There is a scene in the re-imagined Battlestar Galactica where with the human population almost extinct, one character comments on the romances of two others by saying “they better start having babies”.
The demographics of the United States are changing. Not that they were not changing prior to recent years; Native American populations were reduced by English and Scottish settlers; the English and Scottish populations were diluted by Germans; then came the Irish and the Italians; then the Slavs; then Chinese—simplistic, but you get the idea.
Now, in the Midwest, as the New York Times reports in both an article and its supporting graphic, the long-established relative decline of the United States’ white population is being checked by a surge in Hispanic growth, especially in the rural plains states.
I am never so much a fan of the circles as sizes of population—a choropleth would have worked equally well—but it does suffice for this graphic. My larger concern is that the graphic measures growth but does not state growth between what years. Presumably, though the data is sourced from Queens College Department of Sociology, it originates in census figures. That would most likely mean growth between 2000 and 2010.
It’s Election Day. Well, not really. But, Nate Silver and the New York Times have come together to release an election simulator, if you will, focused on the chances that a Republican will win the White House.
You play with a few different variables to control the outcome: GDP growth and President Obama’s approval rating. These then are computed along with a few other things (I assume) and, like magic, you get to see your Republican pick’s changes of winning the election.
Keep in mind that these are just possible candidates, not necessarily likely candidates. John Huntsman, after all, is polling in the single digits in some of the early primary states. So while the moderate, centre-right, former ambassador to China, ex-governor of Utah looks almost unbeatable in several scenarios, I think most would agree that the Republican base will not vote for him.
But it is scenarios like that of Huntsman that are worth reminding us that perhaps the current party political system we have in the United States does not yield the best candidates for public office, nor the most broadly electable.
The European debt crisis affects all of us. Shares fall on the exchanges in Frankfurt, Paris and London and then ripple westward to New York before finally reaching Hong Kong and Tokyo. But does anyone understand actually understand who owes whom what?
This interactive piece is yet another from the New York Times and is an online version of a print graphic that appeared in Sunday’s paper. Online, interactivity is used to focus attention on particular elements of the story, highlighting key components of the tangled debt web that anchors the whole piece. The width of the lines relate the difference between borrowers and lenders.
Hidden in the width of the arrows, however, is the gross lending. The lending may appear to cancel itself out, but the banks and other sources of the loans may not all be lending to each other, i.e., some big players could still take a hit if the crisis worsens.
The colours reflect the level of ‘worry’ in the country—though how worry is defined is left unstated.
Different parts of the story and potential scenarios are revealed by clicking buttons on the left-hand side of the piece. Elements of the large graphic that are not needed to tell that part of the story, though remaining pieces remain in place. This is an effective means of reminding the audience where they are situated in the overall web, but I wonder if not a slight shadow or faint trace of the web in the background could have been used instead of losing all the information entirely.
Overall, the interactive piece is quite effective in telling the story. But, because this was in the Sunday paper, the lazy afternoon paper, we also have a large-scale printed infographic that the interactive piece accompanied.
This has a lot more text—dreaded words—to further explain just what is happening. In my mind this adds to the story. For example, what I noted above about the net loans between two parties obscures the gross loans of both sides. This point is explicitly made about Britain and Ireland, which have enjoyed a very strong bilateral trade arrangement for a number of years. This context is added by a little text blurb crafted into the overall design of the piece.
Different scenarios are highlighted at the bottom with a reduction of the main piece creating small multiples of the diagram instead of how the interactive piece removed unnecessary elements. I think this is an equally effective means of solving that problem.
The New York Times created two separate but very much related pieces to explain a story that affects us all. The first media, the interactive piece, takes advantage of the ability to replace on the screen what is not necessary with what is necessary. Further, it allows some data that is not so relevant at first glance to be hidden. Mouse over the various lines and countries to reveal the data behind the problem for each. Do we need this information at first? No. Our first order is to try and work out the web we weaved. Well, that the bankers weaved.
That is very different than the print edition, which cannot be changed. All the content must be available at once. But, the data is made smaller because the print resolution is finer than that of a screen. Small text that might not be legible on a screen can be printed and read just fine. The printed edition also allows more space and thus more text for context. And this is okay knowing that the Sunday paper is likely to be read while relaxing with a fine cup of tea or coffee.
Japan continues to deal with damage from the earthquake and its subsequent tsunami. Yet, much of the news that seems to come out of Japan focuses on the leak of radioactive materials from the Fukushima power station. Certainly that is a story, but is it more important than the tens of thousands of people missing and presumably dead?
The New York Times printed a graphic on Saturday that details the danger from the radiation at the plant, near the plant, across Japan, and then across the rest of the world.
And largely, if you live in the United States, you have no reason to fear the radiation leak. In general, unless you maybe live near the plant, you have no reason to fear the radiation leak.
Overall, it communicates its message clearly and adds nice detail in the bottom third of the graphic about whatever spread of radiation there has been.
Credit for the graphic goes to Joe Burgess, Amanda Cox, Sergio Peçanha, Amy Schoenfeld and Archie Tse.
Valentine’s Day is a day both loved and loathed; I need not detail which groups feel which way. However, despite the dark history—think less hearts and love and more martyrdom and death—we have seen the lighter elements promoted by various causes from genuine love to commercial profits. But all things must have their symbols, especially if they are to be capitalised upon for profits, and we are now accustomed to Cupid representing love and Valentine’s Day. (One must wonder what the Christian martyrs would think if they learned that Valentine’s Day, once originally a Christian saint day, was now symbolised by a heathen, pagan god.)
Courtesy the New York Times, designer Ji Lee now, however, offers you not the staid and static symbol of love we have all come to know and love, but now a true choice of form and symbol. Which would you choose?