Paying a Bribe

Some say bribes grease the wheels of business. But if that is the case, where are the greasiest wheels? This interactive piece from the BBC showcases an interesting story. It maps who has paid bribes and the value thereof. Then it looks at corruption in the different sectors of the country and which is perceived to be the most corrupt.

A look at bribery
A look at bribery

Aesthetically this is not the finest piece. Some of the most interesting countries to view are in Africa and Southeast Asia, i.e. geographies near the equator. Unfortunately the designers here chose a map projection that emphasises Siberia and Arctic Canada at the expense of those very countries. Also, where did Greenland go? I know that the ice is melting, but I don’t think it’s melted that quickly. Furthermore, if the user clicks the “List” option, he or she is presented only with a list of geographies. None of them are selectable nor do they encode data. So why is the list there?

In short, the interface is a bit clunky and strangely designed. Line lengths are too long and it looks ugly. But, there are two interesting things going on here worth noting. First the legend here actually does not just show the range for the choropleth, but it also encodes the number of countries that fall within that range.  

Second, by clicking on a particular bin for the legend, the map filters for the selection. I think that from a design perspective, a lighter grey and a lighter stroke outline would have made the filtering a bit more prominent, but the idea is interesting. Unfortunately, I found no way of easily returning to an all-bin view of the map.

A piece for the BBC that misses a few, but also hits a few.

Credit for the piece goes to the BBC graphics team.

Where’s the Wine?

So my wine palate is neither as refined nor sophisticated as it was before I moved to Chicago. (Oh hi, whisky.) However, wineries are springing up all over the country—and not just in California. This interactive graphic from the New York Times details the country, mapping out wineries up top and then exploring the growth in several key states near the bottom. In particular, note the chart for the number of wineries in California that runs down the right-hand side.

Map of US wineries
Map of US wineries

Credit for the piece goes to Kevin Schaul, Tim Wallace, and Adrienne Carter.

Women Bankers

…and not just any bankers but central bankers (the ones who establish policies at a national level), are rather under represented as this graphic from the Economist details. It is a nice use of small multiples with bar charts over time. Each bar is a 0–50% of the total membership of a central bank board and the share that is dark represents the number of women. Clearly for the countries selected not a single one has had a board of more than 50% women. Sweden and South Africa are the only two countries shown that have had 50% participation from women central bankers—though Norway and Denmark (for a period of time) have been consistently close.

Women central bankers
Women central bankers

Credit for the piece goes to C.W., P.A.W., L.P., and P.K.

Consumer Spending by Store Type

Today’s post is a small interactive from the Wall Street Journal that allows the user to explore consumer spending not by category of spending, but rather the type of store in which they are spending, e.g. grocery retailers. Consumer spending is a fairly important measure of the US economy since so much of our economy depends upon it (I want to say roughly two-thirds, but I cannot recall exactly).

Comparing retail spending by type of store
Comparing retail spending by type of store

This piece has a few interesting things going for it. Firstly is the ability to compare and contrast three different retail channels (My screenshot compares only two). An unlimited amount would have been far too many, but three is a manageable number, especially in the various charting components used.

The tree map is interesting. I like the idea of using them, but I am not sure this is the best application. First, a tree map is fantastic for showing hierarchy. If, for example, there were sub-channels of the big retailing types, they could be nested within, well, squares or rectangles. But here the size and growth could have been compared perhaps more easily in a scatter plot. Secondly, I cannot determine the order for which the channels have been arranged. Clearly it is not by size, because the small ones are near the top. Nor is it reverse, because there are smaller ones where there should be larger ones.

Then the bar chart. An interesting idea, to be sure, of aggregating the sales per channel to see their total value. But if the goal is to compare them, would not a line chart looking at both separately not in aggregate show size and relative gains/declines against the other?

Credit for the piece goes to Dan Hill.

Charting and Mapping Income Mobility

After two weeks out of the country, I come back and find early this morning (thanks, jet lag) an interactive article published by the New York Times on income mobility. What does that mean? From a medium side, a long narrative interspersed with charts and graphics with which the user can interact to uncover specific data about specific elements in the dataset. From a content side, income mobility means the movement of an individual from one group of money earned to another, e.g. a poor person becoming a millionaire. The piece is fantastic and you should take the time to go read and interact with it.

A map shows the broad context of the data to be looked at in the story
A map shows the broad context of the data to be looked at in the story

For some time now I have harped on about the need to annotate and contextualise datasets. Too often, large datasets paralyse people; their eyes glaze over and they simply gaze at a graphic without seeing the data, the story, the information. Little notes and blurbs of text can help people synthesise what they see with what they read with what they know to gain better understanding. But in this piece, by combining a lengthy article—very well written although that is not the focus of this post—with powerful interactive maps and graphics, the New York Times has created a powerful piece that states and then proves the point of the article. And while doing all of that, by making the datasets explorable, the Times also allows you to find your own stories.

A story-like piece lets you choose an area and an income to see how the article's topic plays out
A story-like piece lets you choose an area and an income to see how the article's topic plays out

Lastly, in the credits section at the end you will see this piece required the input of eight individuals (though I know not in what particular capacities). Clearly, for the Times this is not about to become a regular type of infographic/datavis/journalism piece. But when will skill sets be democratised or dispersed enough that smaller teams can create similar scale projects? That will be interesting to see. However, the Times certainly leads the States if not the world in some of the best information design pieces and undoubtedly this will push other publishers of similar content in this direction.

Ultimately people want to know who's best and who's worse and where they fall and this chart does that at the end of the piece
Ultimately people want to know who's best and who's worse and where they fall and this chart does that at the end of the piece

Credit for the piece goes to Mike Bostock, Shan Carter, Amanda Cox, Matthew Ericson, Josh Keller, Alicia Parlapiano, Kevin Quealy, and Josh Williams.

http://www.nytimes.com/2013/07/22/business/in-climbing-income-ladder-location-matters.html?smid=pl-share

Corporate Taxes

Corporate taxes are always a fun discussion point. Who pays too much? Too little? Not at all? In May, the New York Times published an interactive piece examining US companies and their effective tax rates from 2007 through 2012.

At its core, the piece is a bubble chart along one axis that plots the tax rate for the company, with the bubble sized proportionally to said company’s market capitalisation. Colours reinforce the tax rate plotting, but are not themselves necessary. I think they would have been better tied to something along the lines of industries or profit or sales growth.

Overall corporate tax rates
Overall corporate tax rates

Of course that was when I saw the button for viewing the data by industry. The view of all companies is broken up into a series of charts about each particular industry. And of course, if you want information on a particular company, the smart search/filter is particularly useful.

Corporate tax rates by industry
Corporate tax rates by industry

Credit for the piece goes to Mike Bostock, Matthew Ericson, David Leonhardt, and Bill Marsh.

Federal Reserve Actions

Line charts can be a great way of looking at the impact of event over a metric over a set period of time. But what happens when you want to look at multiple metrics over that same period of time?

In this example from the New York Times, we have a series of line charts examining the impact of Federal Reserve actions over several years. Instead of attempting to conflate and confuse the issue by combining multiple charts into one, the designers chose to construct a vertical-running story that is linked by running narration. The final piece looks at four metrics: Federal Reserve assets, the S&P 500 index, the unemployment rate, and the labour force participation rate.

Federal Reserve actions
Federal Reserve actions

The use of the coloured bars in particular works to create and enforce the vertical narrative. The colour consistency across the four charts also aids in that effort. While an option like four small charts could have worked in one visual screen space, you would likely lose much of the detail and fidelity in the lines.

Credit for the piece goes to the New York Times graphics department.

Canadian Fur

The National Post published this fascinating infographic on the Canadian fur industry. Historically speaking, that industry is one of the most important to Canada being one of the primary reasons for Canada’s colonisation by France and later the United Kingdom (to a lesser extent). The graphic provides illustrations of the pelts to scale along with data on the volume and value of the trade in each type of fur. Then it maps the ranges for each of the animals with a matrix of small multiples.

Canadian Fur
Canadian Fur

While it may not be a mistake, I am curious about the two areas of polar bears in the northern United States. Methinks that the Rockies, while snowcapped, would be a bit warm for the bears.

Credit for the piece goes to Joe O’Connor, Andrew Barr, Mike Faille, and Richard Johnson.

Tax Breaks for the Wealthy

In today’s post we look at a small interactive piece from the Washington Post. Everybody pays taxes. And everybody seeks to find ways to pay less in taxes. This interactive stacked bar chart (and bar matrix) examines how much the different available tax benefits help Americans, grouped into income quintiles. The measure is dollars, not percentage of income (either personal or national), so clearly highest income Americans are the big winners in tax benefits while low income Americans lose out. For example, most low income people do not make enough money to invest in the stock market. Therefore they cannot reap the benefit of preferential tax treatment of dividend income as opposed to wage income.

A look at tax benefits in the US
A look at tax benefits in the US

Credit for the piece goes to Darla Cameron.

Piracy on the Seas

Today’s post looks at an interactive graphic from the Los Angeles Times. The subject matter is piracy and the piece has three distinct views, the second of which is displayed here.

Pirate attacks in the Indian Ocean
Pirate attacks in the Indian Ocean

Generally speaking, the package is put together fairly well. My biggest concern is with the first graphic. It uses circles to represent the number of attacks by locale over time. I would have either included a small table for each geographic area noted, or instead used a bar chart or line chart to show the progress over time.

Credit for the piece goes to Robert Burns, Lorena Iñiguez Elebee, and Anthony Pesce.