to Gus Wezerek, Ryan D. Enos and Jacob Brown.
Admittedly, I was trying to find a data set for a piece, but couldn’t find one. So instead for today’s post I’ll turn to something that’s been sitting in my bookmarks for a little while now. It’s a choropleth map from the US Census Bureau looking at population change between the censuses.
Unequal growth
The reason I have it bookmarked is for the apportionment map, but I will save apportionment for another post because, well, it’s complicated. But map colours are a thing we’ve been discussing of late and we can extend that conversation here.
What I find interesting about this map is how they used a very dark blue-grey colour for their positive growth and an orange that is a fair bit brighter for negative growth, or population loss. And because of that difference in brightness, the orange really jumps out at you.
To be fair, that’s ideal if you’re trying to talk about where state populations are shrinking, because it focuses attention on declines. But, if you’re trying to present a more neutral position, like this seems to be, that colour choice might not be ideal.
Another issue is that if you look at the legend it simply says loss for that orange. But, look above and you’ll see four bins clearly delimited by ranges of percents for the positive growth. If we are trying to present a more neutral story, the use of the orange places it visually somewhere near the top of that blue-grey spectrum.
If you look at the percentages, however, Michigan’s population decline was 0.6% and Puerto Rico’s 2.2%. If this map used a legend that treated positive and negative growth equally, you would place that one state and one should-be state in a presumably light orange. The scale of their negative growth is equal to something like Ohio, which is in the lightest blue-grey available.
Consequently, this map is a little bit misleading when it comes to negative growth.
Credit for the piece goes to the Census Bureau graphics team.
As many of my long-term readers know, I am really only a one sport kind of guy. And that sport is baseball. American football, well, I’ve seen one match live and in person and it was…boring. But it’s a big deal in America. And this is the time of the year when teams begin signing free agents.
I happened to be reading the Boston Globe for news on the Red Sox, my team, when I saw a link to this interactive tool allowing users to build their own roster with free agent signings.
Go Pats
Conceptually, the piece is fairly simple. There is a filterable list of free agents, broken out by whether their forecast signing values falls into the high-, middle-, or low-end of the range. Plus a draft pick.
I root for the Patriots. However, if you asked me to name a single player on last season’s roster, I could only name Cam Newton. Apparently he wasn’t great. I really and truly don’t follow the sport.
The piece displays the available free agents, along with those no longer available. (Though, the piece does offer you the option to go back to the beginning of free agent season and pretend reality didn’t happen.)
I have no idea who any of these people are.
I went through and began semi-randomly picking names. I’d heard of some of them, and others were blind choices. Once you’ve selected within the budget, you can choose a draft pick. They all appear in list format to the right with the ability to remove them via a small X button.
Nope, not a clue.
Once you’ve confirmed your choices you’re taken to a screen that reviews your selection. You are able to either tweet it to the world—which I did not do—or start over again. I would do that, but I wouldn’t do any better than how I just did.
I hope I did at least okay.
Overall, the piece felt intuitive and I never had any issues selecting my free agents. Of course, it would help if I knew anything about the sport. But that’s a user problem.
No two rivers are the same, though they certainly can be similar. Rivers have their own ecosystems and when I was at school, I learned of the different classifications of rivers by the colour of their water: black, white, and clear. Broadly speaking, that just means the amount of sediment dissolved in the river’s water. Black colours appear when slow moving water has absorbed lots from its environment, think swamps. White waters resemble tea or coffee with added milk or cream. This happens when sediments enter and dissolved into the water. Clear water is that, relatively clear and free of sediment.
But a team of scientists at University of North Carolina at Chapel Hill (UNC Chapel Hill) recently released some work where they used shifts in blue to yellow and green to help classify rivers. Their classification differs, but broadly can point to a change from healthy (blue) to unhealthy (yellow and green). The novelty in their work, however, focuses on using satellite imagery to capture the colour of rivers and their evolution since the mid 1980s.
A look at the broader lower-48 of the United States
They published their findings as an interactive application driven primarily by a clickable map. Clearly not all rivers are available, but a large number are, and you can see some obvious patterns at a national scale—their work excludes Alaska and Hawaii. If blue represents healthy rivers, we see healthy rivers in New England and the Pacific Northwest with a host of green rivers in the Mid-Atlantic and Upper Midwest with yellow in the Mississippi basin and southeast.
I wanted to look at Pennsylvania a bit more specifically given my familiarity with the Commonwealth and zoomed in a bit on the map.
The colour of Pennsylvania’s rivers
You can see that using that above scale, Pennsylvania’s rivers are in okay, not great state. Some of the upper stretches of the Delaware and Susquehanna Rivers are coloured blue, but we mostly see a lot of green.
To the right of the map, the designers placed three smaller charts driven by the user’s selection of river. Let’s take a look at the Juniata River as an example—my grandfather grew up living alongside a tributary that emptied into the Frankstown Branch just a short walk from his house.
A look at the Schuylkill River south of the Fairmount Water Works
We can see that the chart on the upper right shows the colour shift over the decades for that observed section of the river. The legend provides the information that the section of the river has shifting blue—gotten healthier—and then below it looks for any seasonal changes. Here the chart is grey, indicating the system lacks enough data for a clear trend. This examines the short changes we might see in a river based on seasonal effects like rainy season, dry season, and human-driven effects—perhaps we pollute more in the spring and then use rivers recreationally in the summer.
Finally a distribution of the river section’s colour, all in wavelengths of light.
My biggest critique here would be the wavelengths. Users likely will not the colour spectrum by wavelength, and adding some labels like blue, yellow, and green could go a long ways to help users understand at what they are looking.
Overall, though, this is a really fascinating project.
