A changeup from the political coverage, here we have sportsball! And by sportsball I mean tennis, if you did not get that from today’s post title. Andy Murray won the ATP World Tour finals, and with it won the number one seed in tennis, displacing Novak Djokovic.
Nothing super fancy going on here, just a line chart. But, it does do a good job of showing how over the last year, the slow decline of Djokovic and the ascendance of Murray.
Credit for the piece goes to John Saeki.
So following on from my Wednesday post, let’s take another look at the “problem” of Mexican immigration. Because as these graphics from the Pew Research Center show, it’s not really a problem these days.
Instead, immigration is down.
Credit for the piece goes to the Pew Research Center graphics department.
Happy Friday after the election. Now that we have had our fill on sweets and bitters, we probably need to move towards a more balanced, more moderate diet. A couple of months ago the New York Times put together this scatter plot from the difference between public and nutritionist opinion on whether certain common foods are healthy.
I normally do not comment on the design of my Friday posts, since I intend them to be on the lighter, more humourous side of things. But this piece interests me, because despite the seriousness of the subject matter I find it lighter and less serious. Why? After studying it, I think it is because of the inclusion of photographs of the items. With the labels still present, I am left thinking that a small dot would be equally effective in communicating what falls where.
But more importantly, look at the sizes of the images relative to the plot. Take the bowls of granola or popcorn, for example. They occupy almost an entire square; the actual value could be anywhere with the 10 percentage point range either vertically or horizontally. And for those two, it does not matter a great deal. Each falls firmly on one side of the line. But what about butter? Kind bars? Cheddar cheese? The large graphic size straddles the line, but because the designers opted for photos over more precise dots, we cannot ascertain whether these foods fall on one side of the line or the other.
The point is that the graphics and design of a piece can influence the perceived seriousness of a piece. An image of a can of Coca-Cola certainly can be more engaging than a 10-pixel dot. But the precision of the dot over the image can also be engaging to the right audience, an audience interested in the data behind the story. There are ways of integrating both, because later on in the same article, we see a means of doing just that.
Here the image provides supplemental information. Just what does a granola bar look like? Well here you can see it. But even here, despite the smaller size and cropped dimensions, the photographs steal a bit of emphasis from the numbers and the charts to the right. (For things like SlimFast, that is no surprise, because the package is designed to capture your attention.)
At the end of the day, the piece interests me because the data interests me. And the story interests me. And I generally like the data visualisation forms the designers chose. But I keep getting hung up the photographs. And not in a good way. What do you think? Do the photos add to the story? Do they make the data clearer?
Credit for the piece goes to Kevin Quealy and Margot Sanger-Katz.
I was not sure if I wanted to file this under either my humourous Friday posts or my regular weekday posts, but I ultimately decided to go with the weekly postings. Why?
It’s simply a different way of visualising the election results, by separating the two camps into two separate Americas. One is the geography connected by Trump’s victory, the other are those disconnected cities and geographies united around Clinton. A collection of almost Greek-like city states.
Trumpland.
Clintonopolis.
And what I can say as someone who often drove from the Chicago Sea to the Acela Channel, the United States is very much divided by economics and by culture. But in theory that is the great advantage of the pluralist, multicultural society—it allows for all people of all different types to cohabit an entire continent. Well, in theory at least.
Credit for the piece goes to Tim Wallace.
Donald Trump announced how he wants to deport 2–3 million undocumented immigrants that have criminal convictions or that belong to gangs. I read up on the issue at FiveThirtyEight and came across the following graphic from the US Immigration and Customs Enforcement (ICE).
However, when I review the graphic, I found it difficult to understand the FiveThirtyEight article’s point that President Obama has lessened the focus on deportation, but those deported are those convicted of serious criminal offences. So I expanded the size of the y-axis and broke apart the stacked bar chart to show the convicted criminals vs. the non-criminal immigration violators. This graphic more clearly shows the dramatic falloff in deportations, and the emphasis on those with criminal convictions.
Credit for the original goes to the graphics department of the US Immigration and Customs Enforcement. The other one is mine.
Boston Beer Company is the parent company of Sam Adams, which is definitely one of those beers I imbibe when I visit Boston. But, as one of the larger craft brewers in the United States, it finds itself under immense competition. This article from Bloomberg examines the situation the brewery finds itself in from a share price, growth, and revenue standpoint.
Credit for the piece goes to the Bloomberg graphics department.
You clearly didn’t miss this story from two weeks ago, because we all had to change our clocks. But, you might not have thought much about it. Which is fine, because I think there was an election or something a day or two later. Or was I dreaming/nightmaring?
Thankfully Andy Woodruff did think about it and he put together a really nice piece about how the changes to time affect the amount of perceived sunlight. I say perceived because obviously the same amount of sunlight falls upon the Earth, but it’s whether we can see it from underneath the covers or hidden behind our office computer monitors.
His interactive piece lets you examine scenarios based on your preferred inputs. For example, as someone who goes to work a bit later in the morning—I have to write this blog sometime, right?—I would prefer the sun to be up later into the evening. And based on my selections, that means that I should consider the argument for always using Daylight Savings Time.
Whereas if I valued a sunrise with daylight, I might prefer to abolish Daylight Savings Time.
Credit for the piece goes to Andy Woodruff.
A few weeks ago the Wall Street Journal published a graphic that I thought could use some work. I like line charts, and I think line charts with two or three lines that overlap can be legible. But when I see five in five colours in a small space…well not so much.
So I spent 45 minutes attempting to rework the graphic. Admittedly, I did not have source data, so I simply traced the lines as they appeared in the graphic. I kept the copy and dimensions and tried to work within those limitations. Clearly I am biased, but I think the work is now a little bit clearer. I also added for context the Great Recession, during which credit tightened, ergo more properties would have been likely purchased with cash. It’s all about the context.
The original:
And my take:
Credit for the original work goes to the Wall Street Journal graphics department.
Well this is it. Well at least for you American readers of this blog. It’s Election Day. If you had told me that this is what it would come to almost a year and a half ago, I would have laughed. But it did. And now it comes down to all of us to vote, unless unlike me you live in a state with early voting. And then when the polls begin to close, nerds of the political and data persuasion will be following the results in state, counties, and congressional districts.
And we will be following it all because not all the people on the ballots are named Trump or Clinton. I lived eight years in Illinois. There, you guys are, among others, choosing between Kirk and Duckworth. Here in Pennsylvania, it’s between Toomey and McGinty. Here there is also a referendum on judicial retirement ages. Other districts, counties, and states will have other things upon which to vote.
And while local politics and governance impact us the most, let’s face it. We’re all here for the title fight. The heavyweight class: Trump v. Clinton. So today being Election Day, how is it going to turn out? Well I have my thoughts, check them out here, but who really knows? But who also doesn’t want to try and guess? Enter the New York Times. They have a great interactive decision tree that allows you to experiment. But even without selecting a thing you can see how much more likely a Clinton victory is. She simply has more paths to 270 electoral college votes.
But that all said, a Clinton victory is far from guaranteed. If the narrow polls are wrong in any one of her “firewall” states, Trump can win. And while it may seem forever ago, remember Bernie Sanders in Michigan? The polls had him down by at least five points to Clinton throughout the race. He won the state by two points. Now a seven point swing is a bit extreme, and I am not suggesting any state will be in that much error. But three to four points is very plausible. And Clinton’s leads? In many of these states, they are within that uncomfortable margin. So here is a plausible scenario that makes tiny New Hampshire and its four votes the deciding state.
So remember, if you haven’t already, go vote. And if I learned anything from Chicago, it’s vote once, vote often.
Credit for the piece goes to the New York Times graphics department.
So this is the last Friday before the election next Tuesday. Normally I reserve Fridays for less serious topics. And often xkcd does a great job covering that for me. But because of the election, I want today’s to be a bit more serious. Thankfully, we still have xkcd for that.
The screenshot above gets to the point. But the whole piece is worth a scroll-through and so it goes at the end. Credit for the piece goes to Randall Munroe.
